Download Free Glitter Ashes Book in PDF and EPUB Free Download. You can read online Glitter Ashes and write the review.

Glitter + Ashes: Queer Tales of a World That Wouldn't Die is an anthology of post-apocalyptic fiction centering queer joy and community in the face of disaster.
LGBTQ people are a gift to the Church and have the potential to revitalize Christianity. As an openly lesbian Episcopal priest and professional advocate for LGBTQ justice, the Reverend Elizabeth Edman has spent her career grappling with the core tenets of her faith. After deep reflection on her tradition, Edman is struck by the realization that her queer identity has taught her more about how to be a good Christian than the church. In Queer Virtue, Edman posits that Christianity, at its scriptural core, incessantly challenges its adherents to rupture false binaries, to “queer” lines that pit people against one another. Thus, Edman asserts that Christianity, far from being hostile to queer people, is itself inherently queer. Arguing from the heart of scripture, she reveals how queering Christianity—that is, disrupting simplistic ways of thinking about self and other—can illuminate contemporary Christian faith. Pushing well past the notion that “Christian love = tolerance,” Edman offers a bold alternative: the recognition that queer people can help Christians better understand their fundamental calling and the creation of sacred space where LGBTQ Christians are seen as gifts to the church. By bringing queer ethics and Christian theology into conversation, Edman also shows how the realities of queer life demand a lived response of high moral caliber—one that resonates with the ethical path laid down by Christianity. Lively and impassioned, Edman proposes that queer experience be celebrated as inherently valuable, ethically virtuous, and illuminating the sacred. A rich and nuanced exploration, Queer Virtue mines the depths of Christianity’s history, mission, and core theological premises to call all Christians to a more authentic and robust understanding of their faith.
The Thornbell does not require soft pats, though its scratches go deeper than those of cats. It can sing and move copper to rhythm, but once you have touched its revolutionary thorns, you will take the bull by its horns. Eye to eye, there will be no more hiding. Face your past; look through wounds and rip open scars in order to see what broke you the hardest. A collection of poems and short stories about the interplay of pain and pleasure, while being constantly on the run. Enjoy this piece of unhinged literature!
More Bassey than Bhangra... Sonia's life has always been a bit of a double act, brought up as one half of a Shirley Bassey tribute act. Alongside her overbearing mother Gloria, she left a trail of sequins across the working men's clubs of East Anglia. Now she's divorced, battling through the middle-age jungle, wrangling unimpressed teenagers and navigating rocky friendships. But the arrival of her half-brother Naim brings a refreshed sense of belonging and cultural identity, and she begins to piece together the mosaic of her life. Can Sonia shake off the past, even with her ever-present mother keeping 'the show' on the road from beyond the grave? Glitterball is a play with live music, wry humour and a whole lotta sparkle. This edition was published to coincide with the first run produced by Rifco Theatre and Watford Palace Theatre at Watford Palace Theatre, in September 2022.
Proclaimed "one of the great American writers of short fiction" by the New York Times Book Review, William Goyen (1915-1983) had a quintessentially American literary career, in which national recognition came only after years of struggle to find his authentic voice, his audience, and an artistic milieu in which to create. These letters, which span the years 1937 to 1983, offer a compelling testament to what it means to be a writer in America. A prolific correspondent, Goyen wrote regularly to friends, family, editors, and other writers. Among the letters selected here are those to such major literary figures as W. H. Auden, Archibald MacLeish, Joyce Carol Oates, William Inge, Elia Kazan, Elizabeth Spencer, and Katherine Anne Porter. These letters constitute a virtual autobiography, as well as a fascinating introduction to Goyen's work. They add an important chapter to the study of American and Texas literature of the twentieth century.
A lyrical novel of memory portrays an old house in the Texas countryside, and the family that once lived there. Each member of the family gives an accounting of events, secrets and feelings.
