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"Amazzone's voice is strong and clear. Goddess Durga promises the transformation, empowerment, and dignity that is our birthright."--Marisa Tomei, Academy Award-winning actor.
This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and heritage and finally the continuous shaping and reshaping of urban imaginaries and contestations over public space. It also investigates the caste group of Kumbhakars (Kumars or the idol makers), reflecting on the complex relation between inherited skill and artistry. Further, it explores how the social construction of art as ‘art’ introduces a tangled web of power asymmetries between ‘art’ and ‘craft’, between an ‘artist’ and an ‘artisan’, and between ‘appreciation’ and ‘consumption’, along with their implications for the articulation of market in particular and social relations in general. Since little has been written on this heritage hub beyond popular pamphlets, documents on town planning and travelogues, the book, written by authors from various fields, opens up cross-disciplinary conversations, situating itself at the interface between art history, sociology of aesthetics, politics and government, social history, cultural studies, social anthropology and archaeology. The book is aimed at a wide readership, including students, scholars, town planners, heritage preservationists, lawmakers and readers interested in heritage in general and Kumartuli in particular.
Durga, as this powerful warrior-goddess is known, Has nine special forms-each one unique, not just a clone. Shailaputri, Brahmacharini and Chandraghanta, Kushmanda and Skandamata, Katyayani and Kaalratri, Maha Gauri and Siddhidatri . . . They are the Nava Durga, Worshipped during Navaratri, The festival of nine nights and nine days That's celebrated across India and the world in myriad ways To praise the goddesses and their glory. This is their story!
This book of essays has no agenda - either gender or religious - but discusses the many facets of the Goddess Durga's images and worship on the Indian subcontinent. The nine authors (in keeping with Navaratri) belong to both the East and West, and to four religions: Hindu, Muslim, Buddhist and Christian. The ten essays like the ten armsof the great goddess in her Bengali manifestation cannot possibly be all-encompassing but does cover the physical geography of the subscontinent by including discussions of her presence and prevalence in Nepal and Kashmir, in Baluchistan, TamilNadu and Keral, and of course, in West Bengal, especially Kolkata, where her autumn festival is celebrated annualy.
This book is rooted in Devi Maa's instruction and guidance. The true credit for writing this book only and only goes to Devi Maa herself. I only played a role of a medium or you can say a postman who was appointed to deliver her 'love letter 'that is her love and grace in form of this book for all her beloved devotees. This book shall automatically get delivered and reach every home, whom Devi Maa herself would like to send to, here 'every home means every heart'. May it open a new door for each one of you and remind you how much you are loved and of the strength that lies within you. "I became the vessel and she became the energy that flowed and poured." I was called to write through the voice of Maa Shakti (universal mother goddess), which lives in my own heart. This book is a reminder for every devotee that the divine mother and her grace is always with each one of us. Love and Grace of Maa Durga is a collection of Devi Maa's real miracles and encounters in life experienced by many of her devotees, including me; these stories of grace have been shared here to reach out and inspire readers. This book is not just a book on miracles of the supreme deity, Devi Maa. It is actually her love, grace and shakti and, while reading, you will be able to sense her energy, healing and love in your hearts; you will feel a connection with her in your subconscious. Jai Mata Di!
God is the encouraging force behind every success. Faith in God makes one self-confident and brave. Here, in this series, we present the interesting tales related to Gods and Goddesses of India written in simple and easy language with beautiful illustrations. They will definitely increase the knowledge of a child regarding the great Indian culture, beliefs and rituals.
story of the supreme mother goddess durga & durga chalisa
The basic dynamism of God has been defined in Indian philosophy as nature or Prakriti which is supposed to be Primeval Power that has been visualized from time immemorial as 'Adyashakti' by seers and thinkers.'Adyashakti' is again the integral active form of God keeping the entire cosmos in control while Her manifestation has been portrayed by the artists and sculptors of ancient India as the Supreme Goddess Mahamaya, the creative force of the Universe. That is why She is also known as Brahmani which is an epithet of Durga. The genesis of the concept of the Supreme Goddess Mahamaya is to be found in the prevailing faith of a great number of people on the supremacy of matriarchal culture. Mahamaya or Brahmani is also known as Durga, Chamunda, Chanda, Kali, Amba and Mahishasurmardini. These violent forms of Mahamaya denote her victory over the vicious and sinful elements. She is represented on these various violent forms as a slayer of demons and sinners. She is also represented as Maha Sarasvati, the great Goddess of learning and absolute Knowledge. She is as well represented as MahaLakshmi, the great Goddess of wealth, beauty and Bliss. Like the Triad of Brahma, the God of Creation, Vishnu the God of Protection and Mahesh the God of Destruction, Mahamaya also assumes the role of Creation, Protection and Destruction. Durga or MahaKali destroys the wicked while Maha Lakshmi and Maha Sarasvati uphold Virtue, spread enlightenment and grant power and prosperity while offering protection. In this volume we present select stories about Durga. The stories allegorically describe struggles between gods and demons and teach the human race to hope that eventually truth and justice prevail. The stories are designed for children and are accompanied with beautiful illustrations.
Navaratri is a Hindu festival dedicated to the worship of Goddess Durga. Navratri means 'nine nights' in Sanskrit, where nava means nine and ratri means nights. During these nine nights and ten days, the nine forms of Devi are worshipped. The tenth day is commonly referred to as Dussehra or Vijayadashami.