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When the life of Don Flowers was cut short in 1968 by the ill effects of emphysema, he left behind a career in newspaper cartooning that spanned more than four decades as well as one of the most fluid lines to grace the comics page. His cartoons evoked the art of Russell Patterson and Hank Ketcham, and nowhere was this more evident than in his quintessential single-panel pin-up cartoon, the aptly named Glamor Girls: Whether blondes or brunettes, showgirls or housewives, Flowers rendered his comely protagonists with equal aplomb. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242}
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.9px Arial; color: #424242} No other pin-up cartoon artist over a 30-year period was as prolific or as omnipresent as Bill Wenzel. Virtually every humor and men's magazine, ranging from Judge in the mid-'40s to Sex to Sexy in the '60s and '70s, boasted two, if not a dozen, of Wenzel's pin-up cartoons. Quick with pen and ink, Wenzel was equally adept with the brush, and nowhere was this more evident than in his work for the Humorama line of girlie digests.
by Alex Chun & Jacob Covey For more than 40 years, Dan DeCarlo best known for his definitive renditions of Archie Comics' Betty and Veronica, two of comics' most beloved icons. But before joining Archie and unbeknownst to many, DeCarlo has honed his skills as a good girl artist for the Humorama line of digest magazines. Following the immensely popular The Pin-Up Art of Dan DeCarlo, this second volume once again displays DeCarlo's sexiest Humorama pin-up cartoons, and continues Fanatagraphics' dedication to showcasing the best of the classic pin-up cartoonists.
Insights into the aesthetics of one of popular culture's favorite art forms
This book examines Hong Kong’s struggle against the disappearance of its unique identity under the historical challenges of colonialism, in addition to the more recent reimposition of Chinese authoritarian government control, as reflected in three under-researched forms of visual media: comics, advertising and graphic design. Each section of the book focuses on one of these three forms, and each chapter focuses on one stage of Hong Kong’s changing cultural identity. The articulative position of this book is on studies of visual cultural history and media communication. Its case studies will broaden readers’ own cultural knowledge for a more international understanding. The Disappearance of Hong Kong in Comics, Advertising and Graphic Design advances the development of its three key subjects in terms of identity, communication and cultural politics, aiming to reach a wide range of multidisciplinary readers.