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A shocking indictment of polygamy, this book reveals gruesome facts about Bible-based polygamy through the experiences of 18 brave women who escaped from ten of the 11 main polygamous groups. (Christian)
NATIONAL BESTSELLER • NOW A MAJOR MOTION PICTURE starring Abigail Cowen, Tom Lewis, Nina Dobrev, with Logan Marshall Green and Eric Dane, special appearance by Famke Janssen. Distributed by Universal Pictures with a screenplay by Francine Rivers and D.J. Caruso. California’s gold country, 1850. A time when men sold their souls for a bag of gold and women sold their bodies for a place to sleep. Angel expects nothing from men but betrayal. Sold into prostitution as a child, she survives by keeping her hatred alive. And what she hates most are the men who use her, leaving her empty and dead inside. Then she meets Michael Hosea, a man who seeks his Father’s heart in everything. Michael obeys God’s call to marry Angel and to love her unconditionally. Slowly, day by day, he defies Angel’s every bitter expectation, until despite her resistance, her frozen heart begins to thaw. But with her unexpected softening comes overwhelming feelings of unworthiness and fear. And so Angel runs. Back to the darkness, away from her husband’s pursuing love, terrified of the truth she no longer can deny: her final healing must come from the One who loves her even more than Michael does . . . the One who will never let her go. A powerful retelling of the story of Gomer and Hosea, Redeeming Love is a life-changing story of God’s unconditional, redemptive, all-consuming love. Includes a six-part reading group guide!
As a child, Carla van Raay experienced a trauma that changed her forever. Burdened by the weight of this terrible secret, all she wanted to do was survive. Life as a nun promised refuge from the outside world. Carla hoped to find love and understanding within the convent walls. Instead she became enmeshed in a complex system of regulations that drove her to the brink of madness. Finally released from her vows, she escaped back into the 'real' world. A hasty marriage and separation left Carla with a daughter to support. With few professional skills to rely on from her years as a nun, she turned to another age-old profession - prostitution. She worked as an escort to learn the ropes, then struck out on her own, setting up a massage service. God's Callgirl was born. When eventually the seamier side of the business began to assert itself, Carla embarked on a journey to uncover the dark secret of her past.
Set in the impoverished and bustling Lower East Side of Manhattan at the turn of the 20th century, The God of Vengeance is a memorable urban drama of intrigue and romantic liaisons. The God of Vengeance is a gritty, unflinching yet deftly written play, wherein the complexities of human existence and flaws are explored to their fullest. A brothel owner lives with his family above his place of business, and strives to keep his young daughter innocent of what goes on in the establishment that provides their livelihood. However, the girl's curiosity gets the better of her; upon witnessing the sordid goings on, she rapidly develops a fascination for one of the working girls. First published in 1906, and sporadically staged in the decades to follow, the play is unique for featuring a lesbian love affair - a matter shocking and taboo for its era. After one performance in English in 1923, the entire cast was placed under arrest for indecency. Critics of the time were divided; many noted its artistic qualities, but roundly condemned its frank and unabashed depiction of female homosexuality. Others proclaimed it a great drama, and a culturally significant product of the Yiddish diaspora of New York City.
Ohh ! Gods Are Online.. is a surreal novel co-authored by two writers who have never met. The story was neither contrived nor planned; it was allowed to flow. What if the Gods were living in the midst of mankind? What if the Gods were as confused about life’s meaning as humans? What if the Gods were addicted to social media? Ohh ! Gods Are Online.. probes life’s questions as Christ, Krishna, Nick, Buddy Roy and all the bigger and smaller Gods get chatting online.
