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The first volume in the new series Gender Studies in Wales, this book argues that the way in which people came to perceive and to represent themselves as Welsh was profoundly affected by the gender ideologies prevalent during the Romantic and Victorian periods. "Nineteenth-Century Women's Writing in Wales: Nation, Gender and Identity" introduces readers to a hundred Welsh women authors at work during the years 1780-1900, some writing in Welsh and some in English. In so doing, it rescues many of these authors from critical neglect and oblivion. In the second half of the nineteenth century in particular, Welsh women writers in both languages were numerous and enjoyed a degree of influence on Welsh culture easily commensurate with that of women writers today. By covering the nineteenth century chronologically, this book traces the coming into being of the Welsh nation as its women in particular saw it, and as they helped to create it.
The concept of Britishness – and its constituent facets – has, over the past decade, come increasingly to the fore. In particular, this can be seen in the politically and socially engaging debates surrounding the Scottish Referendum in 2014. It is an idea – manifested both physically and cognitively – that every Briton is aware of and engages with to a greater or lesser extent. Thus, the concept of Britishness is extremely current and crosses cultural, political and socio-economic boundaries. Nevertheless, Britishness is a challenging term to define and explore, given its tremendously wide-ranging nature and dynamic, personally shaped characteristics. Considering historical ideas of Britishness, however, can enhance the understanding of national identity in the modern world. This volume does just that by gathering together original academic essays that explore the expression and understanding of Britishness in literature, philosophy, music, historical documents, art and design. Each contribution offers a detailed investigation of primary material, including architecture, furniture, historical literature, plays and sermons, and marketing. As a collection, ideas are marshalled to reveal a rich tapestry of Britishness and its forging.
This essay collection rediscovers and reassesses a host of still little-known, pre-1914, Welsh women writers. In the last few decades considerable advances have been made towards rediscovering, contextualising, and analysing women’s writing from Wales. The combined influences of the post-1960s women’s movement, the 1990s Welsh devolution successes, and the development of the ‘Four Nations’ school of British literary criticism, have together effected significant advances in the field of Welsh feminist literary studies. This book focuses in particular on: the fifteenth- to eighteenth-century Welsh-language bards, such as Gwerful Mechain, Angharad James, and Marged Dafydd; the seventeenth- and eighteenth-century English-language poets, including Katherine Philips, Jane Brereton, Anne Penny, and Anne Hughes; contributors to the Romantic movement in Wales, such as the poets and novelists Mary Robinson and Ann of Swansea; the mid-nineteenth-century protesting voice of polemicists such as Jane Williams (Ysgafell); the Victorian English-language novelists, for example Louisa Matilda Spooner, Anne Beale, Amy Dillwyn, Allen Raine, and Mallt Williams, and their concern with national, class, and gender identities; and early twentieth-century Welsh-language writers engaged with Welsh Home Rule and women’s suffrage issues, such as Gwyneth Vaughan and Eluned Morgan. This book was originally published as a special issue of Women's Writing. Chapter 7 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution (CC-BY) 4.0 license.