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Invented about 13,000 years ago, mud architecture has since been one of the most common, economical, useful, and widespread forms of building. It has been--and is still being--used for grand palaces and temples as well as simple shops and homes. Research conducted over the last several decades has enabled archaeologists and architects to understand how now-ruined, ancient mud structures were originally built. Gus and Ora Van Beek describe mud-construction techniques from Southwest Asia, the Near East, North Africa, Europe, and the United States, paying specific attention to problems involving foundations, wall and roof construction, cooling and heating, water erosion, and earthquake damage. Glorious Mud! is not only the definitive reference work on one of the world's most important forms of architecture but also a powerful study of the human past.
'Susie Dent is a national treasure' RICHARD OSMAN 'Susie Dent is a one-off. She breathes life and fun into words and language' PAM AYRES __________________________________________ Would you be bewildered if someone described you as radgy? Do you know how to recognise a tittamatorter? And would you understand if someone called you a culchie? How to Talk Like a Local gathers together hundreds of words from all over the country and digs down to uncover their origins. From dardledumdue, which means daydreamer in East Anglia, through forkin robbins, the Yorkshire term for earwigs, to clemt, a Lancashire word that means hungry, it investigates an astonishingly rich variety of regional expressions, and provides a fascinating insight into the history of the English language. If you're intrigued by colourful words and phrases, if you're interested in how English is really spoken, or if you simply want to find out a bit more about the development of our language, How to Talk Like a Local is irresistible - and enlightening - reading. __________________________________________________ 'Nobody on earth knows more about the English language than Susie Dent and nobody writes about it more entertainingly' GYLES BRANDRETH 'It's an interesting and, at times, hilarious read. One for word-lovers' THE SUN
Spectator Politics is the first major study of metatheatre, or theatrically self-conscious performance, in Aristophanes. Using a reception-based performance criticism, Niall Slater elucidates the comic effectiveness of the earliest surviving comedies in the Western tradition. Slater demonstrates that Aristophanes employed metatheatre not simply to entertain but also to teach his audience how to read and interpret performance in other key public venues of the ancient democracy of Athens, such as performances in the political assembly and law courts. Aristophanes was, Slater contends, the first performance critic. Spectator Politics shows how Aristophanes' comedy served the Athenians by helping them to become active political participants, teaching them to see through deceptive performances, whether on stage or in the political sphere. His comedies use self-conscious performance to encourage the public to move out of the role of passive consumers of spectacle and to reengage the political process. Aristophanes' critique of performance prefigures much in the performance-dominated culture of the modern American political scene. Throughout, detailed readings of the original stagings illuminate the plays for today's audiences and performers, while Slater's cultural critique provides much for those interested in Athenian democracy and its lesson for the contemporary political scene. Spectator Politics offers a salutary demonstration of the power of art to expose and resist the performance powers of would-be demagogues.
The seminal, uncollected essays—lauded as “dazzling” (The New York Times Book Review)—by the late Christopher Hitchens, author of the #1 New York Times bestseller God Is Not Great, showcase the notorious contrarian’s genius for rhetoric and his sharp rebukes to tyrants and the ill-informed everywhere. For more than forty years, Christopher Hitchens delivered essays to numerous publications on both sides of the Atlantic that were astonishingly wide-ranging and provocative. His death in December 2011 from esophageal cancer prematurely silenced a voice that was among the most admired of contemporary voices—writers, readers, pundits and critics the world over mourned his loss. At the time of his death, Hitchens left nearly 250,000 words of essays not yet published in book form. “Another great book of essays from a writer who we wish were still alive to produce more copy” (National Review), And Yet… ranges from the literary to the political and is a banquet of entertaining and instructive delights, including essays on Orwell, Lermontov, Chesterton, Fleming, Naipaul, Rushdie, Orhan Pamuk, and Dickens, among others, as well as his laugh-out-loud self-mocking “makeover.” The range and quality of Hitchens’s essays transcend the particular occasions for which they were originally written, yielding “a bounty of famous scalps, thunder-blasted targets, and a few love letters from the notorious provocateur-in-chief’s erudite and scathing assessments of American culture” (Vanity Fair). Often prescient, always pugnacious, formidably learned, Hitchens was a polemicist for the ages. With this posthumous volume, he remains, “America’s foremost rhetorical pugilist” (The Village Voice).
More than a third of the houses in the world are made of clay. Clay vessels were instrumental in the invention of cooking, wine and beer making, and international trade. Our toilets are made of clay. The first spark plugs were thrown on the potter’s wheel. Clay has played a vital role in the health and beauty fields. Indeed, this humble material was key to many advances in civilization, including the development of agriculture and the invention of baking, architecture, religion, and even the space program. In Clay, Suzanne Staubach takes a lively look at the startling history of the mud beneath our feet. Told with verve and erudition, this story will ensure you won’t see the world around you in quite the same way after reading the book.
A collection of poems to perform. Where most anthologies of performance poetry concentrate on modern writing, this collection has a wonderful mix of old favourites, new discoveries, and specially written poems. John Foster has produced many best-selling poetry anthologies. He is also well known as a performer of poetry, and is the perfect anthologist for this book.
This treasury of humorous poems brings together a sparkling constellation of witty poets–from Lord Rochester to Lewis Carroll, from Edward Lear to Ogden Nash, from Dorothy Parker to W. H. Auden–and embraces a wide range of forms, including limericks, clerihews, ballads, sonnets, and nonsense verse. Comic Poemsis studded with unforgettable classics, along with lesser-known comic gems from across the ages, from ancient Rome to modern America. Here is the immortal “How Pleasant to Know Mr. Lear” beside Noël Coward’s “Mad Dogs and Englishmen”; the incomparable “Jabberwocky” next to the famous “There was a young lady of Riga.” From Cole Porter and John Updike on love and marriage to Stevie Smith and Dorothy Parker on mortality to the ever-talented Anonymous on almost anything, the lighthearted poetry collected here ranges from the most delightful nonsense to the most sophisticated wit.
Wonderful English is a comprehensive tool for the identification and practice of common English sounds. It covers consonants, vowels, diphthongs and common consonant blends, with engaging tongue twisters, rhyme, song and alliterative verse. It also assists teachers in exploring common culture, values and experience, which is usually encountered and consolidated in child-hood. The book is designed for use by ESL teachers. It is suitable for both beginning and advanced stu-dents. Primary teachers, as well as teachers of elementary phonics, speech therapy and drama, likewise, will find it an enjoyable and useful reference work. Parents of young children may also find it useful.
Wildfowling is the most romantic, exciting and challenging of all the field sports. All wildfowlers have a little poetry in their souls. The majority of fowlers are thoroughgoing individualists. A typical wildfowler is a true hunter, bred and born - a lone wolf pitting his wits and knowledge against the wiles of some of the wariest and fastest birds on earth. Taking all this into account it is no surprise that wildfowling has fascinated a great many well known writers as well as inspiring many lesser known and even amateur writers to write with brilliance and passion about their sport. In this book I have attempted to select a number of gems and rarities of fowling literature from famous writers as well as including notes, articles and snippets from less well known, but nevertheless, enthusiastic scribes. This anthology will, I hope, help preserve some of the more obscure wildfowling tales for gunners of the future. Several of the post war wildfowling stories include those of writers who contributed to now defunct sporting periodicals of that era. Their stories I consider masterpieces of the genre and have been included for the benefit of future generations. In some cases it has been impossible to communicate with them or their relatives, who may contact the publishers if they so wish.