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Glazed bricks applied as a new form of colourful and glossy architectural decor first started to appear in the early Iron Age on monumental buildings of the Ancient Near East. This volume provides an updated overview of the development of glazed bricks and scientific research on the topic.
Glazed bricks applied as a new form of colourful and glossy architectural decor first started to appear in the early Iron Age on monumental buildings of the Ancient Near East. This volume provides an updated overview of the development of glazed bricks and scientific research on the topic.
This second volume of collected essays, complement to volume one, focuses upon the art and culture of the third millennium B.C.E. in ancient Mesopotamia. Stress is upon the ability of free-standing sculpture and public monuments not only to reflect cultural attitudes, but to affect a viewing audience. Using Sumerian and Akkadian texts as well as works, the power of visual experience is pursued toward an understanding not only of the monuments but of their times and our own. "These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection." J.C. Exum
This volume of Collected Essays brings together for the first time the range of Winter's pioneering studies related to Neo-Assyrian relief sculpture and seals, Phoeician and Syrian ivory and bronze production, and inter-polity connections across the various cultures of first millennium B.C.E. from the Aegean to Iran. Consistent threads are an emphasis on the potential for art historical analysis to yield 'history' in the broadest sense; the importance of making the theoretical frame of interpretation explicit; and the necessity of textual evidence being brought to bear on upon elements of formal analysis and archaeological context.
This Handbook is a state-of-the-field volume containing diverse approaches to sensory experience, bringing to life in an innovative, remarkably vivid, and visceral way the lives of past humans through contributions that cover the chronological and geographical expanse of the ancient Near East. It comprises thirty-two chapters written by leading international contributors that look at the ways in which humans, through their senses, experienced their lives and the world around them in the ancient Near East, with coverage of Anatolia, Egypt, the Levant, Mesopotamia, Syria, and Persia, from the Neolithic through the Roman period. It is organised into six parts related to sensory contexts: Practice, production, and taskscape; Dress and the body; Ritualised practice and ceremonial spaces; Death and burial; Science, medicine, and aesthetics; and Languages and semantic fields. In addition to exploring what makes each sensory context unique, this organisation facilitates cross-cultural and cross-chronological, as well as cross-sensory and multisensory comparisons and discussions of sensory experiences in the ancient world. In so doing, the volume also enables considerations of senses beyond the five-sense model of Western philosophy (sight, hearing, touch, taste, and smell), including proprioception and interoception, and the phenomena of synaesthesia and kinaesthesia. The Routledge Handbook of the Senses in the Ancient Near East provides scholars and students within the field of ancient Near Eastern studies new perspectives on and conceptions of familiar spaces, places, and practices, as well as material culture and texts. It also allows scholars and students from adjacent fields such as Classics and Biblical Studies to engage with this material, and is a must-read for any scholar or student interested in or already engaged with the field of sensory studies in any period.
This volume introduces university students and scholars of Near Eastern archaeology to 'Building archaeology' methods as applied to the context of Ancient Mesopotamia. It helps the reader understand the principles underlying this discipline and to realise what knowledge and skills are needed, beyond those that are specific to archaeologists.
The Neo-Assyrian king Sargon II was one of the most important and famous rulers of ancient Mesopotamia. In this volume of critically important ancient documents, Grant Frame presents reliable, updated editions of Sargon’s approximately 130 historical inscriptions, as well as several from his wife, his brother, and other high officials. Beginning with a thorough introduction to the reign of Sargon II and an overview of the previous scholarship on his inscriptions, this modern scholarly edition contains the entire extant corpus. It presents more than 130 inscriptions, preserved on stone wall slabs from his palace, paving slabs, colossi, steles, prisms, cylinders, bricks, metal, and other objects, along with brief introductions, commentaries, comprehensive bibliographies, accurate transliterations, and elegant English translations of the Akkadian texts. This monumental work is complemented by more than two dozen photographs of the inscribed objects; indices of museum and excavation numbers, selected publications, and proper names; and translations of relevant passages from several other Akkadian texts, including chronicles and king lists. Informed by advances in the study of the Akkadian language and featuring more than twice as many texts as previous editions of Sargon II’s inscriptions, this will be the editio princeps for Assyriologists and students of the Sargonic inscriptions for decades to come.
Proceedings of the Broadening Horizons 6 conference (2019): Volume 1 presents 17 papers from Session 1: Entanglement. Material Culture and Written Sources in Dialogue; Session 2: Integrating Sciences in Historical and Archaeological Research; and Session 5: Which Continuity? Evaluating Stability, Transformation, and Change in Transitional Periods.
This volume of collected essays brings together for the first time the range of Winter’s pioneering studies related to Neo-Assyrian relief sculpture and seals, Phoenician and Syrian ivory and bronze production, and inter-polity connections across the various cultures of first millennium B.C.E. from the Aegean to Iran. Consistent threads are an emphasis on the potential for art historical analysis to yield ‘history’ in the broadest sense; the importance of making the theoretical frame of interpretation explicit; and the necessity of textual evidence being brought to bear upon elements of formal analysis and archaeological context. "These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection." J.C. Exum
This book investigates the practice of constructing cities in the ancient Near East, bringing together architecture and cultural history.