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Since the early 1960s, the internationally acclaimed and highly distinguished Swedish geographer Gunnar Olsson has made substantial contributions to his own discipline. In addition, because of the transgressive nature of his work and writing, which often borders to art and philosophy, his ideas and approaches have reached a wider audience of those interested in the history and geography of ideas, culture and human reasoning. Olsson’s recent masterpiece, Abysmal, is a minimalist guide to the territory of Western culture. In it, he investigates how cartographical reason enables people to think about and navigate the abstract world of invisible human relations, in much the same way as they are able to study and traverse the physical Earth by using maps and mapping. This book presents a comprehensive introduction to, and overview of, the entire range of Olsson’s geography from the early days of spatial science to his contemporary engagement with, and critique of, cartographical reasoning. It includes selected samples of Olsson’s own writings, including rarities, together with a consolidated bibliography of his publications. It also contains critical engagements from leading scholars such as Michael Dear, Michael Watts, Chris Philo and Marcus Doel, with Olsson’s geography, from a variety of perspectives, which are particularly valuable to those readers who already know his work. It is structured and written in a way that makes Olsson’s geography accessible to a wide readership, including those who are not already familiar with Olsson’s work.
Since the early 1960s, the internationally acclaimed and highly distinguished Swedish geographer Gunnar Olsson has made substantial contributions to his own discipline. In addition, because of the transgressive nature of his work and writing, which often borders to art and philosophy, his ideas and approaches have reached a wider audience of those interested in the history and geography of ideas, culture and human reasoning. Olsson’s recent masterpiece, Abysmal, is a minimalist guide to the territory of Western culture. In it, he investigates how cartographical reason enables people to think about and navigate the abstract world of invisible human relations, in much the same way as they are able to study and traverse the physical Earth by using maps and mapping. This book presents a comprehensive introduction to, and overview of, the entire range of Olsson’s geography from the early days of spatial science to his contemporary engagement with, and critique of, cartographical reasoning. It includes selected samples of Olsson’s own writings, including rarities, together with a consolidated bibliography of his publications. It also contains critical engagements from leading scholars such as Michael Dear, Michael Watts, Chris Philo and Marcus Doel, with Olsson’s geography, from a variety of perspectives, which are particularly valuable to those readers who already know his work. It is structured and written in a way that makes Olsson’s geography accessible to a wide readership, including those who are not already familiar with Olsson’s work.
People rely on reason to think about and navigate the abstract world of human relations in much the same way they rely on maps to study and traverse the physical world. Starting from that simple observation, renowned geographer Gunnar Olsson offers in Abysmal an astonishingly erudite critique of the way human thought and action have become deeply immersed in the rhetoric of cartography and how this cartographic reasoning allows the powerful to map out other people’s lives. A spectacular reading of Western philosophy, religion, and mythology that draws on early maps and atlases, Plato, Kant, and Wittgenstein, Thomas Pynchon, Gilgamesh, and Marcel Duchamp, Abysmal is itself a minimalist guide to the terrain of Western culture. Olsson roams widely but always returns to the problems inherent in reason, to question the outdated assumptions and fixed ideas that thinking cartographically entails. A work of ambition, scope, and sharp wit, Abysmal will appeal to an eclectic audience—to geographers and cartographers, but also to anyone interested in the history of ideas, culture, and art.
In any edited volume most credit is due to the individual authors. The present case is no exception and we as editors have done little apart from serving as coordinators for a group of friends and colleagues. For once, the responsi bilities are shared. We feel that the collection gives a fair representation of the activities at the frontier of human geography in North America. Whether these premonitions will be further substantiated is of course to be seen. In the meantime, we take refuge in Vico's saying that "doctrines must take their beginning from that of the matter of which they treat". And yet we also know that new treatments never lead to fmal ends, but rather to new doctrines and to new beginnings. It is also a pleasure to acknowledge those publishers and authors who have given permission to reprint copyrighted materials: Association of American Geographers for Leslie J. King's 'Alternatives to a Positive Economic Geography', Annals of the Association of American Geographers, Vol. 66,1976; Edward Arnold (Publishers) Ltd. for Yi-Fu Tuan's 'Space and Place: Human istic Perspective', in Christopher Board et al. (eds. ), Progress in Geography, Vol. 6, 1974; Economic Geography for David Harvey's 'Population, Resources, and the Ideology of Science' ,Economic Geography, Vol. SO, 1974; Institute of British Geographers for David Ley's 'Social Geography and the Taken-for-Granted World', Transactions of the Institute of British Geogra phers, Vol. 2, 1977; and North-Holland Publishing Company for Allen J.
