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2570 BCE, Bagasra Village, Harappa, India Twelve-year-old Avani is a happy-go-lucky, adventurous Harappan girl, who loves to play with her friends Tavishi, Delshad and Ambar. The wedding of the Village Elder’s daughter Ketika brings fresh excitement into their lives. However, something sinister is afoot, as Avani realizes when she overhears a mysterious conversation between two men. Other incidents, like a bizarre robbery and a fire at the grain storeroom, add to the tension. Do these unconnected events point to a bigger plan? How is the monk from far-off China linked to all this? Will Avani and her friends’ quick thinking unmask this plan, and save the honour of Bagasra village and Harappa?
3rd Century BCE, Pataliputra, India Madhura lives in the legendary city of Pataliputra during the reign of King Ashoka of the Maurayan dynasty. She works in the palace as the maid and companion of Princess Sanghamitra. Madhura does not like it at all! Life is so boring. She dreams of travelling across the land like her brother Kartik, who is a trader and growing up to become a soldier, fighting with swords and riding horses. Madhura's dream suddenly come true as she travels with Kartik from Pataliputra to Ujjaini in a caravan. On the way mysterious things begin to happen. Who is that fat man giving out packets full of gold and silver coins to Kartik? Why are they stopping at Vidisha to meet a Buddhist monk? Kartik is up to something and Madhura has to find out the truth. Read this fascinating account of Madhura's life, and discover what it was like to grow up in the past!
At what age do girls gain the maturity to make sexual choices? This question provokes especially vexed debates in India, where early marriage is a widespread practice. India has served as a focal problem site in NGO campaigns and intergovernmental conferences setting age standards for sexual maturity. Over the last century, the country shifted the legal age of marriage from twelve, among the lowest in the world, to eighteen, at the high end of the global spectrum. Ashwini Tambe illuminates the ideas that shaped such shifts: how the concept of adolescence as a sheltered phase led to delaying both marriage and legal adulthood; how the imperative of population control influenced laws on marriage age; and how imperial moral hierarchies between nations provoked defensive postures within India. Tambe takes a transnational feminist approach to legal history, showing how intergovernmental debates influenced Indian laws and how expert discourses in India changed UN terminology about girls. Ultimately, Tambe argues, the well-meaning focus on child marriage has been tethered less to the interests of girls themselves and more to parents’ interests, achieving population control targets, and preserving national reputation.
On a summer night in 2014, Padma and Lalli went missing from Katra Sadatganj, an eye-blink of a village in western Uttar Pradesh. Hours later they were found hanging in the orchard behind their home. Who they were, and what had happened to them, was already less important than what their disappearance meant to the people left behind. Slipping deftly behind political maneuvering, caste systems and codes of honor in a village in northern India, The Good Girls returns to the scene of their short lives and shameful deaths, and dares to ask: What is the human cost of shame?
Adopted from India when she was six and raised in Spain, the author takes a heart-wrenching trip back to India as an adult to uncover her roots and discover a sister she never knew.
990 CE, Tanjore, India Twelve-year-old Raji is growing up during the reign of Rajaraja Chola in south India. Raji is a girl of spirit---brave, bright and bold. She is also a dancer, a warrior and a sculptor who models kingdoms in stone. Raji, however is not happy: she misses her family. Her mother is in exile and her father has left home in grief. On a dark night as a storm rages, Raji rescues a Chinese sailor at sea. This sets off a chain of events with unforeseen consequences. A Shiva statue goes missing, a prince disappears and there is a murder inside a temple. As Raji and her friends, the prince Rajendra Chola and his cousin, Ananta, try to help the Chinese mariner, they realize that he may have some of the answers Raji has been looking for. Will the Criminals be brought to justice? Will Raji's family be reunited once again? Will peace be restored to the mighty Chola Kingdom?
Presents An Authentic View Of Dance Entertainment Specially During The Raj. It Is Sumptuously Illustrated With Productions Of The Finest Paintings And Drawings From Collections All Over The World.
A highly original and poetic self-portrait from one of America's most acclaimed writers. Leslie Marmon Silko's new book, her first in ten years, combines memoir with family history and reflections on the creatures and beings that command her attention and inform her vision of the world, taking readers along on her daily walks through the arroyos and ledges of the Sonoran desert in Arizona. Silko weaves tales from her family's past into her observations, using the turquoise stones she finds on the walks to unite the strands of her stories, while the beauty and symbolism of the landscape around her, and of the snakes, birds, dogs, and other animals that share her life and form part of her family, figure prominently in her memories. Strongly influenced by Native American storytelling traditions, The Turquoise Ledge becomes a moving and deeply personal contemplation of the enormous spiritual power of the natural world-of what these creatures and landscapes can communicate to us, and how they are all linked. The book is Silko's first extended work of nonfiction, and its ambitious scope, clear prose, and inventive structure are captivating. The Turquoise Ledge will delight loyal fans and new readers alike, and it marks the return of the unique voice and vision of a gifted storyteller.
Best Book of the Year: The Washington Post, NPR, Shelf Awareness, Paste, LitHub, Real Simple 2018 Goodreads Choice Awards Finalist: Best Fiction Longlisted for the 2018 Center for Fiction First Novel Prize “Incandescent...A searing portrait of what feminism looks like in much of the world.” —Vogue “A treat for Ferrante fans, exploring the bonds of friendship and how female ambition beats against the strictures of poverty and patriarchal societies.” —The Huffington Post An electrifying debut novel about the extraordinary bond between two girls driven apart by circumstance but relentless in their search for one another. Poornima and Savitha have three strikes against them: they are poor, they are ambitious, and they are girls. After her mother’s death, Poornima has very little kindness in her life. She is left to care for her siblings until her father can find her a suitable match. So when Savitha enters their household, Poornima is intrigued by the joyful, independent-minded girl. Suddenly their Indian village doesn't feel quite so claustrophobic, and Poornima begins to imagine a life beyond arranged marriage. But when a devastating act of cruelty drives Savitha away, Poornima leaves behind everything she has ever known to find her friend. Her journey takes her into the darkest corners of India's underworld, on a harrowing cross-continental journey, and eventually to an apartment complex in Seattle. Alternating between the girls’ perspectives as they face ruthless obstacles, Shobha Rao's Girls Burn Brighter introduces two heroines who never lose the hope that burns within.