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Renaissance Bodies is a unique collection of views on the ways in which the human image has been represented in the arts and literature of English Renaissance society. The subjects discussed range from high art to popular culture - from portraits of Elizabeth I to polemical prints mocking religious fanaticism - and include miniatures, manners, anatomy, drama and architectural patronage. The authors, art historians and literary critics, reflect diverse critical viewpoints, and the 78 illustrations present a fascinating exhibition of the often strange and haunting images of the period. With essays by John Peacock, Elizabeth Honig, Andrew and Catherine Belsey, Jonathan Sawday, Susan Wiseman, Ellen Chirelstein, Tamsyn Williams, Anna Bryson, Maurice Howard and Nigel Llewellyn. "The whole book ... presents a mirror of contemporary concerns with power, the merits and demerits of individualism, sex-roles, 'selves', the meaning of community and (even) conspicuous consumption."--The Observer
Reprint of the original, first published in 1857.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
The title of the book explains it all, as this anthology features poems, ballads, and songs that were common to the peasant class of England beginning from the Tudor era. Some of the titles featured include 'The Plain-Dealing Man', 'Harry the Tailor', 'The Spanish Ladies', 'Begone Dull Care', 'The Trotting Horse', and 'Tobacco'.
The first major study of the rural and cultural career of William Cobbett engages Cobbett's own writings, and other innovative sources such as popular songs, to tie Cobbett's radical politics to rural society.