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Includes both books and articles.
Contents.--v.1. Prior to Jan. 1887.--v.2. 1887-1899 [i.e.1898]--v.3. 1898-1908 [i.e. 1907]--v.4. 1908-1922.--v.5. [Prelim. ed.] 1923-1927.--v.5. Combined, 1923-1932.--v.6. 1932-1937.
Within lie twelve vintage tales of true crime by master essayist William Roughead. Henry James himself once urged Roughead: “Keep on with them all please, and continue to beckon me along the gallery that I can’t tread alone and where, by your leave, I link my arm fraternally in yours: the gallery of sinister perspective just stretches in this manner straight away.” Here you will find such Roughead classics as My First Murder: Featuring Jessie King, the crime that fortuitously set Mr. Roughead’s steps toward matters criminous, Locusta in Scotland, a familiar survey of poisoning as practiced in the realm. The Fatal Countess, a Jacobean royal flush of didoes in high places; Physic and Forgery: A Study in Confidence, and many more capital crimes old and new, but all revealed with that dry wit and mellow artistry that is the mark of fine wine or writing. Above all you must not miss Mr.Roughead’s ensemble by the entire company entitled, An Academic Discussion wherein his best known murders sit in judgment on the qualities of their crimes and discuss the artistry of their chosen métier.
Dorothy Sayers called William Roughead "the best showman who ever stood before the door of the chamber of horrors," and his true crime stories, written in the early 1900s, are among the glories of the genre. Displaying a meticulous command of evidence and unerring dramatic flair, Roughead brings to life some of the most notorious crimes and extraordinary trials of eighteenth- and nineteenth-century England and Scotland. Utterly engrossing, these accounts of pre-meditated mayhem and miscarried justice also cast a powerful light on the evil that human beings, and human institutions, find both tempting to contemplate and all too easy to do.