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A Clockwork Orange and RuPaul's Drag Race meet Eternal Sunshine of the Spotless Mind in this fabulous dystopian fable about fashion, family and feckless billionaires. Simone is one of the Glitterati, the elite living lives of luxury and leisure. Slave to the ever-changing tides – and brutal judgements - of fashion, he is immaculate. To be anything else is to be unfashionable, and no one wants to be unfashionable, or even worse, ugly… When Simone accidentally starts a new fashion with a nosebleed at a party, another Glitterati takes the credit. Soon their rivalry threatens to raze their opulent utopia to the ground, as no one knows how to be vicious like the beautiful ones. Enter a world of the most fantastic costumes, grand palaces in the sky, the grandest parties known to mankind and the unbreakable rules of how to eat ice cream. A fabulous dystopian fable about fashion, family and the feckless billionaire class.
A Clockwork Orange and RuPaul's Drag Race meet Eternal Sunshine of the Spotless Mind in this fabulous dystopian fable about fashion, family and feckless billionaires. Simone is one of the Glitterati, the elite living lives of luxury and leisure. Slave to the ever-changing tides – and brutal judgements - of fashion, he is immaculate. To be anything else is to be unfashionable, and no one wants to be unfashionable, or even worse, ugly… When Simone accidentally starts a new fashion with a nosebleed at a party, another Glitterati takes the credit. Soon their rivalry threatens to raze their opulent utopia to the ground, as no one knows how to be vicious like the beautiful ones. Enter a world of the most fantastic costumes, grand palaces in the sky, the grandest parties known to mankind and the unbreakable rules of how to eat ice cream. A fabulous dystopian fable about fashion, family and the feckless billionaire class.
Discover the inspiration and motivation of the gifted few. The intellectual power of the high-tech industry is awesome - but so are the egos. To keep people working together productively requires an individual style of management, and at the top of these companies are a new breed of executives. Their attitudes to work create fluid cultures where nothing is sacred and everything is open to challenge. The Digerati Glitterati are a select group of the most admired leaders in this remarkable world. Several have founded great companies, while others have transformed existing organisations into world leaders or blazed entrepreneurial trails for others to follow. Some are just beginning to leave their dynamic individual mark. All have a story to tell and priceless advice to offer. The Digerati Glitterati are: Hermann Hauser, Acorn Andrew Rickman, Bookham Technology Malcolm Miller, Pace Micro Technology Robin Saxby, ARM Gordon Moore, Intel Ulrich Schumacher, Infineon Jorma Ollila, Nokia Sir Clive Sinclair, Sinclair Research Pasquale Pistorio, ST Microelectronics Dick Skipworth, Memec David Potter, Psion Hans Snook, Orange Now, the Digerati Glitterati reveal the inside secrets of what it takes to build great companies. In candid interviews they explain how, why and when they got started, how they conceived the idea for their businesses and sold it to others, what motivated them, what kept them going in adversity and how they overcame their biggest challenges.When they speak, smart people listen.
“Another irresistible thriller” (Entertainment Weekly) from Jessica Knoll—author of Luckiest Girl Alive—the New York Times bestselling story about two sisters whose lifelong rivalry combusts when they join the cast of a reality show—resulting in murder. Brett and Kelly have always toed the line between supportive sisters and bitter rivals. Brett grew up as the problem child, constantly in the shadow of the beautiful and brilliant Kelly—until Kelly tarnished her reputation by getting pregnant while in college and keeping the baby. Now Brett—tattooed, body-positive, engaged to a powerful female lawyer, and only twenty-seven—has skyrocketed to meteoric professional success through a philanthropic cycling business. Untethered by children of her own, she’s fueled by the bitter resentment of her youth. Brett’s become the fan favorite on a reality show featuring hyper-successful, beautiful, and hugely competitive entrepreneurial women—think Real Housewives meets Shark Tank. Goal Diggers’ success means Brett is the object of vitriol and jealousy among her cast mates. Meanwhile, Kelly, penniless and struggling to raise her daughter alone, finds herself crawling back to Brett to beg for a job. When Kelly is cast alongside Brett and her three shameless costars—Stephanie, Lauren, and Jen —shocking secrets come to light. And Brett and Kelly will do whatever it takes to keep the world, and their cast mates, in the dark. The show’s executives expect a season filled with the typical catfights and posturing that makes these shows catnip for the viewing public. But no one expects that the fourth season of Goal Diggers will end in murder… “Engrossing…Deliciously savage and wildly entertaining” (People, Book of the Week), The Favorite Sister is “a twisty, sexy thriller, jam-packed with wit and snark” (Glamour). This “binge-worthy beach read” (USA TODAY, 3 out of 4 stars) offers a scathing take on the oft-lionized bonds of sisterhood, and the relentless pressure to stay young, relevant, and salable.
