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The year is 1587. The Spanish are preparing to launch the Armada against the English and Queen Elizabeth. Ex-soldier David Becket, now responsible for the Queen's Ordnance discovers that large quantities of gunpowder are going astray. Can someone in the heart of the English government be selling it to the Spanish? Unaccountably he is plagued by vivid dreams of England invaded, an alternative story where the Armada is victorious. Patricia Finney's brilliant reworking of the Armada legend is an imaginative tour de force. Thrilling, intricate, and inspiring, this is a tale of courage, of love, and, ultimately, redemption
Weapons of power can be double edged. For every enchanted blade there is a cursed sword. The warrior who wields one of these weapons will triumph against foe after foe, and yet the blade may be his own downfall. Tyrfing, forged by dwarfs under duress, had three curses to leaven its three virtues. Kullervo used the talking sword of the god Ukko to slay all his foes, and yet in the end it was with that blade that the troubled hero took his own life. Elric's sentient blade Stormbringer drank the blood and souls of its victims in return for victory in the fight, but it was an uneasy, Faustian pact between swordsman and sword, ending in tragedy... -Gavin Chappell
Historical fiction is a hugely popular genre of fiction providing fictional accounts or dramatizations of historical figures or events. This latest guide in the highly successful Bloomsbury Must-Reads series depicts 100 of the finest novels published in this sector, with a further 500 recommendations. A wide range of classic works and key authors are covered: Peter Ackroyd, Margaret Attwood, Sarah Waters, Victor Hugo and Robert Louis Stevenson to name a few. If you want to expand your reading in this area, or gain a deeper understanding of the genre - this is the best place to start! Inside you'll find: - An extended Introduction to historical fiction - 100 titles highlighted A-Z by novel with 500 Read-on recommendations - Read-on-a-theme categories - Award winners and book club recommendations
Finney's brilliant reworking of Britain's Armada legend is an imaginative tour de force. Thrilling, intricate, and inspiring, this is a tale of courage, love, and, ultimately, redemption.
"A fable satirizing Spenser's 'The Fairie Queen' and reflecting the real life of Elizabeth I, tells of a woman who ascends to the throne upon the death of her debauched and corrupted father, King Hern. Gloriana's reign brings the Empire of Albion into a Golden Age, but her oppressive responsibilities choke her, prohibiting any form of sexual satisfaction, no matter what fetish she tries. Her problem is in fact symbolic of the hypocrisy of her entire court. While her life is meant to mirror that of her nation - an image of purity, virtue, enlightenment and prosperity - the truth is that her peaceful empire is kept secure by her wicked chancellor Monfallcon and his corrupt network of spies and murderers, the most sinister of whom is Captain Quire, who is commissioned to seduce Gloriana and thus bring down Albion and the entire empire." -- Goodreads.com.
A duke sets out to seduce an utterly uncouth lady in this historical romance by a RITA finalist . . . The year is 1725. Lady Gloriana Baniard is a beautiful fish out of water. Brought up on the mean streets of London, she is a brash, blunt, obscene force of nature. But thanks to a brief marriage to a disgraced aristocrat, she is forced to live with his noble family and endure the humiliating process of learning proper ladylike behavior. Rebelling, she runs away to Yorkshire, where she intends to be a blacksmith, a skill at which she excels. She knows she’ll need a manservant to front for her. When John Thorne appears, she hires him, stirred as much by his irresistible attraction as by his strength. John Havilland, Duke of Thorneleigh, is an arrogant, indolent gambler and womanizer. Having seen Gloriana just once, he yearns to make her his own. When he learns she has run away from her family, he makes a wild bet with his wastrel companions—he will find the lady and bed her. Disguised as a humble servant, he becomes her assistant, learning the blacksmith trade. The clash of wills between these two proud people creates more sparks than a blacksmith’s anvil. As Gloriana learns to be a lady, Thorne learns humility—and desire deepens to love . . .
Deeper understanding of history is enhanced by encasing it in art and interest. Crime fiction is one of the widest and most rapidly growing forms of literature. Historical crime fiction serves effectively the double purpose of entertaining while it teaches. The truth of the narrative account, the editors of this volume believe, is dependent on the understanding of human nature reflected in the author who writes the narrative. Historical crime fiction, the editors of this volume write, has an obligation and a golden opportunity. It must bring the past up to the present through the device of timeless crime and it must take the reader into the world about which is being written so that the characters are alive and the events interesting and challenging. Professional writers of fiction need to be more effective than mere authors of dates and assumed motivations. Therefore they can fill in human motivations and drives where no records exist and can aid the professional historians in what historian David Thelen calls the challenge of history which is to recover the past and [interpret it for] the present. The essays in this volume accept the challenge and make major accomplishments for meeting it.
The formal gardens of Elizabethan England were among the glories of their age. Complementing the great houses of the day, they reflected the aspirations of their owners, whose greatest desire was to achieve success at Court and to delight the Queen. No leading courtier would be without his great house, no great house was complete without its garden. In this richly illustrated work, Jane Whitaker explores these gems of Elizabethan England, focusing on the gardens of the Queen and her leading courtiers. Drawing on the cultural and horticultural sources of the day, as well as evidence surviving on the ground, she recreates these lost gardens, revealing both the rich and Renaissance culture that underlay them and the sumptuous world of the Elizabethan aristocracy. The result is an evocation of one of the most opulent reigns in English history and an entertaining and informative study of one of the most interesting periods of garden history.