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Since the late 1970s, theologians have been attempting to integrate mimetic theory into different fields of theology, yet a distrust of mimetic theory persists in some theological camps. In René Girard, Unlikely Apologist: Mimetic Theory and Fundamental Theology, Grant Kaplan brings mimetic theory into conversation with theology both to elucidate the relevance of mimetic theory for the discipline of fundamental theology and to understand the work of René Girard within a theological framework. Rather than focus on Christology or atonement theory as the locus of interaction between Girard and theology, Kaplan centers his discussion on the apologetic quality of mimetic theory and the impact of mimetic theory on fundamental theology, the subdiscipline that grew to replace apologetics. His book explores the relation between Girard and fundamental theology in several keys. In one, it understands mimetic theory as a heuristic device that allows theological narratives and positions to become more intelligible and, by so doing, makes theology more persuasive. In another key, Kaplan shows how mimetic theory, when placed in dialogue with particular theologians, can advance theological discussion in areas where mimetic theory has seldom been invoked. On this level the book performs a dialogue with theology that both revisits earlier theological efforts and also demonstrates how mimetic theory brings valuable dimensions to questions of fundamental theology.
The work of the French American theorist René Girard (b.1923) has been highly influential in a wide variety of intellectual disciplines. One enthusiastic reviewer in Le Monde suggested that the year 1972 (when La Violence et le Sacré was published) should be marked with an asterisk in the annals of the humanities, including literature, theology and religious studies. There is a paradox here insofar as Girard is, strictly speaking, neither a philosopher nor a theologian. He was trained as a historian, but spent most of his academic career as a teacher of French literature. It is out of his study of great European literature (notably Proust, Dostoyevsky and Shakespeare) that what he calls 'mimetic theory' evolved. Mimetic theory is an account of how religion, culture and violence are interrelated. Its three principal parts consist of: an assertion of the 'mimetic' (i.e. imitated or derivative nature of desire); the function of 'scapegoating' as a means of achieving and maintaining social cohesion; the gospel revelation as the means by which these truths of the human condition are made known to us. A general introduction to his work will comprise an exposition of these three parts or phases in Girard's thinking. In Girard and Theology, Michael Kirwan looks at these ideas and their relevance to theology as well as their reception in the development of 'dramatic theology' and new theological concepts of atonement and sacrifice.
In René Girard, Theology, and Popular Culture, fifteen contributors consider how Girard’s mimetic theory can be used to uncover and probe the theological depths of popular culture. Creative and critical engagement with Girard’s theory enables the contributors to offer fresh and exciting interpretations of movies (The Devil Wears Prada, Mean Girls, Star Wars), television (Hoarders, Cobra Kai), classical literature and graphic novels, and issues ranging from anorexia to social media. The result is a volume that establishes Girard as an innovative interpreter of culture and shows him as an invaluable guide for theologically reflecting on desire, violence, redemption, and forgiveness. Written in fresh and lively prose, the contributors demonstrate not only that Girard provides a powerful lens through which to view culture but also—and more provocatively—challenge readers to consider what popular culture reveals about them. Readers looking for an accessible introduction to mimetic theory and exploring its theological application will find this a welcome resource.
In his latest book on the ground-breaking work of René Girard (1923–2015), Scott Cowdell sets out a new perspective on mimetic theory and theology: he develops the proposed connection between Girardian thought and theological dramatic theory in new directions, engaging with issues of evolutionary suffering and divine providence, inclusive Christian uniqueness, God's judgment, nonviolent atonement, and the spiritual life. Cowdell reveals a powerful, illuminating, and life-enhancing synergy between mimetic theory and Christianity at its best. With religion widely seen as increasingly violent and intransigent, the true Christian emphasis on divine solidarity, mercy, and healing is in danger of being lost. René Girard provides a countervailing voice. He emerges from Cowdell's study not only as a necessary dialogue partner for theology today, but as a global prophet offering hope and challenge in equal measure. René Girard was a Catholic cultural theorist whose mimetic theory achieved a powerful symbiosis of social science with scripture and theology, yielding a unique perspective on humanity’s origins, violent history, and future prospects. Cowdell maps this synergy, revealing theological themes present from Girard’s earliest writings to the latest, less-familiar publications. He resolves a number of theological challenges to Girard’s work, engaging mimetic theory in fruitful dialogue with key themes, movements, and thinkers in theology today. Bringing a distinctive Anglican voice to a largely Catholic debate, Cowdell gives an orthodox theological account of Girard’s intellectual achievement, bearing witness to Christianity’s nonviolent God. This book will be of great interest to theologians, seminarians and clergy of all traditions, Girardians, and Christian peace activists.
