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Traces the story of how ancient cultures envisioned artificial life, automata, self-moving devices and human enhancements, sharing insights into how the mythologies of the past related to and shaped ancient machine innovations.
Daily religious devotion in the Greek and Roman worlds centered on the family and the home. Besides official worship in rural sacred areas and at temples in towns, the ancients kept household shrines with statuettes of different deities that could have a deep personal and spiritual meaning. Roman houses were often filled with images of gods. Gods and goddesses were represented in mythological paintings on walls and in decorative mosaics on floors, in bronze and marble sculptures, on ornate silver dining vessels, and on lowly clay oil lamps that lit dark rooms. Even many modest homes had one or more religious objects that were privately venerated. Ranging from the humble to the magnificent, these small objects could be fashioned in any medium from terracotta to precious metal or stone. Showcasing the collections in the Getty Villa, this book’s emphasis on the spiritual beliefs and practices of individuals promises to make the works of Greek and Roman art more accessible to readers. Compelling representations of private religious devotion, these small objects express personal ways of worshiping that are still familiar to us today. A chapter on contemporary domestic worship further enhances the relevance of these miniature sculptures for modern viewers.
Technology of the Gods lays out the mind-bending evidence that long-lost civilizations had attained and even exceeded our "modern" level of advancement. Westerners have been taught that humankind has progressed along a straight-line path from the primitive past to the proficient present, but the hard, fast evidence (literally written in stone!) proves that the ancients had technologies we cannot even replicate today.
In this tour of the history of arguments for and against the existence of God, Nathan Schneider embarks on a remarkable intellectual, historical, and theological journey through the centuries of believers and unbelieversÑfrom ancient Greeks, to medieval Arabs, to todayÕs most eminent philosophers and the New Atheists. Framed by an account of SchneiderÕs own unique journey, God in Proof illuminates the great minds who wrestled with one of historyÕs biggest questions together with their arguments, bringing them to life in their time, and our own. SchneiderÕs sure-handed portrayal of the characters and ideas involved in the search for proof challenges how we normally think about doubt and faith while showing that, in their quest for certainty and the proofs to declare it, thinkers on either side of the God divide are often closer to one another than they would like to think.
Eliza Burt Gamble's 'The God-Idea of the Ancients; Or, Sex in Religion' is a pioneering work that delves into the intricate relationship between spirituality and sexuality in ancient civilizations. Through meticulous research and a thought-provoking analysis, Gamble explores how the concept of God was intertwined with human sexuality, challenging conventional beliefs about religion and its origins. Her literary style combines academic rigor with a captivating narrative, making this book a compelling read for those interested in the intersection of faith and desire in historical contexts. Eliza Burt Gamble, a respected scholar of anthropology and religion, was motivated to write this book by her fascination with the universal themes of sex and religion across cultures. Her expertise in these subjects shines through in 'The God-Idea of the Ancients', as she offers a fresh perspective on ancient myths, rituals, and beliefs. Gamble's dedication to uncovering the hidden narratives of history makes this book a valuable contribution to the field of religious studies. I highly recommend 'The God-Idea of the Ancients; Or, Sex in Religion' to anyone seeking a deeper understanding of the complex dynamics between spirituality and sexuality in ancient societies. Gamble's insightful analysis and thorough research make this book a must-read for academics, students, and anyone intrigued by the mysteries of human belief systems.
Gods have always lived among humans. But long ago, they also lived inside us, sharing their nature with mere mortals.
For more than a thousand years, Greeks from all walks of life consulted oracles for guidance received directly from the gods. This colorful and wide-ranging survey encompasses the entire history of Greek oracles and focuses fresh attention on philosophical, psychological, and anthropological aspects of oracular consultation. It also examines how Greek oracles' practices were distinctive compared to those of their neighbors, especially in Egypt, Babylon, and Israel. Richard Stoneman weaves a fascinating historical tapestry, taking into account the different kinds of oracles (healers, advisors, prophets, and others), their most important sanctuaries, debates about them among ancient thinkers, and Christian attacks on them. Delving into the reasons behind the oracles' enduring position at the heart of Greek culture, Stoneman offers fresh insights into pagan religious practice and the history of Greek intellectual and spiritual life.
With this dazzling modern myth in verse, Kae Tempest became the youngest winner of the prestigious Ted Hughes Award for New Work in Poetry. Yes, the gods are on the park bench, the gods are on the bus, / The gods are all here, the gods are in us. / The gods are timeless, fearless, fighting to be bold, / conviction is a heavy hand to hold, / grip it, winged sandals tearing up the pavement -- / you, me, everyone: Brand New Ancients. Kae Tempest's words in Brand New Ancients are written to be read aloud; the book combines poem, rap, and humanist sermon, by turns tender and fierce. Set in Southeast London, Brand New Ancients finds the mythic in the mundane. It is the story of two half-brothers, Thomas and Clive, unknown to each other -- Thomas the result of an affair between his mother and Clive's father. Tempest, with wide-ranging empathy, takes us inside the passionless marriage of Jane and Kevin -- the man who suspects Thomas is not his son, but loves him just the same -- and the neighboring home of Mary and Brian, where betrayal has not been so placidly accepted. The sons of these two households -- quiet, creative Thomas and angry, destructive Clive -- will cross paths in adolescence, their fates converging with mortal fury. These characters' loves, their infidelities, their disappointments and their small comforts -- these, Tempest argues, are timeless. Our lives and our choices are no less important than those of history and myth. Awarded the Ted Hughes Award for New Work in Poetry, Brand New Ancients insists on our importance as individuals -- and asserts Kae Tempest's importance as a talent impossible to ignore.