In the spirit of Gretchen Rubin’s megaseller The Happiness Project and Eric Weiner’s The Geography of Bliss, a journalist embarks on a project to discover what it takes to love where you live The average restless American will move 11.7 times in a lifetime. For Melody Warnick, it was move #6, from Austin, Texas, to Blacksburg, Virginia, that threatened to unhinge her. In the lonely aftermath of unpacking, she wondered: Aren’t we supposed to put down roots at some point? How does the place we live become the place we want to stay? This time, she had an epiphany. Rather than hold her breath and hope this new town would be her family’s perfect fit, she would figure out how to fall in love with it—no matter what. How we come to feel at home in our towns and cities is what Warnick sets out to discover in This Is Where You Belong. She dives into the body of research around place attachment—the deep sense of connection that binds some of us to our cities and increases our physical and emotional well-being—then travels to towns across America to see it in action. Inspired by a growing movement of placemaking, she examines what its practitioners are doing to create likeable locales. She also speaks with frequent movers and loyal stayers around the country to learn what draws highly mobile Americans to a new city, and what makes us stay. The best ideas she imports to her adopted hometown of Blacksburg for a series of Love Where You Live experiments designed to make her feel more locally connected. Dining with her neighbors. Shopping Small Business Saturday. Marching in the town Christmas parade. Can these efforts make a halfhearted resident happier? Will Blacksburg be the place she finally stays? What Warnick learns will inspire you to embrace your own community—and perhaps discover that the place where you live right now . . . is home.
While trying to spare Erica's feelings so she could go to Brittany's birthday party, Allie disobeys one of her own rules and lies.
Dishing on celebrity love games made Maya Morgan a media queen. But choosing her prince means working her wildest, most personal scoop yet... She’s gone from gossip reporter to half of the entertainment industry’s newest power couple. And hot singer J. Love’s mad string of hits definitely makes him a good look for Maya—and her career. But she’s feeling something more for laid-back, mellow "civilian" Alvin. A lot more. Now J. Love is using every dirty-spin trick in the glitterati book to humiliate Alvin—and sink Maya’s brand if he can’t hold onto her—and their celebrity-couple perks. With her empire on the line and her rep at stake, Maya will draw on every reliable source and every crazy scheme she’s ever played to save what she’s earned—and prove she can have love and fame.
A thoroughly entertaining and darkly humorous roundup of history’s notorious but often forgotten female con artists and their bold, outrageous scams—by the acclaimed author of Lady Killers. From Elizabeth Holmes and Anna Delvey to Frank Abagnale and Charles Ponzi, audacious scams and charismatic scammers continue to intrigue us as a culture. As Tori Telfer reveals in Confident Women, the art of the con has a long and venerable tradition, and its female practitioners are some of the best—or worst. In the 1700s in Paris, Jeanne de Saint-Rémy scammed the royal jewelers out of a necklace made from six hundred and forty-seven diamonds by pretending she was best friends with Queen Marie Antoinette. In the mid-1800s, sisters Kate and Maggie Fox began pretending they could speak to spirits and accidentally started a religious movement that was soon crawling with female con artists. A gal calling herself Loreta Janeta Velasquez claimed to be a soldier and convinced people she worked for the Confederacy—or the Union, depending on who she was talking to. Meanwhile, Cassie Chadwick was forging paperwork and getting banks to loan her upwards of $40,000 by telling people she was Andrew Carnegie’s illegitimate daughter. In the 1900s, a 40something woman named Margaret Lydia Burton embezzled money all over the country and stole upwards of forty prized show dogs, while a few decades later, a teenager named Roxie Ann Rice scammed the entire NFL. And since the death of the Romanovs, women claiming to be Anastasia have been selling their stories to magazines. What about today? Spoiler alert: these “artists” are still conning. Confident Women asks the provocative question: Where does chutzpah intersect with a uniquely female pathology—and how were these notorious women able to so spectacularly dupe and swindle their victims?
Here is a distinctly unique look at the woman who transformed twentieth century fashion. No stranger to photographing some of the world's most beloved icons, including Man Ray, Marilyn Monroe, and Judy Garland, among countless others, Douglas Kirkland fixed his lens on Chanel for twenty-one days in 1962. Sent to Paris on assignment for Look magazine, Kirkland ended up living with Chanel for three weeks, catching both the public and the intimate moments of Chanel's daily life. This collection of never-before-seen photographs is as staggeringly beautiful as it is an impassioned portraiture, shedding new light on one of the great stories of the modern age. Not just a record of Kirkland's impressions of "Mademoiselle", this book also features a compelling foreword by literary giant Judith Thurman, who poignantly contextualizes the relationship between Kirkland and Chanel, making this book every bit as incomparable as Mademoiselle herself.
“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.