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This is a book about Glasgow, but not your everyday history book. Glasgow by the way, but is a contemporary series of essays examining different aspects of Glasgow in a historical and cultural context, revealing a unique, amusing and sometimes critical, perspective of Cairney's beloved city. Those who remember John Cairney's performances and have read his other books will enjoy the insightful anecdotes from Cairney's career.
NEW YORK TIMES BESTSELLER • Who killed Brooke Donovan? It’s the biggest mystery of the summer, and everyone in Castle Cove thinks they know what happened. But they're wrong. Two unlikely friends come together to solve the case in this fast-paced, fun, modern Agatha Christie inspired thriller. "Part Agatha Christie, part Veronica Mars, and completely entertaining." —Karen M. McManus, #1 New York Times bestselling author of One Of Us Is Lying A PEOPLE MAGAZINE BEST BOOK OF SUMMER Last summer, Alice Ogilvie’s basketball-star boyfriend Steve dumped her. Then she disappeared for five days. She's not talking, so where she went and what happened to her is the biggest mystery in Castle Cove. Or it was, at least. But now, another one of Steve’s girlfriends has vanished: Brooke Donovan, Alice’s ex–best friend. And it doesn’t look like Brooke will be coming back. . . Enter Iris Adams, Alice’s tutor. Iris has her own reasons for wanting to disappear, though unlike Alice, she doesn’t have the money or the means. That could be changed by the hefty reward Brooke’s grandmother is offering to anyone who can share information about her granddaughter’s whereabouts. The police are convinced Steve is the culprit, but Alice isn’t so sure, and with Iris on her side, she just might be able to prove her theory. In order to get the reward and prove Steve’s innocence, they need to figure out who killed Brooke Donovan. And luckily Alice has exactly what they need—the complete works of Agatha Christie. If there’s anyone that can teach the girls how to solve a mystery it’s the master herself. But the town of Castle Cove holds many secrets, and Alice and Iris have no idea how much danger they're about to walk into.
How would your career, social life, family ties, carbon footprint and mental health be affected if you could not leave the city where you live? Artist Ellie Harrison sparked a fast-and-furious debate about class, capitalism, art, education and much more, when news of her year-long project The Glasgow Effect went viral at the start of 2016. Named after the term used to describe Glasgow's mysteriously poor public health and funded to the tune of £15,000 by Creative Scotland, this controversial 'durational performance' centred on a simple proposition – that the artist would refuse to travel beyond Glasgow's city limits, or use any vehicles except her bike, for a whole calendar year.
I need a new bum! Mine's got a crack. I can see in the mirror a crack in the back. What to do when you need a new bum? Should you get one that's blue or yellow spotted? A Chevy bum, a rocket bum that's all fire and thrust, or a robo-bum? The options are endless - but wait, Dad's bum crack is showing too? Maybe this is contagious.
From lauded writer David Valdes, a sharp and funny YA novel that's Back to the Future with a twist, as a gay teen travels back to his parents' era to save a closeted classmate's life. All Luis Gonzalez wants is to go to prom with his boyfriend, something his “progressive” high school still doesn't allow. Not after what happened with Chaz Wilson. But that was ages ago, when Luis's parents were in high school; it would never happen today, right? He's determined to find a way to give his LGBTQ friends the respect they deserve (while also not risking his chance to be prom king, just saying...). When a hit on the head knocks him back in time to 1985 and he meets the doomed young Chaz himself, Luis concocts a new plan-he's going to give this guy his first real kiss. Though it turns out a conservative school in the '80s isn't the safest place to be a gay kid. Especially with homophobes running the campus, including Gordo (aka Luis's estranged father). Luis is in over his head, trying not to make things worse-and hoping he makes it back to present day at all. In a story that's fresh, intersectional, and wickedly funny, David Valdes introduces a big-mouthed, big-hearted, queer character that readers won't soon forget.
From the New York Times bestselling author of Girl in Pieces comes a novel about love and loss and learning how to continue when it feels like you're surrounded by darkness. "A rare and powerful novel." --Karen M. McManus, New York Times bestselling author of One of Us Is Lying and Two Can Keep a Secret Tiger's life changed with a simple phone call. Her mother has died. That's when darkness descended on her otherwise average life. Tiger's mother never talked about her father, and with no grandparents or aunts or uncles, her world is packed into a suitcase and moved to a foster home. And another. And another. Until hope surfaces in the shape of . . . a sister? Sometimes family comes in forms you don't recognize. But can Tiger learn to make friends with the darkness before it swallows her whole? "Stunning and beautifully written."-HelloGiggles "Breathtaking and heartbreaking." --Jennifer Niven, New York Times bestselling author of All the Bright Places
For fans of 13 Reasons Why and Girl in Pieces, this is a novel that shows the path to hope and life for a girl with mental illness. Seventeen-year-old Catherine Pulaski knows Zero is coming for her. Zero, the devastating depression born of Catherine’s bipolar disorder, almost triumphed once; that was her first suicide attempt. And so, in an old ballet-shoe box, Catherine stockpiles medications, preparing to take her own life before Zero can inflict his living death on her again. Before she goes, though, she starts a short bucket list. This bucket list, combined with the support of her family, new friends, and a new course of treatment, begins to ease Catherine’s sense of isolation. The problem is, her plan is already in place, and has been for so long that she might not be able to see a future beyond it. This is a story of loss and grief and hope, and how some of the many shapes of love—maternal, romantic, and platonic—affect a young woman’s struggle with mental illness and the stigma of treatment.
#1 NEW YORK TIMES BESTSELLER "A haunting, beautiful, and necessary book."—Nicola Yoon, #1 New York Times bestselling author of Everything, Everything Charlotte Davis is in pieces. At seventeen she’s already lost more than most people do in a lifetime. But she’s learned how to forget. The broken glass washes away the sorrow until there is nothing but calm. You don’t have to think about your father and the river. Your best friend, who is gone forever. Or your mother, who has nothing left to give you. Every new scar hardens Charlie’s heart just a little more, yet it still hurts so much. It hurts enough to not care anymore, which is sometimes what has to happen before you can find your way back from the edge. A deeply moving portrait of a girl in a world that owes her nothing, and has taken so much, and the journey she undergoes to put herself back together. Kathleen Glasgow's debut is heartbreakingly real and unflinchingly honest. It’s a story you won’t be able to look away from. And don’t miss Kathleen Glasgow's novels You’d Be Home Now and How to Make Friends with the Dark, both raw and powerful stories of life.
In this book, Ashley Lear examines the relationship between two pioneers of American literature who broke the mold for women writers of their time. Pulitzer Prize–winning novelists Marjorie Kinnan Rawlings and Ellen Glasgow had divergent careers in different locations, Rawlings in backcountry Florida and Glasgow in urban Virginia, yet their correspondence on life and writing reveals one of the great literary friendships of the South. Rawlings felt such admiration for Glasgow that she spent the last year of her life compiling materials for Glasgow’s biography, a work she never completed. Lear draws on the documents Rawlings collected about Glasgow, Rawlings’s personal notes, and letters between the two writers to describe the experiences that brought them together. Lear shows that Rawlings and Glasgow shared a love of nature and social activism, had complex relationships with their parents and siblings, and prioritized their professional lives over romantic attachments. They were both classified as writers of regional works and juvenilia by critics, and Lear traces their discussions about how to respond to the opinions of book reviewers. Both were also forced to confront a new, quickly modernizing America, which at times clashed with their traditional values and naturalistic lifestyles. This is a fascinating portrait of a friendship that sustained two women writers in a time of social upheaval and changing norms in the American South.