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In the tradition of Celestial Gallery, this unique collection of striking Tibetan-style thangka paintings of the Goddesses of the Celestial Gallery are presented together for the first time, in this book-shelf sized format. Reproduced from the master painter Romio Shrestha and his team of artisan monks, who render postmodern interpretations of an age-old Tibetan artistic tradition. Made from malachite, lapis and marigolds and painted at times with just three hairs of a cat's tail, these paintings are produced in hauntingly powerful detail. Goddesses depicted include: "the goddesses of the arts" Saraswati; "the Divine Mother" White Tara a protector and preserver; "the Protectress " Green Tara : "the Dark Goddesses" Palden Lhamo, guardian of the lineage of the Dalai Lamas; and Kali, a wild and uncontrollable consort of Shiva, a devotee of time and keeper of the shadows within ourselves.
Opening the oversized pages of Celestial Gallery is akin to entering a grand museum. This impressive, high-quality production features White Tara, Green Tara, the Medicine Buddha, and many other celestials, while lending new meaning to the terms full-size and full-color. Four color printing with spot varnish throughout.
The third edition in the Celestial Gallery series, Buddhas of the Celestial Gallery collects Romio Shrestha's rarest and previously unpublished t’angkas, surveying the many incarnations of the Buddha. In the tradition of Celestial Gallery and Goddesses of the Celestial Gallery, Romio Shrestha’s latest art book gathers striking Tibetan-style mandala paintings featuring the Buddha. These hauntingly powerful paintings depict the life of the deity in eloquent detail and render postmodern interpretations of an age-old Tibetan artistic tradition in which images are painstakingly created using malachite, lapis, and marigolds, and painted at times with three hairs of a cat’s tail. These exquisite portrayals of the celestial spheres, known as mandalas, invite viewers to meditate on the Buddha’s message of love, completion, and connectedness. Also available in a lavishly illustrated oversize edition.
An extraordinary encyclopedia of Buddhist icons. Illustrating the Rin 'byung brgya rtsa, the Nar thang brgya rtsa, and the Vajravali, the book is based on a collection of over five hundred images of Tibetan deities. The images, presented in the book at full scale, were originally created by a master artist in the early nineteenth century to serve as initiation cards (tsakli). The original tsakli were woodblock prints, hand colored at the request of a Ch'ing Dynasty nobleman who had received the initiations. Such cards are used in ceremonies to introduce the practitioner to the deity and his or her practice. The paintings are housed in the Ethnographic Museum of the University of Zurich. Deities of Tibetan Buddhism is also an indispensable reference tool for Tibetologists, students of Mahayana Buddhism, and museum curators. Its extensive supplementary materials include English translations of the basic invocation texts; the associated visualization with descriptions of the deities' postures, attributes, and colors; and the dharanis and mantras used in their invocation. Co-editor Martin Willson spent more than a decade translating and documenting this work. He has provided detailed explanations of technical terms, enlightening explanatory notes, and glossaries documenting the discrepancies in the depictions. The extensive pictorial index, featuring drawings and text by Robert Beer, explains the symbolic meaning behind the deities' implements and adornments. The cross-referenced indices for Tibetan, Sanskrit, Mongolian, and English names and terms provide quick access to vast amounts of information. Co-editor Martin Brauen and the technical staff of the Ethnographic Museum of the University of Zurich have documented the relationship between this and other sets of initiation cards that exist elsewhere, as well as detailing the construction materials and methods involved in producing this set. Deities of Tibetan Buddhism is a reference book without peer, essential for any serious student of Tibetan and East Asian art and religion.
Following the bestselling "Celestial Gallery," comes a portable alter and beautifully oversized meditation cards which include new and inspired insights, prayers and blessings from the wisdom journals of visionary Nepali thangka artisan Romio Shrestha. Never before rendered in this prayerful format, keys to the offerings of the divine deities--including Buddha Sakyamuni, Green Tara, White Tara, Amitabha and more--honored in these magnificent scroll paintings can be discovered through guided practice and meditation.
The rich artistic heritage of Tibet reveals the depths of meditations of great masters, translated into the majestic abundance of iconic symbols that take the form of three-dimensional images or two-dimensional thankas. Tibetan Art is a comprehensive introduction to the complex iconography of thankas. It provides a glimpse of the mindground of this art and the land where it flourished. Although Tibetan Art portrays the historic Buddha Sakyamuni, the arhats, spiritual masters, great lamas, and founders of different religious lineages, the preponderance of its images depict supramundane beings. Predominantly these are: the Buddhas, Bodhisattvas, female deities, protectors or tutelary gods (yi-dams), defenders of the faith, guardians of the four cardinal points, minor deities and supernatural beings.
With the spread of Buddhism among Westerners and the controversy over its status, interest in Tibet has never been greater. This mysterious land, now a province of the People's Republic of China, has produced some of the most fascinating and creative art in the world. From silk embroidery and textiles to painting, sculpture, and manuscripts, Tibetan art has striking qualities that set it apart from other Buddhist and Asian art. Robert Fisher takes the reader through the history of Tibetan art, starting from its origins in the early days of the Tibetan kingdom. From a bleak and often inaccessible landscape arose a religious and artistic world so vibrant and sophisticated that even China's emperors commissioned works. The art and spiritual life of the region are inextricably intertwined, and Dr. Fisher explores the distinctive character of that relationship. Careful attention is also given to ritual objects, which comprise some of the most important works of art in Tibetan culture.
Replete with inspired illustrations by award-winning artists B.G. Sharma and Mahaveer Swami, Beauty, Power & Grace features Krishna Dharma’s dramatic retellings of pivotal ancient Indian stories of the many Hindu Goddesses. Adapted from ancient Sanskrit texts, the stories in Beauty, Power & Grace represent one of the most fundamental aspects of Hinduism—the innumerable manifestations of divinity. Among these, the portrayal of the Goddess is perhaps the most alluring. She appears as a devoted wife, a master of the arts, a terrifying demon slayer, a scornful critic, and a doting mother, to name just a few of her forms. In Vedic tradition, these depictions of the Goddess reflect the belief that male and female are simply different expressions of one supreme, absolute truth. These profound stories are brought together here in an exquisitely illustrated collection that reveals the various manifestations of the Goddess, ranging from the iconic to the obscure: Mother Yashoda peers into her infant’s mouth and is astonished to catch a glimpse of the entire universe; Ganga Devi, now synonymous with the sacred river, rides upon a great crocodile and purifies those whom she encounters; and Kali, adorned with a garland of skulls, drinks the blood of her victims on the battlefield. A definitive and timeless celebration of Goddess imagery, symbolism, and lore, Beauty, Power & Grace stunningly displays the fascinating intersection between color, form, and meaning at the heart of Hindu tradition.