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Just as modern science has revolutionized our understanding of the natural world, so can it expand our understanding of the Divine. In topics as varied as astronomy and cosmology, evolution, genetic engineering, extraterrestrial life, psychology and religious experience, spirituality and medicine, and artificial intelligence, fifty key thinkers discuss the interrelationship between science and religion. Contributors include Robert Jastrow, first chairman of NASA's Lunar Exploration Committee and currently director of the Mount Wilson Institute; Rod Davies, former director of the Jodrell Bank Radio Astronomy Laboratories, U.K.; Owen Gingerich, senior astronomer, Smithsonian Astrophysical Observatory; Paul Davies, recipient of the Templeton Prize for Progress in Religion; Sir John Haughton, former director general of the United Kingdom Meteorological Office; Lord Habgood, former archbishop of York; and science writers Kitty Ferguson and Gregg Easterbrook. The writers are drawn from eight countries and represent the Christian, Jewish, Islamic, and Hindu traditions. Most are scientists by profession, but also included are philosophers, theologians, and psychologists. Each chapter of this innovative, accessible book helps to expand our thinking in light of what is known at the dawn of the twenty-first century. Taken as a whole, this book presents a challenging understanding of God and of God's interaction with the world and with ourselves. Topics covered include: •Creation and evolution •Life on other planets •Genetic engineering •Faith and medicine •The mind and the soul •Quantum physics
Being Christian in the Twenty-first Century was written to help struggling and doubting Christians develop an understanding of Christianity that avoids literalism, creeds, and doctrines--all factors which seem to be driving people away from the church. The book is well suited for individual or group study, complete with a study guide and sample lesson plans. It responds to the call for theological reform advocated by many contemporary clergy and religious leaders. Being Christian does not restate orthodox positions or drift into fundamentalism or sentimentalism. Instead it draws from a broad base of historical, theological, archaeological, and sociological scholarship to place Scripture within its original context, yet present it within a perspective suitable for the twenty-first-century mind. Being Christian is scholarly, yet readable, interesting, and often provocative. One reviewer put it this way, "the book reminds me of a baseball pitcher with a long wind up and a hard fastball getting better in every inning." By building upon progressive thought available today and throughout history, it offers an important resource for Christians and would-be Christians seeking a more fulfilling and thoughtful faith journey.
Cousins evaluates our present religious condition and reflects on the importance of tradition, spirituality, and mysticism in understanding ourselves and others.
In the wake of the horrific 9/11 terrorist attacks we, as an increasingly secular nation, were reminded that religion is, for good and bad, still significant in the modern world. Alongside this new awareness, religion reporters adopted the tools of so-called New Journalists, reporters of the 1960s and '70s like Truman Capote and Joan Didion who inserted themselves into the stories they covered while borrowing the narrative tool kit of fiction to avail themselves of a deeper truth. At the turn of the millennium, this personal, subjective, voice-driven New Religion Journalism was employed by young writers, willing to scrutinize questions of faith and doubt while taking God-talk seriously. Articles emerged from such journalists as Kelly Baker, Ann Neumann, Patrick Blanchfield, Jeff Kripal, and Meghan O'Gieblyn, characterized by their brash, innovative, daring, and stylistically sophisticated writing and an unprecedented willingness to detail their own interaction with faith (or their lack thereof). The God Beat brings together some of the finest and most representative samples of this emerging genre. By curating and presenting them as part of a meaningful trend, this compellingly edited collection helps us understand how we talk about God in public spaces--and why it matters--in a whole new way.
The God Debates presents a comprehensive, non-technical survey of the quest for knowledge of God, allowing readers to participate in a debate about the existence of God and gain understanding and appreciation of religion?s conceptual foundations. Explains key arguments for and against God's existence in clear ways for readers at all levels Brings theological debates up to the present with current ideas from modernism, postmodernism, fideism, evidentialism, presuppositionalism, and mysticism Updates criticism of theology by dealing with the latest terms of the God debates instead of outdated caricatures of religion Helps nonbelievers to learn important theological standpoints while noting their shortcomings Encourages believers and nonbelievers to enjoy informed dialogue with each other Concludes with an overview of religious and nonreligious worldviews and predictions about the future of faith and reason
Description: In this volume some of the outstanding Christian scholars of our day reflect on how their minds have changed, how their academic fields have changed over the course of their careers, and the pressing issues that Christian scholars will need to address in the twenty-first century. This volume offers an accessible portrait of key trends in the world of Christian scholarship today. Christian Thought in the Twenty-First Century features scholars from Great Britain, Canada, the United States, and Switzerland. The contributors represent a wide variety of academic backgrounds--from biblical studies to theology, to religious studies, to history, English literature, philosophy, law, and ethics. This book offers a personal glimpse of Christian scholars in a self-reflective mode, capturing their honest reflections on the changing state of the academy and on changes in their own minds and outlooks. The breadth and depth of insight afforded by these contributions provide rich soil for a reader's own reflections, and an agenda that will occupy Christian thinkers well into the twenty-first century. Endorsements: "I heard many of the lecturers whose essays appear in this book when they were guests of the Chair of Christian Thought at the University of Calgary. Now they reappear to reflect personally on how their minds and academic fields have changed over the course of their careers. They tackle key issues in their disciplines needing future attention and present their views as authentic humans, not only as respected academics." --Wayne Holst University of Calgary and St. David's United Church, Calgary About the Contributor(s): Douglas H. Shantz is Professor of Christian Thought at the University of Calgary. His recent books are Between Sardis and Philadelphia (2008), and A New Introduction to German Pietism (2012). Tinu Ruparell is Associate Professor of Religious Studies at the University of Calgary. He is coeditor, with Ian S. Markham, of Encountering Religion (2000). His current work centers on idealism in Ramanuja and Leibniz as well as on science and religion.
'Nations under God: The Geopolitics of Faith in the Twenty-First Century' is a timely contribution to the on-going discussion on religion and politics. The volume brings together over thirty leading scholars from a variety of disciplines such as political science, international relations theory, sociology, theology, anthropology, and geography. Utilising case studies, empirical investigations, and theoretical examinations, this book focuses on the complex roles that religions play in world affairs. It seeks to move beyond the simplistic narratives and overly impassioned polemics which swamp the discourse on the subject in the media, on the internet, and in popular nonfiction, by acting as a vessel for scholarly research on religion. The book presents a balanced analysis of the multifaceted roles taken on by religions, and religious actors, in global politics. Contributors: Stephen Dawson, Jodok Troy, Gertjan Dijkink, John A. Rees, Mark S. Cladis, Fabio Petito, Linda Woodhead, Jonathan Fox, Brendan Sweetman, Don Handelman, Scott W. Hibbard, Ruy Llera Blanes, Fang-long Shih, Kaarina Aitamurto, Mona Kanwal Sheikh, Lee Marsden, Shireen T. Hunter, Nilay Saiya, Dan G. Cox, Pauline Kollontai, Franc ois Foret, James L. Guth, Brent F. Nelsen, Paul S. Rowe, J. Paul Martin, Allen D. Hertzke, Ishtiaq Ahmed, Jonathan Benthall, Elizabeth Shakman Hurd and Timothy Fitzgerald."
At a time when the church needs an urgent wake-up call and a fresh encounter with Jesus, the hyper-grace message is lulling many to sleep. Claiming to be a new revelation of grace, this teaching is gaining in popularity, but is it true? Or is the glorious truth of grace being polluted by errors, leading to backsliding, compromise, and even the abandonment of faith?
Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold. Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today. This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity.