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Excerpt from Glimpses of Africa, West and Southwest Coast: Containing the Author's Impressions and Observations During a Voyage of Six Thousand Miles From Sierra Leone to St. Paul De Loanda, and Return, Including the Rio Del Ray and Cameroons Rivers, and the Congo River From Its Mouth to Matadi First. To gratify a long - cherished desire to see Africa. Second. To see what the European is doing there. Third. To see what the African himself is doing. Fourth. To gain a knowledge of the operations of missionary efforts. Fifth. To make some meteorological observations. Sixth. To see if there are any openings for the employment of the skill and energy of intelligent and industrious young Amer icans of African descent. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Glimpses of Africa is a fascinating travelogue that takes the reader on a journey along the West and Southwest coast of Africa in the late 19th century. Charles Spencer Smith's vivid descriptions of the people, places, and cultures encountered on this voyage provide a valuable perspective on the impact of European colonialism on the region. This book is a must-read for anyone interested in the history of Africa and the impact of colonialism on the continent. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Penguin announces a prestigious new series under presiding editor Arthur Schlesinger, Jr. Many works of history deal with the journeys of blacks in bondage from Africa to the United States along the "middle passage," but there is also a rich and little examined history of African Americans traveling in the opposite direction. In Middle Passages, award-winning historian James T. Campbell vividly recounts more than two centuries of African American journeys to Africa, including the experiences of such extraordinary figures as Langston Hughes, W.E.B. DuBois, Richard Wright, Malcolm X, and Maya Angelou. A truly groundbreaking work, Middle Passages offers a unique perspective on African Americans' ever-evolving relationship with their ancestral homeland, as well as their complex, often painful relationship with the United States.
Beautifully illustrated, Portrait Photography in Africa offers new interpretations of the cultural and historical roles of photography in Africa. Twelve leading scholars look at early photographs, important photographers' studios, the uses of portraiture in the 19th century, and the current passion for portraits in Africa. They review a variety of topics, including what defines a common culture of photography, the social and political implications of changing technologies for portraiture, and the lasting effects of culture on the idea of the person depicted in the photographic image.
Compiled by Mentor A. Howe and Roscoe E. Lewis.
This is a study of the transplantation of a creed devised by and for African Americans--the African Methodist Episcopal Church--that was appropriated and transformed in a variety of South African contexts. Focusing on a transatlantic institution like the African Methodist Episcopal Church, the book studies the complex human and intellectual traffic that has bound African American and South African experience. It explores the development and growth of the African Methodist Episcopal Church both in South Africa and America, and the interaction between the two churches. This is a highly innovative work of comparative and religious history. Its linking of the United States and African black religious experiences is unique and makes it appealing to readers interested in religious history and black experience in both the United States and South Africa.