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Radice, himself a recognized English poet and erudite scholar, delved into the deeper meaning of Tagore’s poems and songs, and discussed his ideas on education and the environment with an insight probably no other Westerner has. He also translated Tagore’s short stories and short poems, and finally was able to make a complete breakthrough by translating Gitanjali afresh and restoring Tagore’s original English manuscript. Martin Kämpchen lives in Santiniketan, West Bengal and Germany and is a reputed Tagore scholar and writer.
Described by Rabindranath Tagore as 'revelations of my true self', the poems and songs of Gitanjali established the writer's literary talent worldwide. They include eloquent sonnets such as the famous 'Where the mind is without fear', intense explorations of love, faith and nature ('Light, oh where is the light?') and tender evocations of childhood ('When my play was with thee'). In this new translation to mark Tagore's one-hundred-and-fiftieth birth anniversary, William Radice renders with beauty and precision the poetic rhythm and intensity of the Bengali originals. In his arrangement of Tagore's original sequence of poems alongside his translations, Radice restores to Gitanjali the structure, style and conception that were hidden by W. B. Yeats's edition of 1912, making this book a magnificent addition to the Tagore library.
Beyond English: World Literature and India radically alters the debates on world literature that hinge on the model of circulation and global capital by deeply engaging with the idea of the world and world-making in South Asia. Tiwari argues that Indic words for world (vishva, jagat, sansar) offer a nuanced understanding of world literature that is antithetical to a commodified and standardized monolingual globe. She develops a comparative study of the concept of “world literature” (vishva sahitya) in Rabindranath Tagore's works, the desire for a new world in the lyrics of the Hindi shadowism (chhayavaad) poets, and world-making in Thakazhi Sivasankara Pillai's Chemmeen (1956) and Arundhati Roy's The God of Small Things (1997). By emphasizing the centrality of “literature” (sahitya) through a close reading of texts, Tiwari orients world literature toward comparative literature and comparative literature toward a worldliness that is receptive to the poetics of a world in its original language and in translation.
India in the global economy -- India in global human circulations -- India in the world of wars and peace -- India in the global exchange of ideas -- India in global cultural circulations -- Indians and others -- Epilogue: Two Indian global events.
A memoir for the bookish-inclined, using personal stories to demonstrate how books have a magical way to move a person from one stage of life to the next. “This is a small gem of a book, tender, humble, loving. —Mary Gordon “Sweeney makes a charming companion, telling stories in joyful reflection.” —Jeff Deutsch, author of In Praise of Good Bookstores Former bookseller, longtime publisher and author Jon M. Sweeney shows—with history and anecdotes centering around books such as Thoreau’s Journal, Tagore’s Gitanjali, Martin Buber’s Hasidic Tales, and Tolstoy’s Twenty-three Tales—what it means to be carried by a book. He explores the discovery that once accompanied finding books, and books finding us. He ponders the smell of an old volume, its heft, and why bibliophiles carry them around even without reading them. He demonstrates how and why there is magic and enchantment that takes place between people and books.
Discusses Tagore's uniquely varied output across literature, music, art, philosophy, history, politics, education and public affairs.
How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.
“Gitanjali” of Rabindranath Tagore: With Critical Evaluations, which was originally published with the same title and content in 2006, depicts Tagore’s spiritual journey towards the Supreme Being. It is a collection of devotional songs in which he offers his prayer to God. But the religious fervour of these songs never affects the poetic beauty. It appeals to the readers with its oceanic depth expressed in simplicity, optimism and spiritual affirmation, richness and variety, humanization of the divine, use of domestic image and symbols. The relationship between the Supreme Being and human being is shown. This book is a modest endeavour to evaluate the complete poems. Nature, common people, music, humanity, sympathy and sense-perceptions are the core feelings of these poems. Tagore uses a wide range of vivid and picturesque image and symbols, which are drawn from everyday life as well as from age-old myths. Several symbols like light, boat, cloud, pitcher, flute, palace, flowers, river, star, sky recur in his songs. These natural objects are used to convey deeper spiritual truth.