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On the works of Girishchandra Ghose, 1844-1912, Bengali playwright and actor.
Autobiographical account of a 19th century Bengali stage actress.
From the late eighteenth century, Calcutta, first city of the British Empire, has been a hub of intersecting ideas and movements of change. Nowhere did the restless currents of history play themselves out more graphically than in the composite art of theatre and performance. This pioneering study of the history of Bengali theatre looks at the plays mounted in the city in the eighteenth and nineteenth centuries and their reception. It goes on to study the cultural efflorescence known as the 'Bengal Renaissance' and the subsequent politicization of a theatre imbued with ideas of nationalism and social reform, with a particular focus on the complex and problematic issue of the place of women in theatre.
The biographies of twenty-eight of the principal lay disciples of Ramakrishna. Includes new material about Ramakrishna previously unavailable in English.
Kapalkundala or Kopal-Kundala also known as Mrinmoyee, is a Bengali romance novel by Indian writer Bankim Chandra Chattopadhyay. Published in 1866, it is a story of a forest-dwelling girl named Kapalkundala, who fell in love and got married to Nabakumar, a young gentleman from Saptagram, but eventually found that she is unable to adjust herself with the city life. Following the success of Chattopadhyay's first novel Durgeshnandini, he decided to write about a girl who is brought up in a remote forest by a Kapalika (Tantrik sage) and never saw anyone but her foster-father. The story is set in Dariapur, Contai in modern-day Purba Medinipur district, Paschimbanga (West Bengal) where Chattopadhyay served as a Deputy Magistrate and Deputy Collector.Kapalkundala is considered as one of the finest and the most popular of Chattopadhyay's novels. It has been translated into English, German, Hindi, Gujrati, Tamil, Telugu and Sanskrit. Girish Chandra Ghosh, one of the pioneers of Bengali drama, and Atul Krishna Mitra dramatized the novel separately
The Glass Palace Begins With The Shattering Of The Kingdom Of Burma, And Tells The Story Of A People, A Fortune, And A Family And Its Fate. It Traces The Life Of Rajkumar, A Poor Indian Boy, Who Is Lifted On The Tides Of Political And Social Turmoil To Build An Empire In The Burmese Teak Forest. When British Soldiers Force The Royal Family Out Of The Glass Palace, During The Invasion Of 1885, He Falls In Love With Dolly, An Attendant At The Palace. Years Later, Unable To Forget Her, Rajkumar Goes In Search Of His Love. Through This Brilliant And Impassioned Story Of Love And War, Amitav Ghosh Presents A Ruthless Appraisal Of The Horrors Of Colonialism And Capitalist Exploitation. Click Here To Visit The Amitav Ghosh Website
Shakespeare in the World traces the reception histories and adaptations of Shakespeare in the nineteenth century, when his works became well-known to non-Anglophone communities in both Europe and colonial India. Sen provides thorough and searching examinations of nineteenth-century theatrical, operatic, novelistic, and prose adaptations that are still read and performed, in order to argue that, crucial to the transmission and appeal of Shakespeare’s plays were the adaptations they generated in a wide range of media. These adaptations, in turn, made the absorption of the plays into different "national" cultural traditions possible, contributing to the development of "nationalist cosmopolitanisms" in the receiving cultures. Sen challenges the customary reading of Shakespeare reception in terms of "hegemony" and "mimicry," showing instead important parallels in the practices of Shakespeare adaptation in Europe and colonial India. Shakespeare in the World strikes a fine balance between the Bard’s iconicity and his colonial and post-colonial afterlives, and is an important contribution to Shakespeare studies.
Swami Vivekananda has revealed himself with even greater appeal in his intimate and informal conversations with his disciples than in his preaching in public. In these talks published by Advaita Ashrama, a publication house of Ramakrishna Math, Belur Math, he gives directions about spiritual practice and meditation, discusses the highest philosophy, and in the next breath discusses the problems of national regeneration, social reform, educational ideals, and other such topics.
The sequel to the award-winning and critically-acclaimed Those Days, First Light is a magnificent novel set at the turn of the twentieth century in a Bengal where the old and young India are jostling for space. Prominent among its many characters are Rabindranath Tagore or Robi, the young, dreamy poet, torn between his art and the love for his beautiful, ethereal sister-in-law, Kadambari Devi, and the handsome, dynamic Naren Datta, later to become Swami Vivekananda, who abandons his Brahmo Samaj leanings and surrenders himself completely to his Guru, Sri Ramakrishna. The story also touches upon the lives of the men and women rising to the call of nationalism; the doctors and scientists determined to pull their land out of the morass of superstition and blind beliefs, and the growing theatre movement of Bengal, with its brilliant actors and actresses who leave behind the squalor of their lives every night to deliver lines breathtaking in their beauty. Through all this runs the story of Bharat and Bhumisuta - one an illegitimate prince, the other a slave who rises to become the finest actress of her age - who cling to their self-respect and love in a society which has little time for people like them. Grand in its scale and crackling with the energy of its prose, First Light is a rich and comprehensive portrait of Bengal, from its sleepy, slow-changing villages to the bustling city of Calcutta where the genteel and the grotesque live together. Equally, it is a chronicle of a whole nation waking up to a new, modern sensibility.