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Celebrate women athletes who played all kinds of sports before Title IX finally allowed them to compete in the Olympics, tournaments, and in leagues across America. No chasing! No stretching or straining! And never, ever sweat. These were the rules girls were forced to play by until Title IX passed in 1972. From Melpomene in 1896 to Althea Gibson in 1956 and beyond, readers will meet the women athletes who refused to take no for an answer. Learn how they paved the way for the women who pushed for a law to protect their right to play, compete, and be athletes.
A true story from Raina Telgemeier, the #1 New York Timesbestselling, multiple Eisner Award-winning author of Smile, Sisters, Drama, and Ghosts! Raina wakes up one night with a terrible upset stomach. Her mom has one, too, so it's probably just a bug. Raina eventually returns to school, where she's dealing with the usual highs and lows: friends, not-friends, and classmates who think the school year is just one long gross-out session. It soon becomes clear that Raina's tummy trouble isn't going away... and it coincides with her worries about food, school, and changing friendships. What's going on?Raina Telgemeier once again brings us a thoughtful, charming, and funny true story about growing up and gathering the courage to face -- and conquer -- her fears.
For several generations, comics were regarded as a boys’ club—created by, for, and about men and boys. In the twenty-first century, however, comics have seen a rise of female creators, characters, and readers. While this sudden presence of women and girls in comics is being regarded as new and noteworthy, the observation is not true for the genre’s entire history. Throughout the first half of the twentieth century, the medium was enjoyed equally by both sexes, and girls were the protagonists of some of the earliest, most successful, and most influential comics. In Funny Girls: Guffaws, Guts, and Gender in Classic American Comics, Michelle Ann Abate examines the important but long-overlooked cadre of young female protagonists in US comics during the first half of the twentieth century. She treats characters ranging from Little Orphan Annie and Nancy to Little Lulu, Little Audrey of the Harvey Girls, and Li’l Tomboy—a group that collectively forms a tradition of Funny Girls in American comics. Abate demonstrates the massive popularity these Funny Girls enjoyed, revealing their unexplored narrative richness, aesthetic complexity, and critical possibility. Much of the humor in these comics arose from questioning gender roles, challenging social manners, and defying the status quo. Further, they embodied powerful points of collection about both the construction and intersection of race, class, gender, and age, as well as popular perceptions about children, representations of girlhood, and changing attitudes regarding youth. Finally, but just as importantly, these strips shed light on another major phenomenon within comics: branding, licensing, and merchandising. Collectively, these comics did far more than provide amusement—they were serious agents for cultural commentary and sociopolitical change.
Now an eight-part docuseries on Apple TV+ Hillary Rodham Clinton and her daughter, Chelsea, share the stories of the gutsy women who have inspired them—women with the courage to stand up to the status quo, ask hard questions, and get the job done. She couldn’t have been more than seven or eight years old. “Go ahead, ask your question,” her father urged, nudging her forward. She smiled shyly and said, “You’re my hero. Who’s yours?” Many people—especially girls—have asked us that same question over the years. It’s one of our favorite topics. HILLARY: Growing up, I knew hardly any women who worked outside the home. So I looked to my mother, my teachers, and the pages of Life magazine for inspiration. After learning that Amelia Earhart kept a scrapbook with newspaper articles about successful women in male-dominated jobs, I started a scrapbook of my own. Long after I stopped clipping articles, I continued to seek out stories of women who seemed to be redefining what was possible. CHELSEA: This book is the continuation of a conversation the two of us have been having since I was little. For me, too, my mom was a hero; so were my grandmothers. My early teachers were also women. But I grew up in a world very different from theirs. My pediatrician was a woman, and so was the first mayor of Little Rock who I remember from my childhood. Most of my close friends’ moms worked outside the home as nurses, doctors, teachers, professors, and in business. And women were going into space and breaking records here on Earth. Ensuring the rights and opportunities of women and girls remains a big piece of the unfinished business of the twenty-first century. While there’s a lot of work to do, we know that throughout history and around the globe women have overcome the toughest resistance imaginable to win victories that have made progress possible for all of us. That is the achievement of each of the women in this book. So how did they do it? The answers are as unique as the women themselves. Civil rights activist Dorothy Height, LGBTQ trailblazer Edie Windsor, and swimmer Diana Nyad kept pushing forward, no matter what. Writers like Rachel Carson and Chimamanda Ngozi Adichie named something no one had dared talk about before. Historian Mary Beard used wit to open doors that were once closed, and Wangari Maathai, who sparked a movement to plant trees, understood the power of role modeling. Harriet Tubman and Malala Yousafzai looked fear in the face and persevered. Nearly every single one of these women was fiercely optimistic—they had faith that their actions could make a difference. And they were right. To us, they are all gutsy women—leaders with the courage to stand up to the status quo, ask hard questions, and get the job done. So in the moments when the long haul seems awfully long, we hope you will draw strength from these stories. We do. Because if history shows one thing, it’s that the world needs gutsy women.
