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In 2010, Vivek Shraya self-published God Loves Hair, her first book; in the ten years since, Vivek has published six more titles including a novel, poetry collection, graphic novel, and children’s picture book, while also working as an artist, musician, and academic. God Loves Hair is a collection of short stories that follows a tender, intelligent, and curious child as they navigate the complex realms of gender creativity, queerness, brownness, religion, and belonging. This tenth-anniversary edition includes a foreword by award-winning YA writer Cherie Dimaline (The Marrow Thieves), as well as additional a new preface, story, and illustrations. Told with the poignant insight and honesty that only the voice of a young mind can convey, God Loves Hair is a moving and ultimately joyous portrait of the resiliency of youth. Ages 12 and up. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A book with many images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
"A touching poetic exploration of budding sexuality, the mysticism of religion, and family dynamics. Shraya's text and Neufeld's illustrations capture the confusion, innocence, and de3lusions of adolescence bang on." -Brian Francis, author of Fruit I am often mistaken for a girl. Not just because I like to wear dresses or makeup. I don't mind. My parents are from India and here is not quite home. School isn't always safe and neither is my body. But I feel safe in my love for God. And God loves hair. First published to acclaim in 2011, Vivek Shraya's first book, now published by Arsenal Pulp Press for the first time, is a collection of twenty-one short stories following a tender, intellectual, and curious child of Indian origin as he navigates the complex realms of sexuality, gender, racial politics, religion, and belonging. Told with the poignant insight and honesty that only the voice of a young mind can convey, God Loves Hair is a moving and ultimately joyous portrait of youth that celebrates diversity in all shapes, sizes, and colors. A Lambda Literary Award finalist in the category of children's books. The stories are accompanied by the award-winning full-color illustrations of Juliana Neufeld. Vivek Shraya is a multimedia artist, working in the mediums of music, performance, literature, and film. He is also author of She of the Mountains.
“Biting and beautiful.” — Jonny Sun, author of everyone’s a aliebn when ur a aliebn too Everyone talks about falling in love, but falling in friendship can be just as captivating. When Neela Devaki’s song is covered by internet-famous artist Rukmini, the two musicians meet and a transformative friendship begins. But as Rukmini’s star rises and Neela’s stagnates, jealousy and self-doubt creep in. With a single tweet, their friendship implodes, one career is destroyed, and the two women find themselves at the center of an internet firestorm. Celebrated multidisciplinary artist Vivek Shraya’s second novel is a stirring examination of making art in the modern era, a love letter to brown women, an authentic glimpse into the music industry, and a nuanced exploration of the promise and peril of being seen.
In this beautiful children’s picture book by Vivek Shraya, author of the acclaimed God Loves Hair, a five-year-old South Asian boy becomes fascinated with his mother’s bindi, the red dot commonly worn by Hindu women to indicate the point at which creation begins, and wishes to have one of his own. Rather than chastise her son, she agrees to it, and teaches him about its cultural significance, allowing the boy to discover the magic of the bindi, which in turn gives him permission to be more fully himself. Beautifully illustrated by Rajni Perera, The Boy & the Bindi is a joyful celebration of gender and cultural difference. Ages 3 to 6. Vivek Shraya is a performer, musician, and filmmaker, and the authors of God Loves Hair and She of the Mountains. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A book with many images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
Described as “cultural rocket fuel” by Vanity Fair, Vivek Shraya is a multi-media artist whose art, music, novels, and poetry and children’s books explore the beauty and the power of personal and cultural transformation. How to Fail as a Popstar is Vivek’s debut theatrical work, a one-person show that chronicles her journey from singing in shopping malls to “not quite” pop music superstardom with beguiling humor and insight. A reflection on the power of pop culture, dreams, disappointments, and self-determination, this astonishing work is a raw, honest, and hopeful depiction of the search to find one’s authentic voice. The book includes color photographs from the show’s 2020 production in Toronto, and a foreword by its director Brendan Healy. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
New York Times bestselling author Roxane Gay (World of Wakanda, Difficult Women) adapts her short story “We Are the Sacrifice of Darkness” as a full-length graphic novel with writer Tracy Lynne Oliver (This Weekend), and artist Rebecca Kirby (Biopsy.) Expanding an unforgettable world where a tragic event forever bathes the world in darkness, The Sacrifice of Darkness follows one woman’s powerful journey through this new landscape as she discovers love, family, and the true light in a world seemingly robbed of any. This young adult drama challenges notions of identity, guilt, and survival in a graphic novel for fans of On A Sunbeam and Are You Listening?
