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An ardent treatise for the Dignity of Man, which elevates Humanism to a truly Christian level. This translation of Pico della Mirandola's famed "Oration," hitherto hidden away in anthologies, was prepared especially for Gateway Editions, making it available for the first time in a stand-alone volume. The youngest son of the Prince of Mirandola, Pico lived during the Renaissance, an era of change and philosophical ferment. The tenacity with which he clung to fundamental Christian teachings while crying out against his brilliant though half-pagan contemporaries made him exceptional in a time of exceptional men. While Pico, as Russell Kirk observes in his introduction, was an ardent spokesman for the "dignity of man," his devout nature elevated humanism to a truly Christian level, which makes his writing as pertinent today as it was in the fifteenth century.
"This volume contains Gianfrancesco Pico's Life of his uncle Giovanni Pico and also Giovanni's Oration. Gianfrancesco's Life opens a collection that omits Giovanni's Conclusions but includes the speech that we - unlike Pico - know as an Oration on the Dignity of Man. He wrote the Oration to introduce the Conclusions, but his nephew's editorial decision cut the theses off from the speech that their author had connected with them. Several times in the Oration, the orator mentioned "theorems" to be proposed in the Conclusions: he clearly saw the book and the speech as tools for the same task. Either Gianfrancesco missed his uncle's intentions, which seems unlikely, or he meant to seal off his other writings - including the Oration - from a book that he found embarrassing for himself and his relative and too risky to make public. This is the fact of the matter: Gianfrancesco left the Conclusions unpublished while publishing the Oration in a collection introduced by his Life. Both the speech and the biography are presented here, in this edition, in the same way - apart from the Conclusions: this reflects the situation in 1496 and respects Gianfrancesco's choice, even though his decision blocked understanding of the speech for many years. Today, with access to all the relevant texts in many versions, readers can move from one work to another as needed"--
An account of the astrological controversies that arose in Renaissance Italy in the wake of Giovanni Pico della Mirandola’s Disputationes adversus astrologiam divinatricem, published in 1496.
Reflecting the broad range of interests of a major Renaissance philosopher and his distinctive brand of syncretism, this anthology offers in their entirety three central works of Pico's. On the Dignity of Man, the quintessential expression of Renaissance humanism, appears in the context of two lesser known but equally representative mature works: On Being and the One, a treatise defending what Pico held to be the agreement between Aristotle and Plato on the relation between unity and being, and Heptaplus, an interpretation, influenced by a blend of cabalism and Christian doctrine, of the first verses of Genesis. New Selected Bibliography.
The first English translation, with a new Latin edition, of Giovanni Pico della Mirandola's compilation of what he considered the whole of western thought, including Jewish and Arabic, from the earliest times to his own, which he prepared as background material for a grand debate he planned the next year in Rome. Farmer analyzes the man, times, text, genre, transmission, and other aspects before presenting the Latin original and an English translation on facing pages, which are in turn firmly grounded with footnotes. Names and works are indexed separately from subjects. Annotation copyrighted by Book News, Inc., Portland, OR
Presented to modern readers in English for the first time in 500 years, The Life of Pico is a biography of one of the Renaissance¿s most famous figures: Giovanni Pico de la Mirandola (1463-94). Given More¿s demanding personal spiritual life, one would assume that More wishes to praise a famous and virtuous man. But what emerges from this book is quite different. Pico turns out to be an extraordinarily virtuous, talented, and wealthy man, but a man nonetheless, who is missing something essential. And so More calls Pico "a very spectacle" of virtue.More sees Pico as very much like himself, as the two turn out to have very similar life experiences. Both carry some scars from difficult or missing relationships with their fathers, both are extremely talented and powerful in their time, and both had been steered toward a religious vocation which they did not embrace. The book is as much a riddle about More as it is an explanation of Pico. More's great-grandson and biographer, Cresacre More, claims that Thomas More as a young man sought to emulate Pico once he decided that his path in life was marriage and not the cloth. The book's first half contains the abridged account of Pico's life. The second half is More's rhymed verse on the 12 rules of spiritual battle, the 12 weapons of spiritual battle, and the 12 properties of a lover, followed by Pico's prayer to God. In the last analysis, this biography of Pico becomes an exercise in the discernment of true virtue, in the contradictions and difficulties one encounters in the immersion into the world, and at the same time, in the life of God.
This study shows how Giovanni Pico della Mirandola used Neoplatonic and kabbalistic ideas to develop an innovative theory of biblical allegory. Based on epistemology and intellectual ascent, his theory relates to scholastic debate over the action of the intellect.