This book does not intend to demonstrate that Greeks and other ancient Mediterranean peoples, men and women, married and unmarried, sought and participated in sex for its own sake. That is, it is taken as obvious, a given, that they were able to separate sex for pleasure from sex for reproduction. There never were human beings who concerned themselves only with “fertility”. Neither, does this study seek to demonstrate that some ancient Greeks were willing to provide sexual services to partners in return for the receipt of nonsexual benefits. Again, this is self-evident. Nor does this study intend to show that the ancient Mediterranean world was familiar with individuals and enterprises that regularly earned incomes by selling sexual services. Clearly, the ancient world knew prostitution as an occupation and as a form of enterprise. In an article published by Ugarit-Forschungen in 2008, Silver (2006a) challenged the view that temple/sacred prostitution did not exist in the ancient Near East. Contrary to such scholars as Julia Assante (1998, 2003), Martha T. Roth (2006) and Vinciane Pirenne-Delforge (2010), ample evidence indicates that it did. For the convenience of readers this article is included as a Supplement to the present volume. The original article has been reformatted to correct some typographical errors and to make it blend seamlessly into the present volume but otherwise it is unchanged. More recent materials from the ancient Near East are considered mostly in footnotes, however. The present study seeks to leap beyond this finding by showing that temple prostitution also flourished in the ancient Mediterranean. That it did is of course an “old” view, but the old supporting arguments often lack rigor and even clarity and the supporting evidence is fragmentary, contradictory and often facially absurd (e.g. Herodotus 1.199.1–5). Work of this kind has been discredited by scholars such as Fay Glinister (2000) and Stephanie Lynn Budin (2008).
All Tastes! • All Species! • All Currencies! You can find anything in Scalentine, the city of portals, but you won’t find a better brothel than the Red Lantern. And its proprietor, Babylon Steel (ex-mercenary, ex-priestess, ex… lots of things), means to keep it that way. But a prurient cult are protesting in the streets, sex workers are disappearing, and Babylon has bills to pay. When the powerful Diplomatic Section hires her – off the books – to find a missing heiress, she has to take the job. And then her past starts to catch up with her... Originally published as Babylon Steel in 2011 to critical acclaim, this trope-busting, inclusive, sex positive fantasy is back to delight and entertain readers, complete with a gorgeous new cover from Discworld artist Stephen Player.
There are those who go to gay bars and salsa clubs with rosaries in their pockets, and who make camp chapels of their living rooms. Others enter churches with love letters hidden in their bags, because their need for God and their need for love refuse to fit into different compartments. But what goodness and righteousness can prevail if you are in love with someone whom you are ecclesiastically not supposed to love? Where is God in a salsa bar? The Queer God introduces a new theology from the margins of sexual deviance and economic exclusion. Its chapters on Bisexual Theology, Sadean holiness, gay worship in Brazil and Queer sainthood mark the search for a different face of God - the Queer God who challenges the oppressive powers of heterosexual orthodoxy, whiteness and global capitalism. Inspired by the transgressive spaces of Latin American spirituality, where the experiences of slum children merge with Queer interpretations of grace and holiness, The Queer God seeks to liberate God from the closet of traditional Christian thought, and to embrace God's part in the lives of gays, lesbians and the poor. Only a theology that dares to be radical can show us the presence of God in our times. The Queer God creates a concept of holiness that overcomes sexual and colonial prejudices and shows how Queer Theology is ultimately the search for God's own deliverance. Using Liberation Theology and Queer Theory, it exposes the sexual roots that underlie all theology, and takes the search for God to new depths of social and sexual exclusion.
New York City, 1845. Timothy Wilde, a 27-year-old Irish immigrant, joins the newly formed NYPD and investigates an infanticide and the body of a 12-year-old Irish boy whose spleen has been removed.
Christopher Hitchens, described in the London Observer as “one of the most prolific, as well as brilliant, journalists of our time” takes on his biggest subject yet–the increasingly dangerous role of religion in the world. In the tradition of Bertrand Russell’s Why I Am Not a Christian and Sam Harris’s recent bestseller, The End Of Faith, Christopher Hitchens makes the ultimate case against religion. With a close and erudite reading of the major religious texts, he documents the ways in which religion is a man-made wish, a cause of dangerous sexual repression, and a distortion of our origins in the cosmos. With eloquent clarity, Hitchens frames the argument for a more secular life based on science and reason, in which hell is replaced by the Hubble Telescope’s awesome view of the universe, and Moses and the burning bush give way to the beauty and symmetry of the double helix.