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The letters translated in this book span the most productive period of my literary life, when, owing to great good fortune, I was young and less known. From the Introduction.
This book is a thematic study of the poet-thinker Rabindranath Tagore’s conceptual project of harmonizing the one and its many. Tagore’s writings, in Bengali and in English, on religious and social themes are held together by the leitmotif of a “harmony” which operates across several existential, religious, and social polarities – the finite and the infinite, the temporal and the eternal, and the individual and the universal. Tagore creatively appropriated materials from diverse sources such as the classical Hindu Vedāntic systems, the folk piety of Bengal, and others, to configure a dialectic which shapes his writings on both religious and social themes. On the one hand, each individual is irreducibly distinct from everyone else, and, on the other hand, each individual gains their spiritual depth precisely by being placed within the dynamic matrices of an interrelated whole. Thus, we find Tagore rejecting certain monastic forms of Hindu world-renunciation and also certain ecstatic dimensions of devotional worship – the former because they efface individuality and the latter because they can generate self-absorbed styles of living. Again, Tagore is as sharply opposed to Bengali imitativeness of English modes of being in the world as he is to Bengali forms of insularity – the former because it dilutes the concrete richness of indigenous lifeforms and the latter because it confines individuals to parochial enclosures. Tagore’s life-long endeavor was to configure a “third way” by rejecting both the blank homogeneity of an undifferentiated one and the particularistic insularities of a multitude without a deeper center of coherence.
This is a transnational and bilingual investigation of the cross-fertilisation of mystical religiosity and modern poetical imagination in the works of the Bengali poet Rabindranath Tagore and the Irish poet W. B. Yeats. The book demonstrates how their commitments to transnational mysticism deeply form and inform the modernist literary projects of these poets as well as their understanding of cultural modernity. Although its primary interest lies in their poetry and poetics, the monograph also includes some of their relevant prose works. This study begins with a close look at and around the phase of 1912-1913, when Yeats and Tagore met over the collection of the latter’s English translations of his spiritual verses, Gitanjali, and took mutual interests in each other’s works and cultural significances. The monograph then expands on both sides of that phase, selectively covering the whole career of the poets in its exploration of their parallel mystic-modern cultural-poetical projects.
In this collection of essays, biographies and Nobel lectures, ten Nobel Laureates from five continents give various and startling perspectives on current questions about modernity and tradition, unity and diversity, integration, identity, integrity, gender and sexual roles in a multicultural world of change. It is also a book on self-confidence and presents different ways to self-knowledge and cultural individuality. Published in print for the first time, these studies and penetrating observations on topical issues, written by leading authors and intellectuals from many distant countries, make up one of the most intriguing and engaging avowals of our time.The Nobel Laureates are:Sir V S Naipaul (United Kingdom, born in Trinidad)Nadine Gordimer (South Africa)Derek Walcott (St Lucia)Naguib Mahfouz (Egypt)Patrick White (Australia)Ernest Hemingway (USA)Grazia Deledda (Sardinia, Italy)Amartya Sen (United Kingdom and the USA, born in India)Rabindranath Tagore (India)Nelson Mandela (South Africa)
In this collection of essays, biographies and Nobel lectures, tenNobel Laureates from five continents give various and startlingperspectives on current questions about modernity and tradition, unityand diversity, integration, identity, integrity, gender and sexualroles in a multicultural world of change. It is also a book onself-confidence and presents different ways to self-knowledge andcultural individuality. Published in print for the first time, thesestudies and penetrating observations on topical issues, written byleading authors and intellectuals from many distant countries, make upone of the most intriguing and engaging avowals of our time.
This book provides an analytical understanding of some of Tagore’s most contested and celebrated works and ideas. It reflects on his critique of nationalism, aesthetic worldview, and the idea of ‘surplus in man’ underlying his life and works. It discusses the creative notion of surplus that stands not for ‘profit’ or ‘value’, but for celebrating human beings’ continuous quest for reaching out beyond one’s limits. It highlights, among other themes, how the idea of being ‘Indian’ involves stages of evolution through a complex matrix of ideals, values and actions—cultural, historical, literary and ideological. Examining the notion of the ‘universal’, contemporary scholars come together in this volume to show how ‘surplus in man’ is generated over the life of concrete particulars through creativity. The work brings forth a social scientific account of Tagore’s thoughts and critically reconstructs many of his epochal ideas. Lucid in analysis and bolstered with historical reflection, this book will be a major intervention in understanding Tagore’s works and its relevance for the contemporary human and social sciences. It will interest scholars and researchers of philosophy, literature and cultural studies.
Many people dream of escaping the stresses and strains of urban life and moving to Goa. Katharina Kakar and her husband, the psychoanalyst and writer Sudhir Kakar, followed their dream and boldly took that plunge-buying a charming old house in a tranquil south Goa village, where they hoped to find a whole new way of living and working. Ten years later, they are still there, living the idyll-and the reality-of life in Goa. So which is the real Goa? Is it all about sun and sand, beaches and bikinis, feni and vindaloo? This book captures the allure of all these, as well as the festivals and rituals that punctuate the rhythm of village life. It portrays fascinating local characters, ranging from ageing hippies, beach boys and elusive workmen to the aristocratic residents of Goa's grand old mansions. But it also reveals lesser-known aspects of Goa: the hidden-often shocking-histories of its colonial past; and the debates and fissures that engage and divide Goan society today. In part personal memoir and travelogue, in part an insightful look at Goan history and society, this book portrays Goa with all its paradoxes and problems, its seductive pleasures and, above all, its unique and enduring charm.