In the spirit of She Persisted, Goodnight Stories for Rebel Girls, and Rad American A-Z, acclaimed artist Leah Tinari offers a spectacular collection of portraits, celebrating iconic, inspirational, and groundbreaking American women. Fine artist Leah Tinari’s stunning, spellbinding portraits honor the groundbreaking achievements and indelible impact of twenty-four extraordinary American women. These women’s dreams were without boundaries; their accomplishments limitless in their reach and lasting power. Tinari’s list is comprised of trailblazers, whose vision, grit, and guts paved the way not only for the generations to come, but for Tinari’s own artistic journey. These women include Louisa May Alcott, Rachel Carson, Julia Child, Shirley Chisholm, Ellen Degeneres, Ray Eames, Eve Ensler, Carrie Fisher, Dian Fossey, Aretha Franklin, Betsey Johnson, Carol Kaye, Yuri Kochiyama, Liz Lambert, Lozen, Shirley Muldowney, Tracey Norman, Annie Oakley, Georgia O’Keefe, Dolly Parton, Kimberly Pierce, Gilda Radner, Sojourner Truth, and Abby Wambach. Their contributions to the arts, education, science, politics, civil rights, fashion, design, technology, and sports are enduring and noteworthy. Courage, perseverance, brilliance, and passion were the guiding, groundbreaking principles for these diverse women who span the eighteenth, nineteenth, and twentieth centuries.
I write my diary in the toilet to get away from my troubles like having to compete with Michael the bully who’s in the swim team with me and falling out with my best friend Alvin over a girl! This year has been full of ups and downs. The good thing is that I’ve been growing UP rather than down having to deal with one thing after another. First I’ve had to work out till my arms and legs nearly fell off while Coach insisted that such discipline was necessary to make a good sportsman. The arrival of a new girl in class my new baby brother a brand new magazine by Anthony and me and a new pet cat meant that there was plenty of stuff happening and I have had to furiously scribble away to keep pace with all the new adventures and excitement in my life including spider babies and lizard’s eggs! And then there are parts that are even more fascinating for I know secrets like how to break my sister’s terrible curse how to win a race and how ba
She had an ass like a heart turned upside down and cut in half--and that's what we call foreshadowing, friend. Gruesome and glam, vicious and violent, this collection of the best new neo-noir fiction will hit you like a biker boot to the skull. Unleashed from the net's most hardcore award-winning site, these down, dirty, and deeply depraved tales don't just cut the edge . . . they pour gasoline on it and toss it in a meth lab full of C-4 . . . "Just because I killed my best friend with my bare hands doesn't make me all that bad. . . Christ, I loved the guy like a brother." Throw down a shot with the last word in badass--a scheming stripper playing one fool too far; the rage-haunted lesbian who's the last word in nightmare revenge; a mercenary sheriff doomed by ruthless payback; avenging street angels unleashing holy hell --and just try and stagger away intact. . . "This country's got a motto. It's pura vida, and it means when life gets you down, put your feet up, sister. But I lift my legs for no man." So settle back with your favorite rot-gut, keep your brass knuckles handy, and hang where the odds are never good, darkness is a permanent state of mind, and the house always takes all . . . Blood, Guts, And Whiskey "Lean, mean stories. . .today's brightest writers provide some of the darkest tales you've ever read." –Max Allan Collins Big Daddy Thug/Todd Robinson's writing has appeared in Plots With Guns, Danger City, Demolition, Out Of The Gutter, Pulp Pusher, Crimespree and Writers Digest's The Year's Best Writing 2003. He was nominated for a 2006 Derringer Award from the Short Mystery Fiction Society, and is the creator and chief editor of Thuglit.com. The stories he's edited for Thuglit.com have been nominated for several awards, including The Derringer and The Million Writer's Award, and been have been selected for The Best American Mystery Stories and Best Noir 2006. He lives and works in New York with his wife (Lady Detroit), a ferret named Matilda, and three freakin' cats.
Jerry D. Mathes' Fever and Guts is hard-hitting literary nonfiction. Reminiscent of the exacting sharpness found in Hemingway's bullfighting stories and as deeply reflective as Tim O'Brien's The Things They Carried, Mathes takes his readers to the fringes of American society, a subculture where war stories are handed down from fathers to sons and then are lived by those sons; where fathers brace against the weather of daughters' illnesses; where language and speech is music, poetry, and violence. Mathes journeys us to the mountains of Idaho, the deserts of the Southwest and of Desert Storm, the icy plains of Antarctica, and into the dark, gloomy backrooms of bars and hotels. Amidst storms and forests ablaze, he makes us feel the thunder's rumble, the smoke settled in our lungs. Although Mathes puts us into proximity of things most of us have been lucky to escape, he makes such existences seem amazingly and beautifully normal, makes it seem as if we have missed out. In this manner, Mathes turns his personal histories into works of mad, provocative art, so skillfully and innovatively turned that the reader will not let the stories go and, in the aftermath of reading, not turn them loose from memory. This is nonfiction of the best sort, real and ballsy as a life lived real and with bravado.
I write my diary in the toilet to get away from my troubles, like having to compete with Michael, the bully who’s in the swim team with me, and falling out with my best friend, Alvin, over a girl! My diary goes wherever I go as there are those who want to read it. For I know secrets, like how to break my sister’s curse and how babies are made…