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This book explores the social and cultural dimensions of Japan's global presence as an economic giant. Areas examined include Japanese multinational corporations, popular music and perceptions of Japan in France and Korea.
This insightful book explores the intense and ultimately fleeting moment in 1980s America when the future looked Japanese. Would Japan's remarkable post–World War II economic success enable the East Asian nation to overtake the United States? Or could Japan's globe-trotting corporations serve as a model for battered U.S. industries, pointing the way to a future of globalized commerce and culture? While popular films and literature recycled old anti-Asian imagery and crafted new ways of imagining the "yellow peril," and formal U.S.-Japan relations remained locked in a holding pattern of Cold War complacency, a remarkable shift was happening in countless local places throughout the United States: Japanese goods were remaking American consumer life and injecting contemporary globalization into U.S. commerce and culture. What impact did the flood of billions of Japanese things have on the ways Americans produced, consumed, and thought about their place in the world? From autoworkers to anime fans, Consuming Japan introduces new unorthodox actors into foreign-relations history, demonstrating how the flow of all things Japanese contributed to the globalizing of America in the late twentieth century.
This iconoclastic work on the prehistory of Japan and of South East Asia challenges entrenched views on the origins of Japanese society and identity. The social changes that took place in Japan in the time-period when the Jomon culture was replaced by the Yayoi culture were of exceptional magnitude, going far beyond those of the so-called Neolithic Revolution in other parts of the world. They included not only a new way of life based on wet-rice agriculture but also the introduction of metalworking in both bronze and iron, and furthermore a new architecture functionally and ritually linked to rice cultivation, a new religion, and a hierarchical society characterized by a belief in the divinity of the ruler. Because of its immense and enduring impact the Yayoi period has generally been seen as the very foundation of Japanese civilization and identity. In contrast to the common assumption that all the Yayoi innovations came from China and Korea, this work combines exciting new scientific evidence from such different fields as rice genetics, DNA and historical linguistics to show that the major elements of Yayoi civilization actually came, not from the north, but from the south.
The Japanese people are again struggling with their nation's insularity. The Meiji Restoration and the end of the Asia-Pacific War gave way to concerted efforts to connect the country with the outside world. As the Japanese economy emerged from two decades of stagnant growth, there was wide consensus that the society was increasingly grappling with the problems shared globally, and that both its economy and internal policy debates would benefit from being more fully engaged in discourses and research activity occurring outside its borders. This book considers the efforts of policy makers to reorient Japan to the outside world, as the nation enters the second decade of the 21st century. It discusses the strategies being pursued by Japan's policy makers: enhancing the involvement of the Japanese in global networks * improving English language skills * hiring more foreign labor * lifting the stature of tertiary education on internationally recognized league tables * creating favorable images of a Japanese cultured society abroad. The book considers the changing geopolitical landscape and the social backdrop against which such policies are being introduced, while also assessing the prospects that the Japanese will experience a "third opening" any time soon. Overall, the volume provides insight into some of the critical choices likely to shape Japan's interface with the outside world and the direction in which Japanese society moves during the next decade. (Series: Japanese Society) [Subject: Politics, Sociology, Japanese Studies, Asian Studies]
Globalization is usually thought of as the worldwide spread of Western—particularly American—popular culture. Yet if one nation stands out in the dissemination of pop culture in East and Southeast Asia, it is Japan. Pokémon, anime, pop music, television dramas such as Tokyo Love Story and Long Vacation—the export of Japanese media and culture is big business. In Recentering Globalization, Koichi Iwabuchi explores how Japanese popular culture circulates in Asia. He situates the rise of Japan’s cultural power in light of decentering globalization processes and demonstrates how Japan’s extensive cultural interactions with the other parts of Asia complicate its sense of being "in but above" or "similar but superior to" the region. Iwabuchi has conducted extensive interviews with producers, promoters, and consumers of popular culture in Japan and East Asia. Drawing upon this research, he analyzes Japan’s "localizing" strategy of repackaging Western pop culture for Asian consumption and the ways Japanese popular culture arouses regional cultural resonances. He considers how transnational cultural flows are experienced differently in various geographic areas by looking at bilateral cultural flows in East Asia. He shows how Japanese popular music and television dramas are promoted and understood in Taiwan, Hong Kong, and Singapore, and how "Asian" popular culture (especially Hong Kong’s) is received in Japan. Rich in empirical detail and theoretical insight, Recentering Globalization is a significant contribution to thinking about cultural globalization and transnationalism, particularly in the context of East Asian cultural studies.
Japanese Popular Culture and Globalization is the only concise overview of Japan's phenomenal impact on world pop culture available in English. Surveying Japanese forms from anime (animation) and manga (comic books) to monster movies and Hello Kitty products, this volume is an accessible introduction to Japan's pop creativity and its appeal worldwide. Written in an accessible style and illustrated with more than 20 photographs, Japanese Popular Culture and Globalization combines a historical approach to the evolution and diffusion of Japanese pop with interdisciplinary perspectives from anthropology, literary studies, political science, and the visual arts. Includes a useful glossary of terms and a bibliography of recommended readings.
Japanese popular culture is constantly evolving in the face of internal and external influence. Popular Culture, Globalization and Japan examines this evolution from a new and challenging perspective by focusing on the movements of popular culture into and out of Japan. Taking a multidisciplinary approach, the book argues that a key factor behind the changing nature of Japanese popular culture lies in its engagement with globalization. Essays from a team of leading international scholars illustrate this crucial interaction between the flows of Japanese popular culture and the constant development of globalization. Drawing on rich empirical content, this book looks at Japanese popular culture as it traverses international borders flowing out through such forms as manga consumption in New Zealand and flowing in through such forms as foreigners writing about Japan in Japanese and how American influences affected the formation of Japan’s gay identity. Presenting current, confronting and sometimes controversial insights into the many forms of Japanese popular culture emerging within this global context, Popular Culture, Globalization and Japan will make essential reading for those working in Japanese studies, cultural studies and international relations.
Leading scholars in the field examine the role played by the English language in contemporary Japanese society. Their various chapters cover the nature, status, and function of English in Japan, focusing on the ways in which globalization is influencing language practices in the country.
An ethnographic study of Japanese hip-hop.
From 1993 to 2003, exports of Japan's cartoon arts tripled in value, to $12.5 billion. Fan phenomena around the world - in U.S. malls, teen girls flock to purchase the latest Fruits Basket graphic novel; in Hungary, young people gather for a summer «cosplay» (costume dress-up) event - illustrate the global popularity of manga and anime. Drawing on extensive research and more than 100 original interviews, Anne Cooper-Chen explains how and why the un-Disney has penetrated nearly every corner of the planet. This book uses concepts such as cultural proximity, uses and gratifications, and cultural variability to explain cross-cultural adaptations in a broad international approach. It emphasizes that overseas acceptance has surprised the Japanese, who create manga and anime primarily for a domestic audience. Including some sobering facts about the future of the industry, the book highlights how overseas enthusiasm could actually save a domestic industry that may decline in the contracting and graying country of its birth. Designed for courses covering international mass media, media and globalization and introduction to Japanese culture, the book is written primarily for undergraduates, and includes many student-friendly features such as a glossary, timeline and source list.