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A gift book of thanks for the heart of a Teacher
Lace gets a whole new look! Lace has traditionally been knit in finer weight yarns to create airy, delicate designs. But when knit in bulky yarns, lace becomes bold, graphic, and dramatic. Working with thicker yarns also makes the projects move along more quickly and the lace repeats shorter, so it's easy to learn new stitches and techniques. For those new to bulky yarns, Barbara Benson shows you how these yarns work best in lace designs and provides tips and tricks for reading and executing lace patterns. Then you are ready to knit any of the 20 patterns for beautiful lacy shawls, mitts, hats, cowls, blankets, and more. Gorgeous photography by Gale Zucker shows the pieces to their full, stunning effect. Get those big needles and chunky yarn ready to roll!
Lindsay Davenport has it all: a handsome, wealthy husband, a life of seeming ease, and everything money could buy. But what do you buy when you live in hell? After seven years of marriage, seven years of abuse and violence, she changes her name and flees to a remote town in Alaska, determined to escape her husband's cruelty and start her life over. Life, however, has other plans.... Ross Devlin loves his bar in Cooper's Ridge, Alaska. He loves being a bachelor, being a pilot, and playing hockey. Then a quiet woman with a shady past walks into his life. As time passes he realizes he doesn't love anything as much as he loves her, and his bar, his plane, and hockey are not as important as protecting her from an ex-husband who plans to make the phrase "Till death us do part" a reality.
Throughout the 1960s and 1970s, folklorist William Ferris toured his home state of Mississippi, documenting the voices of African Americans as they spoke about and performed the diverse musical traditions that form the authentic roots of the blues. Now, Give My Poor Heart Ease puts front and center a searing selection of the artistically and emotionally rich voices from this invaluable documentary record. Illustrated with Ferris's photographs of the musicians and their communities and including a CD of original music, the book features more than twenty interviews relating frank, dramatic, and engaging narratives about black life and blues music in the heart of the American South. Here are the stories of artists who have long memories and speak eloquently about their lives, blues musicians who represent a wide range of musical traditions--from one-strand instruments, bottle-blowing, and banjo to spirituals, hymns, and prison work chants. Celebrities such as B. B. King and Willie Dixon, along with performers known best in their neighborhoods, express the full range of human and artistic experience--joyful and gritty, raw and painful. In an autobiographical introduction, Ferris reflects on how he fell in love with the vibrant musical culture that was all around him but was considered off limits to a white Mississippian during a troubled era. This magnificent volume illuminates blues music, the broader African American experience, and indeed the history and culture of America itself.
Here is a marvelous collection: memories, family nostalgia, spiritual wisdom, and an abiding sense of God's presence. In his wonderfully poetic voice, Herbert Brokering bequeaths his children -- and all children and parents -- a rich legacy of faith. The letters are shaped around memories from Brokering's experiences as a child and as a parent and are grouped into five sections: -- Here's a Place You'll Like -- There's Someone I Want You to Meet -- Have Fun Along the Way -- I Know the Feeling -- I Have Faith in You Each letter offers fresh understandings about God and faith, plus advice on finding and living full lives.
This is an examination of media and communication within disaporic ethnic communities in Australia: the Chinese, Indian, Vietnamese and Thai communities. The study explores the ethnic community as a force in negotiating new hybrid identities and experiences common to disaporic groups worldwide.
OLD ITALIAN LACE. Volume II. Originally published in 1913. INTRODUCTION: THE two laces of Italy are like two sisters, needle-made lace being the elder and bobbin-made the younger or, to use another figure of speech, needle-lace is the classic tongue of Italy and the bobbin-make is its provincial dialect clear, vivacious, emphatic, sharing the merits and defects of the populace. Our needle-laces are each and every one of Venetian origin, if we except the drawn-thread work of Sicily, which is more embroidery than lace and take their names from the manner in which they are worked reticello, punto - tagliato, punto in aria, i.e. mesh-stitch, cut linen work, stitch in the air. The bobbin-or pillow-laces are described as being Venetian, or Genoese, or Milanese, or of Abruzzi according to the places whence they spring, and it is interesting to notice how tenaciously they cling to the characteristics of their respective birthplaces. As might be expected from their popular origin, they are less
Laura Mize, pediatric speech-language pathologist and founder of www.teachmetotalk.com, details the hierarchy of imitation skills she teaches to therapists in seminars throughout the country and in her best-selling therapy manuals and DVDs. Many times therapists and parents don’t see success with late talking toddlers because the child needs an “in-between” step to help him learn the next component for expressive skill development. Our professional plans can also fail when we use techniques that are too clinical for parents to be able to remember and practice at home. This eight level approach is contained in Building Verbal Imitation in Toddlers.