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Jake McGowan-Lowe is a boy with a very unusual hobby. Since the age of 7, he has been photographing and blogging about his incredible finds and now has a worldwide following, including 100,000 visitors from the US and Canada. Follow Jake as he explores the animal world through this new 64-page book. He takes you on a world wide journey of his own collection, and introduces you to other amazing animals from the four corners of the globe. Find out what a cow's tooth, a rabbit's rib and a duck's quack look like and much, much more besides.
Frank Quitely's amazing, finely detailed artwork has been gracing the pages of DC Comics since he began illustrating stories in THE BIG BOOK series, from DC's Paradox Press imprint, in the mid-90's. Quitely quickly earned a name for himself illustrating fellow Scotsman Grant Morrison's FLEX MENTALLO, JLA EARTH 2, as well as Neil Gaiman's SANDMAN: ENDLESS NIGHTS. Graphic Ink: The DC Comics Art of Frank Quitely collects all of Quitely's BIG BOOK stories, his ALL STAR SUPERMAN and BATMAN & ROBIN: REBORN covers and much, much more!
At the turn of the 20th century, Glasgow was the centre for an avant-garde movement of art and design innovation in Europe, which we now refer to as The Glasgow Style. While the "Glasgow Boys" group of painters has been widely written about, their female contemporaries have received far less attention. In this work, the editor redresses this imbalance, bringing together research from 18 scholars on the work of an astonishing number of female artists from this period.
The Baltimore Museum Of Art, The Cincinnati Art Museum, Munson-Williams Proctor Institute, Utica, San Francisco Museum Of Art, Seattle Art Museum.
The largest civic museum and art gallery in the UK, Kelvingrove has welcomed millions of visitors from around the world since its opening in 1901. Just some of the things on view are Old Master and Impressionist paintings, including works by Rembrandt and Degas, prehistoric fossils, as well as the world's largest display of Charles Rennie Macintosh and the Glasgow Style. Written by the people who look after the collections, this beautifully illustrated book provides both the visitor and the general enthusiast with detailed information about the objects on display, their provenance and the history of Kelvingrove itself.
The City of Glasgow possesses an internationally renowned collection of Impressionist and Post-Impressionist paintings. This magnificent book, the catalogue for a major exhibition, features sixty-four of the finest paintings in this collection, including important works by Rousseau, Corot, Monet, Renoir, Cézanne, Gauguin, Van Gogh, Picasso, Derain, Matisse, and Rouault. The lavishly illustrated book provides a short essay on each work as well as full catalogue details. There are also four introductory essays by prominent scholars that set the paintings in context. Irene Maver examines the social, political, and economic environment of Glasgow from its beginnings until the First World War; Frances Fowle charts the taste for French art in the west of Scotland during the late nineteenth and early twentieth century; Hugh Stevenson explores the early history of the city's collection and its assimilation of contemporary French paintings; and Belinda Thomson discusses how Glasgow's collection relates to the wider historical context of French painting of the period.
At the end of the 19th century, a group of young Glasgow-based painters established an international reputation for realism and plein-air landscape painting. Led by James Guthrie, John Lavery, Arthur Melville, George Henry, and E. A. Hornel, the Glasgow Boys, as they came to be known, shared an enthusiasm for strong, fresh colors, naturalistic subject matter, and a willingness to travel outside Scotland for subjects and settings. Their enthusiasm for naturalism was equaled only by their dislike of the Scottish arts establishment. In this widely acclaimed book, Roger Billcliffe describes not only the work of the individual artists but also their rejection by local collectors and officialdom before European success caused their work to become much in demand. First published 20 years ago, the book rekindled interest in the group and their work. Now redesigned with more than 200 illustrations in color, it introduces the collective to a new generation of readers and collectors.