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A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
NAMED A BOOK OF THE YEAR BY THE ECONOMIST AND ONE OF THE BEST BOOKS OF 2021 BY THE TIMES AND THE SUNDAY TIMES "Irreversible Damage . . . has caused a storm. Abigail Shrier, a Wall Street Journal writer, does something simple yet devastating: she rigorously lays out the facts." —Janice Turner, The Times of London Until just a few years ago, gender dysphoria—severe discomfort in one’s biological sex—was vanishingly rare. It was typically found in less than .01 percent of the population, emerged in early childhood, and afflicted males almost exclusively. But today whole groups of female friends in colleges, high schools, and even middle schools across the country are coming out as “transgender.” These are girls who had never experienced any discomfort in their biological sex until they heard a coming-out story from a speaker at a school assembly or discovered the internet community of trans “influencers.” Unsuspecting parents are awakening to find their daughters in thrall to hip trans YouTube stars and “gender-affirming” educators and therapists who push life-changing interventions on young girls—including medically unnecessary double mastectomies and puberty blockers that can cause permanent infertility. Abigail Shrier, a writer for the Wall Street Journal, has dug deep into the trans epidemic, talking to the girls, their agonized parents, and the counselors and doctors who enable gender transitions, as well as to “detransitioners”—young women who bitterly regret what they have done to themselves. Coming out as transgender immediately boosts these girls’ social status, Shrier finds, but once they take the first steps of transition, it is not easy to walk back. She offers urgently needed advice about how parents can protect their daughters. A generation of girls is at risk. Abigail Shrier’s essential book will help you understand what the trans craze is and how you can inoculate your child against it—or how to retrieve her from this dangerous path.
A Muslim woman’s searingly honest memoir of her journey toward self-acceptance as she comes to see her body as a symbol of rebellion and hope—and chooses to live her life unapologetically Ever since she was little, Leah Vernon was told what to believe and how to act. There wasn’t any room for imperfection. ‘Good’ Muslim girls listened more than they spoke. They didn’t have a missing father or a mother with a mental disability. They didn’t have fat bodies or grow up wishing they could be like the white characters they saw on TV. They didn’t have husbands who abused and cheated on them. They certainly didn’t have secret abortions. In Unashamed, Vernon takes to task the myth of the perfect Muslim woman with frank dispatches on her love-hate relationship with her hijab and her faith, race, weight, mental health, domestic violence, sexuality, the millennial world of dating, and the process of finding her voice. She opens up about her tumultuous adolescence living at the poverty line with her fiercely loving but troubled mother, her absent dad, her siblings, and the violent dissolution of her 10-year marriage. Tired of the constant policing of her clothing in the name of Islam and Western beauty standards, Vernon reflects on her experiences with hustling paycheck to paycheck, body-shaming, and redefining what it means to be a “good” Muslim. Irreverent, youthful, and funny, Unashamed gives anyone who is marginalized permission to live unapologetic, confident lives. “Vernon’s determined advocacy for body positivity as a feminist and mental health issue, and her painful journey to self-acceptance, are moving and powerful, forcing readers to examine their own preconceptions about beauty standards and health.” —Booklist
A deeply eccentric novel about lives and connections—and a cat of course—in 1980s Tokyo: witty, offbeat, and strangely profound. Oh, Tama! describes the haphazard lives of Natsuyuki Kanemitsu and his loosely connected circle of dysfunctional acquaintances and family. Natsuyuki is prevailed upon by his friend Alexandre, an occasional porn-film actor, to adopt the very pregnant cat Tama, who gives birth and remains throughout the novel as a silent observer of her human hosts. Further complications arise surrounding the mystery of who the father of Alexandre's sister Tsuneko's unborn child is, with Tsuneko (a bar owner) happy to collect money from anyone who may be responsible. One of these possible dads turns out to be Natsuyuki's half-brother, abandoned and forgotten long ago as easily as Tama has parted with her kittens. A "fast and comedic novel," Oh, Tama! plays out against a backdrop of cramped apartments and cheap food and drink where everyone seems to have an opinion on film, photography, and fashionable French art theory. It is part of the author's esteemed series of "Mejiro" novels, named after the northwest area of Tokyo that so richly informs their urbanity and outlook.
Daddy's Turban takes us into the world of a little Sikh boy, Tegh, who is fascinated with the way his father wears his turban. Tegh wants to grow up quickly, while his father cherishes the innocence of his son. This is also a story of Sikh culture and a celebration of one of its most revered ceremonies - Dastar Bandi.?Daddy's Turban is a bilingual book, combining English and Panjabi in equal measure. Boys and girls from 4 to 10 years old, as well as their parents and grandparents will enjoy the warm story and illustrations in this book. Educators will also find the book helpful in their teaching, as it contains a special multicultural essay The Significance of Dastar Bandi which explains the significance behind the wearing of a turban.
Unravel the fascinating history of the turban, from its origins to its religious uses and its appearance in contemporary fashion and culture. A turban is a strip of cloth folded and wrapped around the head; however, this description includes multifarious forms of the garment across space and time. This book follows the turban as it moves from the Arabian Peninsula through the Ottoman Empire to Europe and the Americas. It directs the reader’s gaze from traditional and religious uses of the turban into the realms of international trade, Renaissance art, and contemporary fashions. Turbans, as this book shows, have moved in and out of Western culture, at times archaic and forgotten, then noticed and reinstated as major accessories. Today Sikh men are recognized by their distinctive headwraps, and the turban remains an important part of Black culture. This book explores the turban’s many adaptations worldwide.
If Oscar Wilde were alive and well and writing in the 1990s, The Red Hat, by renowned critic John Bayley, is precisely the kind of playful, coyly erotic work of fiction he would have written. Set in Holland and in Provence, the first part of this elegant literary jaunt follows a trio of young Vermeer aficionados as they set forth for the Hague to see a Vermeer exhibition. What begins as a simple journey turns quickly into a cheerfully tortuous race against time when the group unwittingly--and mistakenly--becomes enmeshed in an international terrorist ring. The second part of the novel is narrated by Roland, a young man who has read the first narrator's account of the fiascos in the Hague. Setting off incognito, refusing to believe the account true, Roland searches for the original narrator, whom he expects to find living a lonely existence in a world of make-believe. As he conducts his search and the two parts begin to play off one another, The Red Hat slips between reality and fantasy, exploring the complex metaphysics of personality and art. Told by two separate narrators (the first of whom has an obscured gender), The Red Hat continues to twist and confound the reader who thinks he or she knows what will happen next. As our expectations are repeatedly built up and subsequently uprooted, an exquisitely delicious tension gathers strength, until it, too, is overturned by new developments. Constantly turning voraciously upon itself, this delightful romp refuses to be pinned down. Indeed, in the deft hands of a skilled novelist like John Bayley, nothing is what it seems to be: a book that masquerades as a noir mystery turns out to be a Moliere-like comedy of errors; a woman who is kidnapped turns out to be the wrong victim; the horny elevator man who runs the lift in the charming pension becomes a insatiable lover who may in fact be a Mossad agent; and the narrator--whose identity is revealed in the second half--becomes a slave, cheerful in bondage, refusing to return to England. Nothing ever turns out as it was supposed to be, but all is well, we are reassured, in this dashing fictional debut by one of the senior men of letters.