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Glastonbury, a small town in Somerset, England, stands at the epicenter of a longstanding tradition placing the Holy Grail in Britain. Legend holds that Joseph of Arimathea traveled to Britain, bringing with him both a gathering of followers and the cup that Jesus used at the last supper. He is said to have buried the Grail at Glastonbury, where some claim he founded the first church in England. This volume chronicles one man's personal quest to find historical evidence supporting the traditional beliefs surrounding Joseph of Arimathea and the Holy Grail in southern England. Bolstered by an abundance of evidence supporting the presence of Joseph in 1st Century Britain, he separates his findings from the fantasy of the Grail Romances, answering questions about the Grail and the origins and progressions of its legend.
Holy Grail and Holy Thorn: Glastonbury in the English Imagination explores the legends of King Arthur and Joseph of Arimathea at Glastonbury and how their influence has been felt from medieval to modern times. Joseph was said to have built at Glastonbury the first church in Christendom, which made it a centre of medieval pilgrimage, and gave Glastonbury an international profile in the fifteenth century. Through the winter-flowering holy thorn, said to have grown from Joseph’s staff, and later the Chalice Well, Glastonbury remained a focus of superstition in the Protestant centuries. In medieval romance Joseph of Arimathea had been the first keeper of the Holy Grail, a mystical past that was revived by Romantic writers and artists and ensured that Glastonbury retained a place in our national culture. In the twentieth century Glastonbury’s reputation was further elaborated by the belief that Joseph was the great-uncle of Jesus Christ, and that when he first came to Britain he brought the young Jesus with him, an idea suggested by William Blake’s Jerusalem. In the same mystical tradition, in the 1960s John Michell saw in Glastonbury the dimensions of New Jerusalem, which proved crucial in making Glastonbury the capital of New Age culture.
A study of the legends surrounding Glastonbury. Aimed primarily at "the general reader", the author states in his preface that his book is very much indebted to the earlier works; of W.W. Newell and Armitage Robinson.
"This volume of the "Arthurian Characters and Themes" series is the only one dealing with theme, rather than character. Essays include both newly commissioned and reprinted articles that explore a variety of issues regarding the Arthurian search for the Holy Grail. Topics include analysis of the Grail as vessel, Perceval's sister in the Grail quest, the symbolism of the Grail in Wolfram, chivalric nationalism, and investigations of the use of the Grail in poetry and literature by authors such as Tennyson, T.S. Eliot, and Walker Percy"--Barnes & Noble.
By the 12th century, European literature was rich with tales of a procession carrying a group of objects closely tied to the Passion of Christ--the Holy Grail, the lance that pierced Christ's side, the sword used to behead John the Baptist, and a dish from the Last Supper. While legends of the quest for the Holy Grail continue to grip the popular imagination, the other relics, once closely associated with the Grail legends, receive little mention. Still, the overlooked Grail Hallows, as they are called, have a rich symbolic history, winding through the ages--and leading in some surprising directions. This exploration of the forgotten relics of the Grail Procession examines the body of evidence hinting at their authenticity, and traces their history as symbols, from the early days of Christianity, to Celtic mythology, to "the foggy wastelands inhabited by history's outcasts," to the suits of the modern tarot. The oral histories and a possible sourcebook that informed the earliest known stories are discussed. Illustrations and photographs of relevant locations and objects, including the cards of the tarot, further illuminate the story. An appendix gives a timeline of the Hallows' history, and there is a bibliography and an index.
An experiential guide to the spiritual path of the Holy Grail • Traces the evolution of the Holy Grail from the sacred vessel of the Celtic goddess to the Cup of Christ and how it represents the longing for the divine feminine • Provides exercises, meditations, and rituals to connect you with the powers of the Cauldron of Rebirth, the Chalice of Healing, the Sword of Light, and the Holy Grail • Explains how attaining the Grail brings full consciousness of the soul and Divine influence for the healing of self and others The primary myth of Western culture, the quest for the Holy Grail persists through the centuries like a recurring dream, embodying the longing for the divine feminine suppressed for more than two thousand years. The Holy Grail emerged not only as a symbol of the feminine but also as a symbol of the soul, for hidden within the sacred Grail legends lies an initiatory path that leads to the highest realms of consciousness and spiritual illumination. By working with the symbols of the Grail tradition we can gaze into our own hidden depths and heal the separation between masculine and feminine, Spirit and Matter, and Heaven and Earth. Mara Freeman traces the evolution of the Grail from the sacred vessel of the Celtic goddess to the Cup of Christ, revealing a spiritual path rooted in the mysteries of the Goddess, the Grail, and the Sword. She explains how the Sword has dominated over the Goddess and the Grail for far too long, leading to a spiritual wasteland as foretold in the Grail stories. She provides a practical workbook of exercises, visualizations, and magical rituals to restore the power of the divine feminine through spiritually transformative experiences with the Cauldron of Rebirth, the Chalice of Healing, the Sword of Light, and the Holy Grail itself. Drawing on folk traditions and medieval Arthurian romances as well as alchemy and the wisdom of the mystics of Glastonbury, Freeman reveals the ancient Celtic teachings of the Western Mystery tradition. She shows that attaining the Grail involves achieving full consciousness of the soul. Then, as a Grail-bearer, you can bring the light of the Grail into the world for the healing of self and others.
An account of the author's discovery of prehistoric man-made ground patterns in the Glastonbury area and their zodiacal significance. In recent years detailed archaeological study has shown that in parts of the world prehistoric man had a far deeper understanding of astronomy than traditional historians were willing to accept. Glastonbury has always been at the heart of legends of chivalry and sanctity dating back for beyond written records, and has long excited the interest of scholars and seers. Yet it was not until the advent of aerial photography that its most dramatic archaeological secrets were revealed. From studying these photographs and comparing them with detailed maps and the evidence of myth, Katherine Maltwood investigates these exciting discoveries and their meanings. In this book, she reveals her discovery of a vast and complex pattern of figures in the contours and landmarks of the area. They form, in fact, a huge land chart of the Zodiac.
In this fascinating work, Barber traces the history of the legends surrounding the Holy Grail, beginning with Chrtien de Troyes's great romances of the 12th century and the medieval Church's religious version of the secular ideal.