In this fascinating text Gunnar Olsson tells the story of an arkographer, who with Pallas Athene's blessings, travels down the Red River Valley, navigates the Kantian Island of Truth, and takes a house-tour through the Crystal Palace, the latter edifice an imagination grown out of Gunnael Jensson's sculpture Mappa Mundi Universalis. This travel story carries the arkographer from the oldest creation epics extant to the power struggles of today--nothing less than a codification of the taken-for-granted, a mapping of the no-man's-land between the five senses of the body and the sixth sense of culture. By constantly asking how we are made so obedient and predictable, the explorer searches for the present-day counterparts to the biblical ark, the chest that held the commandments and the rules of behavior that came with them--hence the term "arkography," a word hinting at an as-yet-unrecognized discipline. In Arkography Olsson strips bare the governing techniques of self-declared authorities, including those of the God of the Old Testament and countless dictators, the latter supported by a horde of lackeys often disguised as elected representatives and governmental functionaries. From beginning to end, Arkography is an illustration of how every creation epic is a variation on the theme of chaos turning into cosmic order. A palimpsest of layered meanings, a play of things and relations, identity and difference. One and many, you and me.
"In Topoi/Graphein Christian Abrahamsson maps the paradoxical limit of the in-between to revealthat to be human is to know how tolive with the difference between the known and the unknown. Using filmic case studies, including CodeInconnu, Lord of the Flies, and Apocalypse Now,and focusing on key concerns developed in the works of the philosophers Deleuze, Olsson, and Wittgenstein, Abrahamsson starts within the notion of fixed spatiality, in whichhuman thought and action are anchored in the given of identity. He then movesthrough a social world in which spatiotemporal transformations are neitherfixed nor taken for granted. Finally he edges into the pure temporality that liesbeyond the maps of fixed points and social relations. Each chapter is organized into two subjects: topoi, orexcerpts from the films, and graphein, the author's interpretation ofpresented theoriesto mirror the displacements,transpositions, juxtapositions, fluctuations, and transformations between delimited categories. A landmark work in the study of human geography, Abrahamsson's book proposes that academic and intellectual attention should focus on the spatialization between meaning and its materialization in everyday life."
A wide-ranging and knowledgeable guide to the history of radical geography in North America and beyond. Includes contributions from an international group of scholars Focuses on the centrality of place, spatial circulation and geographical scale in understanding the rise of radical geography and its spread A celebration of radical geography from its early beginnings in the 1950s through to the 1980s, and after Draws on oral histories by leaders in the field and private and public archives Contains a wealth of never-before published historical material Serves as both authoritative introduction and indispensable professional reference
Historical geography is an active, theoretically-informed and vibrant field of scholarly work within modern geography, with strong and constantly evolving connections with disciplines across the humanities and social sciences. Across two volumes, The SAGE Handbook of Historical Geography provides you with an an international and cross-disciplinary overview of the field, presenting chapters that examine the history, present condition and future potential of the discipline in relation to recent developments and research.
Superb! How refreshing to see a Handbook that eschews convention and explores the richness and diversity of the geographical imagination in such stimulating and challenging ways. - Peter Dicken, University of Manchester "Stands out as an innovative and exciting contribution that exceeds the genre." - Sallie A. Marston, University of Arizona "Captures wonderfully the richness and complexity of the worlds that human beings inhabit... This is a stand-out among handbooks!" - Lily Kong, National University of Singapore "This wonderfully unconventional book demonstrates human geography’s character and significance not by marching through traditional themes, but by presenting a set of geographical essays on basic ideas, practices, and concerns." - Alexander B. Murphy, University of Oregon "This SAGE Handbook stands out for its capacity to provoke the reader to think anew about human geography ... essays that offer some profoundly original insights into what it means to engage geographically with the world." - Eric Sheppard, UCLA Published in association with the journal Progress in Human Geography, edited and written by the principal scholars in the discipline, this Handbook demonstrates the difference that thinking about the world geographically makes. Each section considers how human geography shapes the world, interrogates it, and intervenes in it. It includes a major retrospective and prospective introductory essay, with three substantive sections on: Imagining Human Geographies Practising Human Geographies Living Human Geographies The Handbook also has an innovative multimedia component of conversations about key issues in human geography – as well as an overview of human geography from the Editors. A key reference for any scholar interested in questions about what difference it makes to think spatially or geographically about the world, this Handbook is a rich and textured statement about the geographical imagination.