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"His lips met mine again, this time in a slow, soft caress, conveying everything he had just said in those beautiful words that had reached my very soul. I could have drowned in that kiss. I could have lived there for eternity. It filled me up with everything I needed to survive. He gave me life through his lips and I treasured it.’" Recovering from recent losses, Lucinda finds herself in a Dark place. She starts to doubt who she has become. She seeks reassurance, that despite the Prophecy and what that has meant for her life, she is still remaining true to herself. The American Families of Vampires close in on Lucinda and her kindred. There is one who insists Lucinda is his and none other’s. He has not forgotten her and will do anything, anything at all to make her his. Loyalties are tested and fall short, and Lucinda must find the strength to fight for something she cannot even remember. But, that is not all Lucinda must battle. The Queen of Darkness appears in amongst the mayhem to exact her plans for Dark’s success and the final confrontation of Light and Dark comes to a head. Without the steadfast support and love of her kindred, Lucinda would not be able to face what is to come, but still, she holds something of herself back. Will she never give herself completely to Michel? And if she does, will it be enough to save her? And enough to save the Light from the Dark once and for all?
“I felt hot tears streaming down my cheeks at his words. Spoken so carelessly but with such shameless intent. He knew how I felt. How I had been feeling. How lost and alone and full of grief my days had been. Avery was not a friend. Not even a trusted acquaintance. But, he understood what I was going through. Even if he didn’t have a compassionate bone in his entire buffed body, he knew what I had suffered. I didn’t have to justify my behaviour to him.” Walking out on her life and hiding in the only place she can think of that the Iunctio - the vampire governing body - and in particular, the Champion, can not find her, Lucinda faces eternity alone and on the run. Heartbroken, bereft and quite desolate she hides in amongst the lowest forms of vampire society. Doing what she can to keep the innocents safe, while denying herself the support she desperately needs to recover from such personal losses. A saviour of sorts arrives, but can he be trusted? Avery Rousseau has only ever been interested in himself. But the handsome, arrogant and always so well-put-together vampire does seem to care. At least he offers a distraction from the heartache and loss. Lucinda battles with her inherent mistrust of the one vampire who understands what she is going through. But, should she allow him inside her crumbling walls? More than just vampires stalk Lucinda though. There is a fairy who claims she is his one true love. Lucinda is called to his Light, she can’t help reaching for it, but to do so could have everlasting consequences she may not be prepared to face. As time runs out - first with the Iunctio, then the Ljósálfar - Lucinda must do what she has to do, to survive, before her heartache breaks her in two. But memories plague her, her mind starts to play cruel tricks and slowly reality begins to crumble, taking a once strong and confident Nosferatin down as quickly as a predator catches its prey. And now, there are just so many predators, Lucinda may not stand a chance at all at avoiding being their prey.
“I would die for you Lucinda, I would cast away everything I possess to be near you, I would take anything you willingly give and no more, this is what you mean to me.” Lucinda’s relationship with the Master of the City is progressing at an alarming rate, but she is unsure if what she feels is the truth. Or just a by-product of the joining and Bond. Can she even trust her own feelings? To top that off, the vampire governing body has taken an interest in Lucinda and Michel’s joining. The Iunctio’s attention has now swung towards Lucinda and her kindred. Can they prove themselves to be no threat to those vampires who rule all Nosferatu? Then temptation appears in the form of a hedonist playboy vampire, who does not play by the rules. Lucinda must decide if this new seductive attraction is the correct path for her heart, or if the vampire she is tied to for life is her one true love. With such delectable men in her world, you’d think life would be a breeze. But, there are whispers of a prophecy and even Darker days ahead. Lucinda may believe she belongs to no one, but there are those who seek to control her. And she may not have a say in that at all.
Ever wondered how the Norm War started? Now’s your chance to find out. This Christmas Special Novella (approx. 23,000 words) from Michel’s POV is set between DREAMING OF A BLOOD RED CHRISTMAS and DARKLIGHT. A sweet surprise full of a few Kindred secrets, wrapped up in a Michel package, just in time for Christmas. “Lucinda smiles that soft smile of hers, the one that tells me she has a secret. I would die a thousand Final Deaths to know all of her secrets. I have caused a thousand more to keep them secret for her. I had not realised that love could be so beautifully brutal until I met Lucinda. I had not realised a vampyre could love to such a degree at all.” It’s Christmas and something is troubling Michel Durand. His Kindred cannot feel it. His line of master vampires do not sense it. The Iunctio Council is blind to its draw. But Michel knows something dark and dangerous is approaching. And then the Norms — the humans — start a war. In this quick glimpse into the Kindred World, we see Michel as we’ve always loved him. Powerful. Sexy. Hungry. Masterful. Commanding. Alluring. And in love with the Kindred who stands at his side. A short story to say thank you from the author of the Kindred Series. Enjoy! And thanks for loving Michel & Luce as much as I do.