In the fall of 2017, the acclaimed writer and musician Vivek Shraya began receiving vivid and disturbing transphobic hate mail from a stranger. Acclaimed artist Ness Lee brings these letters and Shraya’s responses to them to startling life in Death Threat, a comic book that, by its existence, becomes a compelling act of resistance. Using satire and surrealism, Death Threat is an unflinching portrayal of violent harassment from the perspective of both the perpetrator and the target, illustrating the dangers of online accessibility, and the ease with which vitriolic hatred can be spread digitally.
This gem of a book presents God as a positive life force that, when tapped, can send our lives spinning in an exciting new direction. It explains how spiritual "experiments" work, and provides concrete instructions for using these principles to improve one's life. Ten spiritual concepts are introduced, with a suggested 48-hour experiment to prove each one. Some examples of these principles are: 1) There's a power and force in the universe that can heal; 2) Your thoughts create your reality; and 3) By directing your mind, you can create more abundance, joy, and love in your life. Written in a conversational, contemporary voice, God Doesn't Have Bad Hair Days will appeal to the spiritual believer who's a fan of such bestsellers as The Prayer of Jabez and Simple Abundance, as well as to the spiritually curious who seek fulfillment outside traditional Christian denominations. The spiritual skeptic, too, will be drawn to this attractive book and its cheeky, no-nonsense tone.
An intimate and poignant memoir about the family of Alan Kurdi—the young Syrian boy who became the global emblem for the desperate plight of millions of Syrian refugees—and of the many extraordinary journeys the Kurdis have taken, spanning countries and continents. Alan Kurdi’s body washed up on the shore of the Mediterranean Sea on September 2, 2015, and overnight, the political became personal, as the world awoke to the reality of the Syrian refugee crisis. Tima Kurdi first saw the shocking photo of her nephew in her home in Vancouver, Canada. But Tima did not need a photo to understand the truth—she and her family had already been living it. In The Boy on the Beach, Tima recounts her idyllic childhood in Syria, where she grew up with her brother Abdullah and other siblings in a tight‑knit family. A strong‑willed, independent woman, Tima studied to be a hairdresser and had dreams of seeing the world. At twenty‑two, she emigrated to Canada, but much of her family remained in Damascus. Life as a single mother and immigrant in a new country wasn’t always easy, and Tima recounts with heart‑wrenching honesty the anguish of being torn between a new home and the world she’d left behind. As Tima struggled to adapt to life in a new land, war overtook her homeland. Caught in the crosshairs of civil war, her family risked everything and fled their homes. Tima worked tirelessly to help them find safety, but their journey was far from easy. Although thwarted by politics, hounded by violence, and separated by vast distances, the Kurdis encountered setbacks at every turn, they never gave up hope. And when tragedy struck, Tima suddenly found herself thrust onto the world stage as an advocate for refugees everywhere, a role for which she had never prepared but that allowed her to give voice to those who didn’t have an opportunity to speak for themselves. From the jasmine‑scented neighbourhoods of Damascus before the war to the streets of Aleppo during it, to the refugee camps of Europe and the leafy suburbs of Vancouver, The Boy on the Beach is one family’s story of love, loss, and the persistent search for safe harbour in a devastating time of war.
On first publication in the 1960s, "Honest to God" did more than instigate a passionate debate about the nature of Christian belief in a secular revolution. It epitomised the revolutionary mood of the era and articulated the anxieties of a generation.