A systematic introduction into the mimetic theory of the French-American literary theorist and philosophical anthropologist René Girard, this essential text explains its three main pillars (mimetic desire, the scapegoat mechanism, and the Biblical “difference”) with the help of examples from literature and philosophy. This book also offers an overview of René Girard’s life and work, showing how much mimetic theory results from existential and spiritual insights into one’s own mimetic entanglements. Furthermore it examines the broader implications of Girard’s theories, from the mimetic aspect of sovereignty and wars to the relationship between the scapegoat mechanism and the question of capital punishment. Mimetic theory is placed within the context of current cultural and political debates like the relationship between religion and modernity, terrorism, the death penalty, and gender issues. Drawing textual examples from European literature (Cervantes, Shakespeare, Goethe, Kleist, Stendhal, Storm, Flaubert, Dostoevsky, Proust) and philosophy (Plato, Camus, Sartre, Lévi-Strauss, Derrida, Vattimo), Palaver uses mimetic theory to explore the themes they present. A highly accessible book, this text is complemented by bibliographical references to Girard’s widespread work and secondary literature on mimetic theory and its applications, comprising a valuable bibliographical archive that provides the reader with an overview of the development and discussion of mimetic theory until the present day.
In René Girard and Secular Modernity: Christ, Culture, and Crisis, Scott Cowdell provides the first systematic interpretation of René Girard’s controversial approach to secular modernity. Cowdell identifies the scope, development, and implications of Girard’s thought, the centrality of Christ in Girard's thinking, and, in particular, Girard's distinctive take on the uniqueness and finality of Christ in terms of his impact on Western culture. In Girard’s singular vision, according to Cowdell, secular modernity has emerged thanks to the Bible’s exposure of the cathartic violence that is at the root of religious prohibitions, myths, and rituals. In the literature, the psychology, and most recently the military history of modernity, Girard discerns a consistent slide into an apocalypse that challenges modern ideas of romanticism, individualism, and progressivism. In the first three chapters, Cowdell examines the three elements of Girard’s basic intellectual vision (mimesis, sacrifice, biblical hermeneutics) and brings this vision to a constructive interpretation of “secularization” and “modernity,” as these terms are understood in the broadest sense today. Chapter 4 focuses on modern institutions, chiefly the nation state and the market, that function to restrain the outbreak of violence. And finally, Cowdell discusses the apocalyptic dimension of Girard's theory in relation to modern warfare and terrorism. Here, Cowdell engages with the most recent writings of Girard (particularly his Battling to the End) and applies them to further conversations in cultural theology, political science, and philosophy. Cowdell takes up and extends Girard’s own warning concerning an alternative to a future apocalypse: “What sort of conversion must humans undergo, before it is too late?”
“Really wonderful; an elegantly written initiation into the mimetic theory. I am lucky to have interpreters who understand what I want to say and who can write so well.” —René Girard The work of René Girard is hugely influential in literature and cultural studies. But it is in understanding the relationship between religion and violence that his theory has created its greatest impact. Girard's understanding of mimetic rivalry and conflict and of scapegoating is seen by many to be the key to a completely new understanding of Christianity. Girard's name evokes curiosity and—often—strong feelings among devotees and skeptics. Discovering Girard is the first book to present Girard's work to a wider audience. It explains and appraises Girard's mimetic theory, shows its impact on theology and other disciplines, and manages to convey the excitement that a discovery of Girard's ideas often generates in readers.
A theory of human origins that is one-half Charles Darwin and one-half Cain and Abel is bound to entail a lot of rethinking of traditional themes. Rene Girard's thesis of original human violence and the Bible's power to reveal it has been around for more than a generation, but its consequences for Christian theology are still only slowly being unpacked. Anthony Bartlett's book makes a signal contribution, representing an astonishing leap forward in understanding what a biblical disclosure of founding violence means for Christian thought and life. If human language arose directly out of the primal experience of murder, then semiotics becomes a core area for theological examination. Tracing the discipline of semiotics through postmodern thinkers, then back through its birth in the Latin era, Bartlett shows how Girard's thought is itself a semiotic emergence, beyond standard Christian metaphysics. Above all, Girardian theory of human signs demands we see the generative impact of violence in our language and thought, and then, conversely, that the Word of God, crucified without retaliation and risen in the same identity, brings a totally new sign and relation into history, offering a thoroughgoing transformation of human life and meaning.
An investigation into the Christological ideas of three contemporary thinkers: Slavoj Žižek, Gianni Vattimo and René Girard.
William L. Newell presents a comprehensive analysis of René Girard’s work on the origins of culture and the depths of human desire. Girard makes no claim toward a theory of religion, but he lays the groundwork for a postmodern theory of it. Girard’s desire concerns fallen humanity, those insanely imitating what they lacked, and his use of the Bible brings back into play the idea of the holy in secular academia. Newell challenges Girard’s interpretation of Jesus’s Passion as non-sacrificial and he offers a close reading of Girard’s works on mimetic desire, scape-goating, and sacrifice, and Newell creates breakthrough theology on Jesus in the Excursus. Girard makes no claim to having a theory of religion, but he lays the groundwork for a postmodern theory of it, and in this book, Newell seeks to begin a theory of “the end of the sacred” and what will be in its place: the holy.