Join familiar, much-loved characters and gain an insight into the KINDRED WORLD with this enthralling anthology of short stories! Included in this collection of exciting tales from the kindred are the following titles and points of view: ~ ON THE WINGS OF AN ANGEL (Amisi’s POV) “Nosferatin,” he says, and imbues it with power, with his Sanguis Vitam. It calls to me. I dance and spin, and he laughs, and something in his aura sings; a song it has sung before but not for centuries. It is sad and joyous, lonely and complete. It changes everything. . . ~ THE ONE THAT GOT AWAY (Michel’s POV) “I lost our daughter,” I say with as much dignity as I can muster. Which, in the face of an irate Nosferatin, is very little dignity. I can sense the silver in her jacket’s pockets. I can sense Lucinda’s need to reach for it. I do the only thing I can think of. I step closer to the danger and swallow the distance between us. “Ma douce,” I say softly. . . ~ LET THERE BE LIGHT (Luc’s POV) I watch for a few more moments and then step out of the shadows. If Zahra is not aware I am here, then I will eat my stake in a heartbeat. Delaying this meeting only makes me appear weak. Never show fear. Even if it’s fear of the woman who entwines your soul with hers, and who threatens to entwine your heart along with it. . . ~ HOME SWEET HOME (Yves’ POV) I am alone, but not unarmed. I carry two silver stakes — my most prized possessions — which I wrap my sweaty palms around inside their pockets. My heart beats too fast, and it takes everything in me to remember what I have been taught and to slow it. I stand still in the shadow of a patisserie’s stoop and breathe in a measured cadence. The vampire stills too, all but invisible in its shadow. It waits; a patient hunter. . . NEVER SHOW FEAR bridges Part I of KINDRED which ends with DREAMING OF A BLOOD RED CHRISTMAS and Part II which begins with DARKLIGHT.
Blood Life is a vampire/witch thriller full of blood, magic, love, violence, and sex. The witches and vampires of the fictional world of the Spectrum have united and created a race of half-breeds called the Combined. These are very powerful entities, but their race has been threatened by a rogue vampire with very old, powerful blood named Lokee, son of the Great Witch, Devendra. This story is about letting Fate play out, but in all its turmoil, trying to save one woman who will be the key to saving the Combined. Can the Combined's strongest adversary form an army to defeat them, or will the power of three keep the race on top? Centered around the lives of four integral characters, Blood Life is a fresh and unique paranormal adventure. Meet Devendra, a powerful witch descended from one of the first lineages; Lokee, her son and worst enemy; Roman, her friend and companion; and Alethea, the key to it all... Blood Life is a full-length paranormal horror novel that will appeal to lovers of paranormal, dark fantasy, horror fiction, witches, vampires, and supernatural horror. Note from the author: Although this book can stand on its own, when I finished writing it, I realized Devendra had a lot more to say. Writing her book now as a prequel to Blood Life. Stay tuned!
The Four Loves is a 1960 book by C. S. Lewis which explores the nature of love from a Christian and philosophical perspective through thought experiments. The book was based on a set of radio talks from 1958 which had been criticized in the U.S. at the time for their frankness about sex. C.S. Lewis examines storge or empathy love; philia, friendship love; eros, romantic love; and agape, or God love. Excerpt: "GOD is love," says St. John. When I first tried to write this book I thought that his maxim would provide me with a very plain highroad through the whole subject. I thought I should be able to say that human loves deserved to be called loves at all just in so far as they resembled that Love which is God."
Let me tell you a secret--Dracula had a brother. This is true. They called him Radu the Handsome, but his beauty was deceiving, and it hid a deadly secret...With high ambitions as a journalist, Juliet Jochs travels to the Carpathians to investigate a mysterious and unnaturally beautiful prince. She suspects that he's a dangerous man, and that this mission may cost her life. But, as the prince's masks begin to peel off, she fears she may lose her sanity.Prince Radek's dark powers suck Juliet into a whirl of hypnotic desire--no woman has ever resisted his lures. But something is different about her, special, and he's growing dangerously addicted to her. She must keep her head above the water if she is to save herself, run away and not look back before he consumes her completely. But can she resist opening the last door to his most terrible secret?
For Gene and the remaining humans - or hepers - death is just a heartbeat away. On the run and hunted by society, they must find a way to survive in The Vast... and avoid the hungry predators tracking them in the dark. But they're not the only things following Gene. He's haunted by the girl he left behind and his burgeoning feelings for Sissy, the human girl at his side. When they discover a refuge of exiled humans living high in the mountains, Gene and his friends think they're finally safe. Led by a group of intensely secretive elders, the civilisation begins to raise more questions than answers. A strict code of behaviour is the rule, harsh punishments are meted out, young men are nowhere to be found - and Gene begins to wonder if the world they've entered is just as evil as the one they left behind. As life at the refuge grows more perilous, he and Sissy only grow closer. In an increasingly violent world, all they have is each other . . . if they can only stay alive.
This book is intended to give the reader an account of the origin and history of Hallowe'en, how it absorbed some customs belonging to other days in the year,—such as May Day, Midsummer, and Christmas. The context is illustrated by selections from ancient and modern poetry and prose, related to Hallowe'en ideas. Those who wish suggestions for readings, recitations, plays, and parties, will find the lists in the appendix useful, in addition to the books on entertainments and games to be found in any public library. Special acknowledgment is made to Messrs. E. P. Dutton & Company for permission to use the poem entitled "Hallowe'en" from "The Spires of Oxford and Other Poems," by W. M. Letts; to Messrs. Longmans, Green & Company for the poem "Pomona," by William Morris; and to the Editors of The Independent for the use of five poems.