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"Gobolinks; or, Shadow Pictures for Young and Old" by Ruth McEnery Stuart, Albert Bigelow Paine. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
DigiCat Publishing presents to you this special edition of "The Ship-Dwellers" (A Story of a Happy Cruise) by Albert Bigelow Paine. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
How did we arrive at our contemporary consumer media economy? Why are we now fixated on screens, imbibing information that constantly expires, and longing for more direct or authentic kinds of experience? The Mediated Mind answers these questions by revisiting a previous media revolution, the nineteenth-century explosion of mass print. Like our own smartphone screens, printed paper and imprinted objects touched the most intimate regions of nineteenth-century life. The rise of this printed ephemera, and its new information economy, generated modern consumer experiences such as voracious collecting and curating, fantasies of disembodied mental travel, and information addiction. Susan Zieger demonstrates how the nineteenth century established affective, psychological, social, and cultural habits of media consumption that we still experience, even as pixels supersede paper. Revealing the history of our own moment, The Mediated Mind challenges the commonplace assumption that our own new media lack a past, or that our own experiences are unprecedented.
In 'Pictographs of the North American Indians' by Garrick Mallery, readers are presented with a comprehensive study of the prehistoric rock writings and drawings of various Native American tribes. Mallery meticulously examines the art of pictographs, decoding their meanings and cultural significance, providing valuable insights into the history and artistic expressions of these indigenous communities. The book showcases a combination of Mallery's meticulous research and his deep appreciation for the artistic traditions of the diverse Native American cultures, making it a valuable resource for scholars and enthusiasts alike. Mallery's writing style is both scholarly and accessible, making this book an engaging read for anyone interested in Native American art and history. Through his exploration of pictographs, Mallery sheds light on the rich cultural tapestry of the North American indigenous peoples, highlighting the importance of preserving and understanding these ancient forms of expression.
'The Bread Line' tells the story of four young and ambitious friends who hatch a grand plan to launch their own newspaper, envisioning a future of great success and fortune. However, they soon find out that the journey to achieve their dream is fraught with challenges and setbacks they had not anticipated. As they face financial struggles and fierce competition, they learn the hard way that their initial enthusiasm is not enough to sustain them through the tough times. Amidst the uncertainty, love blossoms between two of the friends, adding a touching layer to the tale.
"The River's Children" is an incredible work by American author, Ruth McEnery Stuart, representing the conduct of life of African Americans residing near the Mississippi River and the poverty they lived in. Excerpt from "The River's Children" "The Mississippi was flaunting itself in the face of opposition along its southern banks. It had carried much before it in its downward path ere it reached New Orleans. A plantation here, a low-lying settlement there, a cotton-field in bloom under its brim, had challenged its waters and been taken in, and there was desolation in its wake."