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The richly-illustrated publication presents 100 of the finest active corporate collections from all over the world, from different industries and with different artistic focal points - hand-selected by a high-profile advisory board. The ambitious project is supported by AXA ART insurance, Art Finance (Gazprombank Group) and Sotheby's. The book is edited by Friedrich Conzen (Managing Director, Werkladen Conzen Kunst Service, Duesseldorf), Max Hollein (Director, Schirn Kunsthalle, Frank- furt/Main) and Olaf Sali� (Managing Director, Deutsche Standards, Cologne). Chief copy-editor is G�rard A. Goodrow (Free-lance author and curator, former Director Art Cologne). "Global Corporate Collections" is the title of a new project announced by German publisher Deutsche Standards. The more than 700-page book was introduced at Art Basel Miami Beach in December 2014 and will be presented in print at Art Basel in June 2015: "With the kick-off in Miami we will start working with companies collecting art to prepare an extraordinary compendium without comparison", explains Deutsche Standards publisher Dr. Florian Langenscheidt.
The essential reference to art in the workplace and the corporate art world, the International Directory of Corporate Art Collections is still the only comprehensive reference for corporate art collecting around the world. In continuous publication since 1983, the newly revised and updated 2016-2017 edition features nearly 800 companies through a global tour of art in the workplace.Several million works of art are displayed in businesses and corporations around the world -- nearly as many as in city art museums! Corporations spend millions every year purchasing art, and the total value of all of the art that is on display in the workplace is worth several billion dollars. So the most important patron of the arts during the past 70 years has been ....... not private collectors, government art programs, and not even museums, but corporations. The International Directory of Corporate Art Collections describes which companies have art collections, have commissioned art, developed art education programs, and which corporations have organized or sponsored art exhibitions or loaned art works from their collections.In two sections, the International Directory of Corporate Art Collections highlights art in the workplace from 1) Europe and Asia Pacific, and 2) North and South America. The latest edition is an essential reference for artists, art collectors, museum corporate affairs officers, curators and directors, architects, art galleries, art advisors and consultants, art historians, art appraiser, and lawyers. Information provided for each program includes contact information, description, size of collection, art programs and sponsorships, status of program, and bibliography.
Looks at 70 corporate art collections in Germany.
A complete guide to operating a corporate treasury from a global perspective For CFOs and treasurers looking to re-align their treasuries with the growth of the global firm, bankers who seek to maximize the value they create for clients, treasury and finance firm employees, and even finance students, this book provides an easy-to-read approach to this exciting and increasingly complex world. It includes a toolkit that gives practitioners a reference point that they can adapt immediately for use in their firms, providing a low-cost, high-efficiency advisory solution they previously lacked. Offers a uniquely global perspective unlike most books on the subject, which tend to focus on the US market Incorporates a bottom-up, segmented approach that uses fundamental building blocks to form a comprehensive overview of corporate treasury Includes a toolkit that provides a ready foundation for learning based on checklists, templates, and scorecards that can be adapted and customized to the needs of an individual firm Written by an author with more than 13 years working in different aspects of corporate and institutional banking, from capital markets to transaction services Written by an author who has spent many years working The Handbook of Global Corporate Treasury serves as a ready reference for anyone interested in the nuances and practicalities of the complex world of corporate treasury.
The UBS Art Collection is without doubt one of the most important corporate collections in the world. Dating primarily from the 1960s to today, the works of art in the Collection give an impressive overview of the artistic practice of this period. UBS Art Collection: To Art its Freedom is the first major book on the UBS Art Collection in nearly a decade, presenting a visual essay that captures the essence of the Collection as well as the various impulses that have shaped it across decades and continents.The publication features more than 200 color illustrations offering insights into the history and evolution of the UBS Art Collection. Highlights include: Jean-Michel Basquiat, Andreas Gursky, Damien Hirst, David Hockney, Roni Horn, Martin Kippenberger, Willem de Kooning, Sol LeWitt, Neo Rauch, Robert Rauschenberg, Gerhard Richter, Thomas Ruff, Ed Ruscha, Cindy Sherman, Hiroshi Sugimoto, Wolfgang Tillmans, Cy Twombly, Erwin Wurm, and many more.
This book helps managers and scholars understand the born-global phenomenon. We offer a comprehensive treatment of born globals, from distinctive features of these companies, to strategies that they use for international success, to implications of the phenomenon for international small- and medium-sized enterprises. We review useful theories and frameworks, as well as introduce a new field based on the born-global phenomenon - international entrepreneurship.
We have long been told that corporations rule the world, their interests seemingly taking precedence over states and their citizens. Yet, while states, civil society, and international organizations are well drawn in terms of their institutions, ideologies, and functions, the world's global corporations are often more simply sketched as mechanisms of profit maximization. In this book, John Mikler re-casts global corporations as political actors with complex identities and strategies. Debunking the idea of global corporations as exclusively profit-driven entities, he shows how they seek not only to drive or modify the agendas of states but to govern in their own right. He also explains why we need to re-territorialize global corporations as political actors that reflect and project the political power of the states and regions from which they hail. We know the global corporations' names, we know where they are headquartered, and we know where they invest and operate. Economic processes are increasingly produced by the control they possess, the relationships they have, the leverage they employ, the strategic decisions they make, and the discourses they create to enhance acceptance of their interests. This book represents a call to study how they do so, rather than making assumptions based on theoretical abstractions.
Looks at the bigger picture, and the future trends that are going to affect the global business world over the next few years. The author analyses traditional themes such as technology and sustainability but also takes into consideration the effects of developments in other areas such as health, education and demographics
Practical and user friendly, the author describes all the key elements needed to negotiate deals that are doable, profitable, and sustainable. Based on decades of teaching and consultancies around the world, the author provides a useful guide for business executives operating in today’s digitalized global economy. This latest edition will help readers enhance their preparation, anticipate objections, create value for tangibles/intangibles, and avoid cultural blunders to reach mutually beneficial outcomes. By sharpening negotiation skills, business executives will be able to interact more effectively with their counterparts in the fast changing global business environment and the rising influence of third parties. Practical and user friendly, the author describes all the key elements needed to negotiate deals that are doable, profitable, and sustainable.
Is corporate investing in the arts and culture within communities good business? Written by an expert on the topic who ran the Corporate Art Program at Johnson & Johnson, the book sets out the case for business patronage of the arts and culture and demonstrates how to build an effective program for businesses to follow. As companies seek new ways to add value to society, this book places business support of the arts in a corporate social responsibility context and offers a new concept: Corporate Cultural Responsibility. It discusses the issues underlying business support of the arts and explores new avenues of collaboration and value creation. The framework presented in the book serves as a guide for identifying the key attributes and projected impact of successful and sustainable models. Unlike other books centered on the relationship of art and commerce, this book looks at the broader and global implications of Corporate Cultural Responsibility. It also usefully sets the discussion about the role of philanthropy and corporate social responsibility and the arts within an historical timeframe. As the first book to link culture to community responsibility, the book will be of particular relevance to corporate art advisors and auction houses, as well as students of arts management and corporate social responsibility at advanced undergraduate and postgraduate levels.