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Ancient Mesopotamia was a highly complex culture whose achievements included the invention of writing. This illustrated text offers a reference guide to Mesopotamian religion, mythology and magic between about 3000 BC and the advent of the Christian era. Gods, goddesses, demons, monsters, magic, myths, religious symbolism, rituals and the spiritual world are all discussed in alphabetical entries ranging from short accounts to extended essays.
Ancient Mesopotamia was a rich, varied and highly complex culture whose achievements included the invention of writing and the development of sophisticated urban society. This book offers an introductory guide to the beliefs and customs of the ancient Mesopotamians, as revealed in their art and their writings between about 3000 B.C. and the advent of the Christian era. Gods, goddesses, demons, monsters, magic, myths, religious symbolism, ritual, and the spiritual world are all discussed in alphabetical entries ranging from short accounts to extended essays. Names are given in both their Sumerian and Akkadian forms, and all entries are fully cross-referenced. A useful introduction provides historical and geographical background and describes the sources of our knowledge about the religion, mythology and magic of "the cradle of civilisation".
A fascinating look at ancient Middle Eastern religious belief and practice
This volume is an interdisciplinary investigation and contextualization of the various concepts of divine union in the private and public sphere of the Greek and Near Eastern worlds.
An attempt to write a global history of warfare in the modern era. Jeremy Black, here presents a wide-ranging account of the nature, purpose and experience of war over the last half millennium.
God's Demon is a "fascinating"* dark fantasy novel of a fallen warrior seeking atonement from award-winning author and renowned artist Wayne Barlowe. Lucifer's War, which damned legions of angels to Hell, is an ancient and bitter memory shrouded in the smoke and ash of the Inferno. The Fallen, those banished demons who escaped the full wrath of Heaven, have established a limitless and oppressive kingdom within the fiery confines of Hell. Lucifer has not been seen since the Fall and the mantle of rulership has been passed to the horrific Prince Beelzebub, the Lord of the Flies. The Demons Major, Heaven's former warriors, have become the ruling class. They are the equivalent to landed lords, each owing allegiance to the de facto ruler of Hell. They reign over their fiefdoms, tormenting the damned souls and adding to their wealth. One Demon Major, however, has not forgotten his former life in Heaven. The powerful Lord Sargatanas is restless. For millennia Sargatanas has ruled dutifully but unenthusiastically, building his city, Adamantinarx, into the model of an Infernal metropolis. But he has never forgotten what he lost in the Fall—proximity to God. He is sickened by what he has become. Now, with a small event—a confrontation with one of the damned souls—he makes a decision that will reverberate through every being in Hell. Sargatanas decides to attempt the impossible, to rebel, to endeavor to go Home and bring with him anyone who chooses to follow . . . be they demon or soul. He will stake everything on this chance for redemption. *Guillermo del Toro, Academy Award-Winning Director of The Shape of Water At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This book analyzes the history of Mesopotamian imagery form the mid-second to mid-first millennium BCE. It demonstrates that in spite of rich textual evidence, which grants the Mesopotamian gods and goddesses an anthropmorphic form, there was a clear abstention in various media from visualizing the gods in such a form. True, divine human-shaped cultic images existed in Mesopotamian temples. But as a rule, non-anthropomorphic visual agents such as inanimate objects, animals or fantastic hybrids replaced these figures when they were portrayed outside of their sacred enclosures. This tendency reached its peak in first-millennium Babylonia and Assyria. The removal of the Mesopotamian human-shaped deity from pictorial renderings resembles the Biblical agenda not only in its avoidance of displaying a divine image but also in the implied dual perception of the divine: according to the Bible and the Assyro-Babylonian concept the divine was conceived as having a human form; yet in both cases anthropomorphism was also concealed or rejected, though to a different degree. In the present book, this dual approach toward the divine image is considered as a reflection of two associated rather than contradictory religious worldviews. The plausible consolidation of the relevant Biblical accounts just before the Babylonian Exile, or more probably within the Exile - in both cases during a period of strong Assyrian and Babylonian hegemony - points to a direct correspondence between comparable religious phenomena. It is suggested that far from their homeland and in the absence of a temple for their god, the Judahite deportees adopted and intensified the Mesopotamian avoidance of anthropomorphic picorial portrayals of deities. While the Babylonian representations remained confined to temples, the exiles would have turned a cultic reality - i.e., the nonwritten Babylonian custom - into a written, articulated law that explicity forbade the pictorial representation of God.
A well written guide to Mesopotamian religion by one of the world's foremost Assyriologists. Bottero studies the public and private relationships between the people and the divine, their cosmology, hymns and prayers, rituals, myths and magic.
Gods, Demons and Spirits is a worthy successor to the bestseller BEGONE GODMEN. In it, Dr. Abraham Kovoor, the famed rationalist, continues his relentless crusade against charlatans and miraclemen with greater vigour. It is a scathing exposure of the conning methods employed by pseudo-gods, bogus gurus and assorted fakes to entrap their gullible victims.