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Over the centuries, glass has been relegated to a limited number of uses and contexts. It has taken great effort and imagination to free this material from the clichés imprisoning it. This book offers an in-depth view on those artists who have dared to push glass beyond its conventional uses, the results of which have been astonishing, exceptionally original and innovative. These artists are: Josef Albers, Arman, Jean Arp, Barbara Bloom, Louise Bourgeois, Sergio Bovenga, Daniel Buren, Lawrence Carroll, Csar, Soyeon Cho, Tony Cragg, Marie Louise Ekman, Jan Fabre, Lucio Fontana, Francesco Gennari, Dan Graham, Richard Hamilton, Mona Hatoum, Hye Rim Lee, Charlotte Hodes, Mimmo Jodice, Marya Kazoun, Joseph Kosuth, Jannis Kounellis, Raimund Kummer, Federica Marangoni, Orlan, Jean Michel Othoniel, Luca Pancrazzi, Anne Peabody, Giuseppe Penone, Anton Pevsner, Bettina Pousttchi, Robert Rauschenberg, Man Ray, Rene Rietmeyer, Silvano Rubino, Sandro Sergi, Kiki Smith, Jana Sterbak, Lino Tagliapietra, Koen Vanmechelen, Fred Wilson, Kimiko Yoshida and Chen Zhen.
Mexico participates in the artistic exchange offered by the 54th Venice Biennale with the work of Melanie Smith, who presentes three video pieces grouped together under the title "Red Square Impossible Pink", a concept that brings together three of her most recent works: "Aztec Stadium", "Xilitla" and "Bulto". The first of these is the visual document of an action arried out in the eponymous stadium, in which the artist elaborates a visual reflection on the idea of the faterland and the caos that accompanies revolutions. The second, "Xilita", is an experimental film shot in 35mm that explores the multiple meanings that a near mythical space in Mexico -a surrealist garden built in the middle of the Huasteca Potosina by the Englishman Edward James- holds today. Finally, "Bulto" is a piece originally commissioned by the Lima Art Museum, in which a bundle appears in different public spaces, participating in the widest variety of the city's dynamics.