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Though men dominated early Irish society, women dominated the supernatural. Goddesses of war, fertility, and sovereignty ordered human destiny. Christian monks, in recording the old stories, turned these pagan deities into saints, like St Brigit, or into mortal queens like Medb of Connacht. The Morrigan, the Great Queen, war goddess, remains a figure of awe, but her pagan functions are glossed over. She perches, crow of battle, on the dying warrior CuChulainn's pillar stone, but her role as his tutelary deity, and as planner and fomentor of the whole tremendous Tain, the war between Ulster and Connacht, is obscured. Unlike the Anglo-Irish authors who in modern times treated the same material in English, the good Irish monks were not shocked by her sexual aggressiveness. They show her coupling with the Dagda, the 'good god' of the Tuatha De Danann before the second battle of Mag Tuired, but they conceal that this act - by a goddess of war, fertility and sovereignty - gives the Dagda's people victory and the possession of Ireland. Or they reduce the sovereignty to allegory - when Niall of the Nine Hostages sleeps with the Hag she is allegorical of the trials of kingship! With the English invasion and colonization, the power of the goddesses diminishes further. The book shows the fall in status of the pagan goddesses, first under medieval Christianity and then under Anglo-Irish culture. That this fall shows a loss in the recognition of the roles of women seems evident from the texts. This human loss only begins to be restored when, presiding over the severed heads in Yeats's The Death of Cuchulain, the Morrigu declares, 'I arranged the Dance.'
Empowering, high-interest narrative text tells the story of Hera, the queen goddess from Greek mythology. These core legends show Hera's loving yet jealous personality as she defends her marriage to the king of the gods ating myths also uncover Hera's past, detailing her creation and how she fits into the family of deities. Further explore Hera's role in Greek culture through her signature powers, symbols, and attire. Additional facts and historical information connect Hera's influence through popular culture today.
Female power is explored in this online exhibition of one hundred Old Master paintings, prints, book illustrations, drawings, sculpture and decorative arts objects from the Renaissance and Baroque periods. Visual representations and real stories of women who ruled, including Athena, Aphrodite, Catherine de'Medici, Elizabeth I, Eve, Helen of Troy, and Joan of Arc are represented in this virtual tour of powerful women.
The visual images of Queen Elizabeth I displayed in contemporary portraits and perpetuated in more recent media such as film and television make her one of the most familiar and popular of all British monarchs. This collection of essays examines the diversity of the queen's extensive iconographical repertoire, focusing on both visual and textual representations of Elizabeth, not only in portraiture and literature, but also in contemporary sermons, speeches, and alchemical treatises. The collection broadens critical thinking about Elizabeth. Each essay contributes to the debate about the queen's developing iconicity not simply as a celebratory mode, but also as encoded criticism of her. Each of these essays explains the ways in which the varied representations of Elizabeth reflect the political and cultural anxieties of her subjects.
The visual images of Queen Elizabeth I displayed in contemporary portraits and perpetuated and developed in more recent media, such as film and television, make her one of the most familiar and popular of all British monarchs. This collection of essays examines the diversity of the queen’s extensive iconographical repertoire, focusing on both visual and textual representations of Elizabeth, not only in portraiture and literature, but also in contemporary sermons, speeches and alchemical treatises. The collection broadens current critical thinking about Elizabeth, as each of the essays contributes to the debate about the ways in which the queen’s developing iconicity was not simply a celebratory mode, but also encoded criticism of her. Each of these essays explains the ways in which the varied representations of Elizabeth reflect the political and cultural anxieties of her subjects
"Throughout Africa and beyond in the Diaspora caused by the slave trade, the divine feminine was revered in the forms of goddesses, like the ancient Nana Buluku; water spirits like Yemaya, Oshun, and Mami Wata; and the warrior Oya. The power of these goddesses and spirit beings has taken root in the West. This book shows us how to celebrate and cultivate the traits of these goddesses, drawing upon their strengths to empower our own lives"--
An illustrated seasonal celebration of goddesses "The Goddess Book is a joyful celebration of perennial goddess wisdom that nourishes, expands, and inspires.” —HeatherAsh Amara, author of Warrior Goddess Training This is a book of mediations that celebrate the divine feminine. It is an exploration of representations of the goddess throughout history. Here are heroines, queens, witches, healers, proud princesses, courageous daughters, and cranky crones. Organized by the four seasons, author Nancy Blair groups these goddesses according to the seasons in which their energies are most potent. These meditations and affirmations challenge readers to: Awaken the divine feminine Join the seasonal circle of goddesses Create meaningful, simple, heart-nourishing rituals Let the goddess inform daily life Create the life you want Here is a book of earth-based spirituality, informed by perennial goddess wisdom. The words and the stunning art of artist Thaila Took create a sacred space that will nourish women around the world. From Aphrodite, Brigit, Hekate, and Lilith to Baba Yaga, Kuan Yin, Oshun, and Sekmet this is a treasury to let the goddesses empower and inspire you. "Every woman needs this book on her bedside table. An active and animated must-read.”—Emma Mildon, bestselling author of The Soul Searcher’s Handbook and Evolution of Goddess
Whether pulled from the folds of memory, channeled through the icons of Greek mythology and Roman Catholicism, or filtered through the lens of pop culture, Sonja Livingston’s Queen of the Fall considers the lives of women. Exploring the legacies of those she has crossed paths with in life and in the larger culture, Livingston weaves together strands of memory with richly imagined vignettes to explore becoming a woman in late 1980s and early 1990s America. Along the way, the award-winning memoirist brings us face-to-face with herself as an inner-city girl—trying to imagine a horizon beyond poverty, fearful of her fertility and the limiting arc of teenage pregnancy. Livingston looks at the lives of those she’s known: friends who’ve gotten themselves into “trouble” and disappeared never to be heard from again, girls who tell their school counselor small lies out of necessity and pain, and a mother whose fruitfulness seems, at times, biblical. Livingston interacts with figures such as Susan B. Anthony, the Virgin Mary, and Ally McBeal to mine the terrain of her own femininity, fertility, and longing. Queen of the Fall is a dazzling meditation on loss, possibility, and, ultimately, what it means to be human. Watch a book trailer
Goddesses, feminine images of the divine, often are labeled as one-dimensional forces of nature or fertility. In examining a number of goddesses whose primary role is sovereignty, contributors to this volume go beyond the narrow vision of the past to discover the rich diversity of goddess traditions. Drawn from a variety of cultural and historical settings, the goddesses described here include Inanna of ancient Sumer; Mazu, a goddess still worshipped in southern China; Oshun of Nigeria; and Cihuacoatl of pre-historical America.