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Jesus was not in a hurry. He had only three years of public ministry—three years to heal and teach and change the world—but the Bible never tells us he was rushing through them. We are the ones who rush through them. Catching the gist of this parable. Smiling at the punch line in that dialogue. We can race through the Gospels in hours, fully briefed on Christ’s life, but hardly changed. Until we sit down with Mike Nappa’s God in Slow Motion. Nappa hasn’t carved up the Gospels for quick review or sliced them into tiny pieces for academic study. He has taken ten important moments from the life of Christ and reveled in them, chewing on their words, relating them to life, comparing them with modern culture, allowing the Spirit to work, and letting Christ change him. The result is a rich, personal, and biblical narrative about Jesus and how His purposes unfold, then and now. See how God is sneaky about his glory. How he presents evidence for belief. How he can be comforting and terrifying at once. This is the “good news” in all its many-splendored wonder: the life of Christ, frame by frame. And it is worth every minute because it will change you too.
I believe in one God, the Father almighty, maker of heaven and earth... The Creed is the bones of our faith. In all our different ways, it makes us who we are. But when we stand up and recite the Creed in unison, we have no time to contemplate what it is that we are committing ourselves to. The words rush past, their meaning blurred by familiarity. If we could only slow them down and hear them properly, they would have the power to change worlds. That is what The Creed in Slow Motion aims to do. This is a book for people who like to think things through from first principles. It will not tell you what to believe. (It is for you to engage your mind and discover that for yourself. And for unbelievers to learn what exactly they disbelieve, and why.) In forty short chapters, with clarity and wit, The Creed in Slow Motion draws examples from real-life stories, history and even science to uncover the core claims of Christianity. By turns it is deep, heartening, startling, revolutionary and even, by the world's standards, outrageous.
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In his own variation on C. S. Lewis's trilemma of "Lunatic, Liar, or Lord," Ronald Knox writes: "I do not believe that, human nature being what it is, the immediate impression made by the preaching of the Gospel could have been so profound, if its first missionaries had only told to the world the story of a Man, clearly not mad, clearly not an Impostor, who was nevertheless prepared to accept the worship due to a God." The Gospel possesses a unique power to persuade its hearers to believe in Jesus Christ, to accept the friendship of the Son of Man whose Word is Truth itself. Differing from the continuous commentary-style of his other two Slow Motion books, Knox communicates the power of the Gospel in sermons brimming with his customary freshness, ingenuity, and anecdotal brilliance. Culled by Knox himself from the extensive archives of his preaching over the years, the twenty-three sermons in The Gospel in Slow Motion offer a ready-bound retreat for religious and laity alike, for they are "Gospel" sermons in the fullest sense: their aim is the making of good Christians.
Faith is neither static nor instantaneous. It is not something we stumble upon and instantly understand. Neither is it a monolithic, one-dimensional, singular entity that has but one face, one color, one fragrance. It is many-faceted, multi-dimensional, and appears differently depending on ones angle to the Son. In Finding Faith in Slow Motion, Damon Gray examines faith from myriad angles and through gut-wrenching life experiences, as he asks regarding faith, What is that stuff? Spanning the emotional gamut from laughter to tears, Gray challenges us to define our faith and redefine it, to look at it from a multitude of perspectives and define it again. The writing is intentionally evocative and playful, offering the reader the ability to identify with Gray as he wrestles with the weighty subject matter of finding faith.
Drawing on Jesus's example of walking, bestselling author Mark Buchanan explores one of the oldest spiritual practices of our faith. What happens when we literally walk out our Christian life? We discover the joy of traveling at the speed of our soul. We often act as if faith is only about the mind. But what about our bodies? What does our physical being have to do with our spiritual life? When the Bible exhorts us to walk in the light, or walk by faith, or walk in truth, it means these things literally as much as figuratively. The Christian faith always involves walking out, as again and again we find the holy in the ordinary. "Come, follow me," Jesus said, and then he was off. The most obvious thing about Jesus's method of discipleship, in fact, is that he walked and invited others to walk with him. Jesus is always "on the way," "arriving," "leaving," "approaching," "coming upon." It's in the walking that his disciples are taught, formed, tested, empowered, and released. Part theology, part history, part field guide, God Walk explores walking as spiritual formation, walking as healing, walking as exercise, walking as prayer, walking as pilgrimage, suffering, friendship, and attentiveness. It is a book about being alongside the God who, incarnate in Jesus, turns to us as he passes by--always on foot--and says simply, "Come, follow me." With practical insight and biblical reflections told in his distinct voice, Buchanan provides specific walking exercises so you can immediately implement the practice of going "God speed." Whether you are walking around the neighborhood or hiking in the mountains, walking offers the potential to awaken your life with Christ as it revives body and soul.
This inspirational book answers questions about terminal illness, dementia, and coping with these situations.
Once a colossus dominating the globe, Europe today is a doddering convalescent. Sluggish economic growth, high unemployment, an addiction to expensive social welfare entitlements, a dwindling birth-rate among native Europeans, and most important, an increasing Islamic immigrant population chronically underemployed yet demographically prolific--all point to a future in which Europe will be transformed beyond recognition, a shrinking museum culture riddled with ever-expanding Islamist enclaves. Decline and Fall tells the story of this decline by focusing on the larger cultural dysfunctions behind the statistics. The abandonment of the Christian tradition that created the West's most cherished ideals--a radical secularism evident in Europe's indifference to God and church--created a vacuum of belief into which many pseudo-religions have poured. Scientism, fascism, communism, environmentalism, multiculturalism, sheer hedonism-- all have attempted and failed, sometimes bloodily, to provide Europeans with an alternative to Christianity that can show them what is worth living and dying for. Meanwhile a resurgent Islam, feeding off the economic and cultural marginalization of European Muslims, knows all too well not just what is worth dying for, but what is worth killing for. Crippled by fashionable self-loathing and fantasies of multicultural inclusiveness, Europeans have met this threat with capitulation instead of strength, appeasement and apologies instead of the demand that immigrants assimilate. As Decline and Fall shows, Europe's solution to these ills--a larger and more powerful European Union--simply exacerbates the problems, for the EU cannot address the absence of a unifying belief that can spur Europe even to defend itself, let alone to recover its lost grandeur. As these problems worsen, Europe will face an unappetizing choice between two somber destinies: a violent nationalistic or nativist reaction, or, more likely, a long descent into cultural senescence and slow-motion suicide.
Evangelicals have been scandalized by their association with Donald Trump, their megachurches summarily dismissed as “religious Walmarts.” In The Subversive Evangelical Peter Schuurman shows how a growing group of “reflexive evangelicals” use irony to critique their own tradition and distinguish themselves from the stereotype of right-wing evangelicalism. Entering the Meeting House – an Ontario-based Anabaptist megachurch – as a participant observer, Schuurman discovers that the marketing is clever and the venue (a rented movie theatre) is attractive to the more than five thousand weekly attendees. But the heart of the church is its charismatic leader, Bruxy Cavey, whose anti-religious teaching and ironic tattoos offer a fresh image for evangelicals. This charisma, Schuurman argues, is not just the power of one individual; it is a dramatic production in which Cavey, his staff, and attendees cooperate, cultivating an identity as an “irreligious” megachurch and providing followers with a more culturally acceptable way to practise their faith in a secular age. Going behind the scenes to small group meetings, church dance parties, and the homes of attendees to investigate what motivates these reflexive evangelicals, Schuurman reveals a playful and provocative counterculture that distances itself from prevailing stereotypes while still embracing a conservative Christian faith.