I had tried everything: therapy, medication, meditation. Everything except God. Lily Burana was in crisis. Desperate for rescue from her depression and anxiety, the punk-rock-girl-turned-writer feared she would die. She was down to her remedy of last resort: faith. A lapsed believer who had drifted away from the church and into a life on the margins during her young adult years, Lily had long believed that Christianity had nothing to offer her. Then an unmistakable sign from above led to her unexpected decision to let God in—just a little bit. But how could she come to terms with a religion she had dismissed as hostile and intolerant? In this collection of linked essays that chronicle her spiritual recovery, Lily explores what it means to embrace “a faith of surprisingly Jesus-y shape.” Lily navigates her own unique path toward a trusting relationship with God as she addresses topics as diverse as coming out as Christian to your non-Christian friends, the intersection of faith and motherhood, and what it means to confront your history of mental illness and trauma. Whether recounting her history as a “baby Goth,” extolling the healing power of glitter, or wrestling with God for control over her life, Lily proves that you don’t need to have a flawless faith in order to experience God’s grace in action. “Grace for Amateurs is that rare Christian book packed with humor, depth, kindness, intelligence, and inclusion. If you yearn to return to the heart of faith—boundless, agenda-less love—sit down with Burana. She’ll make you laugh and restore your hope.” —Glennon Doyle, New York Times bestselling author of Love Warrior and Carry On, Warrior
From the late Herbert Muschamp, the former architecture critic of The New York Times and one of the most outspoken and influential voices in architectural criticism, a collection of his best work. The pieces here—from The New Republic, Artforum, and The New York Times—reveal how Muschamp’s views were both ahead of their time and timeless. He often wrote about how the right architecture could be inspiring and uplifting, and he uniquely drew on film, literature, and popular culture to write pieces that were passionate and often personal, changing the landscape of architectural criticism in the process. These columns made architecture a subject accessible to everyone at a moment when, because of the heated debate between modernists and postmodernists, architecture had become part of a larger public dialogue. One of the most courageous and engaged voices in his field, he devoted many columns at the Times to the lack of serious new architecture in this country, and particularly in New York, and spoke out against the agenda of developers. He departed from the usual dry, didactic style of much architectural writing to playfully, for example, compare Frank Gehry’s Guggenheim Bilbao to the body of Marilyn Monroe or to wax poetic about a new design for Manhattan’s manhole covers. One sees in this collection that Muschamp championed early on the work of Frank Gehry, Rem Koolhaas, Zaha Hadid, Thom Payne, Frank Israel, Jean Nouvel, and Santiago Calatrava, among others, and was drawn to the theoretical writings of such architects as Peter Eisenman. Published here for the first time is the uncut version of his brilliant and poignant essay about gay culture and Edward Durrell Stone’s museum at 2 Columbus Circle. Fragments from the book he left unfinished, whose title we took for this collection—“A Dozen Years,” “Metroscope,” and “Atomic Secrets”—are also included. Hearts of the City is dazzling writing from a humanistic thinker whose work changed forever the way we think about our cities—and the buildings in them.
In this multi-volume edition, the poetry of W.B. Yeats (1865–1939) is presented in full, with newly-established texts and detailed, wide-ranging commentary. Yeats began to write verse in the nineteenth century, and over time his own arrangements of poems repeatedly revised and rearranged both texts and canon. This edition of Yeats’s poetry presents all his verse, both published and unpublished, including a generous selection of textual variants from the many manuscript and printed sources. The edition also supplies the most extensive commentary on Yeats’s poetry to date, explaining specific references, and setting poems in their contexts; it also gives an account of the vast range of both literary and historical influences at work on the verse. The poems are presented in order of composition, and major revisions or rewritings of poems result in separate inclusions (in chronological sequence) for these writings as they were subsequently reconceived by the poet. This first volume collects Yeats’s poetry of the 1880s, from his ambitious and extensive juvenilia (including hitherto little-noticed dramatic poems) to his earliest published pieces, leading to his first substantial book of verse. The pastoral romance of classically-inflected early work like ‘The Island of Statues’ is succeeded in these years by the Irish mythic material that finds its largest canvas in the mini-epic ‘The Wanderings of Oisin’. In Yeats’s work through the 1880s, an adolescent poet’s youthful absorption in Romantic poetry is replaced by a commitment to esoteric religious speculation and Irish political nationalism. This edition allows readers to see Yeats’s emergence as a poet step by step in compelling detail in relation to his literary influences – including, significantly, the Anglo-Irish poetry of the nineteenth century. The commentary provides an extensive view of Yeats’s developing personal, cultural, and historical worlds as the poems gain in maturity and depth. From the first attempts at verse of a teenage boy to the fully accomplished writings of an original poet standing on the verge of popular success with poems such as ‘The Lake Isle of Innisfree’, Yeats’s poetry is displayed here in unprecedented fullness and detail.