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Pssst! Kabayan, Gising! Lahat tayo ay nangangarap ng magandang buhay para sa ating pamilya. Kaya nga andito tayo sa ibang bansa. Tayo ay mga Overseas Filipino Workers (OFWs). Itinuturing tayong mga bagong bayani ng ating bansa. Pinili nating makipagsapalaran para kumita ng mas malaking halaga para sa mga mahal natin sa buhay. Iba-iba man ang ating rason, iisa ang ating layunin. Nais nating maipadama ang ating lubos na pagmamahal sa pamamagitan ng pagsasakripisyo na mapalayo sa ibang bansa para mabigyan ang ating pamilya ng mas magandang kinabukasan. Napakagandang pakinggan lahat ng kwento ng kapwa natin mga OFWs kung bakit sila nasa ibang bansa. Yung iba, para makapagpatayo ng bahay, makabili ng sasakyan, o mapatapos ang mga anak sa kolehiyo. Meron sa atin na nais makapag-ipon, magka-negosyo at sa bandang huli, makauwi sa bansa at mabuo at makasama ang pamilya. The goals, the vision, the drive, they are all here, but are they enough?
This book focuses on the culture and politics involved in building hip-hop archives. It addresses practical aspects, including methods of accumulation, curation, preservation, and digitization and critically analyzes institutional power, community engagement, urban economics, public access, and the ideological implications associated with hip-hop culture’s enduring tensions with dominant social values. The collection of essays are divided into four sections; Doing the Knowledge, Challenging Archival Forms, Beyond the Nation and Institutional Alignments: Interviews and Reflections. The book covers a range of official, unofficial, DIY and community archives and collections and features chapters by scholar practitioners, educators and curators. A wide swath of hip-hop culture is featured in the book, including a focus on dance, graffiti, clothing, and battle rap. The range of authors and their topics span countries in Asia, Europe, the Caribbean and North America.
This volume continues the story of the cultural and political history of the Croatian people who have long been noted for their significant contributions to the arts and the humanities. It examines the Croatian language, literature to 1835, the maritime history of the eastern Adriatic, Croatian political history from 1526 to 1918, the development of book printing, the ethnic and religious history of Bosnia and Hercegovina, the cultural achievement of Bosnian and Hercegovinian Muslims, and Croatian immigrants in North America. Each of the nine chapters in the book is written by a specialist and is accompanied by an extensive bibliography. Other special features of this volume are eleven historical maps of the region, a geographical map, sixteen pages of illustrations, and a glossary of geographical names. This reference work will be invaluable to libraries, and will be a useful source of information for historians, writers on Central European affairs, students of art and ethnic developments, and the layman interested in the Croatian people and their cultural history.
Home to 33,000 Filipino American residents, Daly City, California, located just outside of San Francisco, has been dubbed “the Pinoy Capital of the United States.” In this fascinating ethnographic study of the lives of Daly City residents, Benito Vergara shows how Daly City has become a magnet for the growing Filipino American community. Vergara challenges rooted notions of colonialism here, addressing the immigrants’ identities, connections and loyalties. Using the lens of transnationalism, he looks at the “double lives” of both recent and established Filipino Americans. Vergara explores how first-generation Pinoys experience homesickness precisely because Daly City is filled with reminders of their homeland’s culture, like newspapers, shops and festivals. Vergara probes into the complicated, ambivalent feelings these immigrants have—toward the Philippines and the United States—and the conflicting obligations they have presented by belonging to a thriving community and yet possessing nostalgia for the homeland and people they left behind.
The purpose of this book is to provide the reader who is interested in applications of fuzzy set theory, in the first place with a text to which he or she can refer for the basic theoretical ideas, concepts and techniques in this field and in the second place with a vast and up to date account of the literature. Although there are now many books about fuzzy set theory, and mainly about its applications, e. g. in control theory, there is not really a book available which introduces the elementary theory of fuzzy sets, in what I would like to call "a good degree of generality". To write a book which would treat the entire range of results concerning the basic theoretical concepts in great detail and which would also deal with all possible variants and alternatives of the theory, such as e. g. rough sets and L-fuzzy sets for arbitrary lattices L, with the possibility-probability theories and interpretations, with the foundation of fuzzy set theory via multi-valued logic or via categorical methods and so on, would have been an altogether different project. This book is far more modest in its mathematical content and in its scope.
Why do so many contemporary British novels revert to the Victorian tradition in order to find a new source of inspiration? What does it mean from an ideological point of view to build a modern form of art by resurrecting and recycling an art of the past? From a formal point of view what are the aesthetic priorities established by these postmodernist novels? Those are the main questions tackled by this study intended for anybody interested in the aesthetic and ideological evolution of very recent fiction. What this analysis ultimately proposes is a reevaluation and a redefinition of postmodernism such as it is illustrated by the British novels which paradoxically both praise and mock, honour and debunk, imitate and subvert their Victorian models. Unashamedly opportunistic and deliberately exploiting the spirit of the time, this late form of postmodernism cannibalizes and reshapes not only Victorianism but all the other previous aesthetic movements - including early postmodernism.
Halintulad ng kuwento ng buhay ng naging kaibigang masahista sa baywalk, nakipagsapalarang mamuhay mag-isa ni Jaret sa pag-aasam na matakasan ang lagim ng mga bangungot at hilera ng mga trahedyang gumugupo sa kanyang pagkasino. Sa daigdig na ito ng mga gising na malayo sa mahiwagang babaeng wagas niyang sinisinta, maliligaw sa landas niya o siya sa kanila silang mga nilalang na makatutulong sa kanyang makabuo ng kuwento - isang contortionist sex freak, mga birhen at lagalag, filmmaker na mahilig sa mga pahiwatig, at silang bigla na lamang nililindol, namamatay at tumatagos sa pader.Samantalang sa mundo ng mga nananaginip, isang binatang makata ang sumusulat ng isang journal ng mga bangungot habang nasa bingit ng bangin. At kasabay ng sandaling maisilang ang isang butas na kuwentong magpapalutang-lutang sa kawalan na magbubunga ng paghahalo ng kung ano ang totoo sa guniguni at ang gising sa himbing ay ang pagkaunawang silang pinangyaring magbuklod kailanma'y hindi na mapaghihiwalay.