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These selected works by Giovanni Antonio Terzi represent a last flowering of the lute fantasia in a motet-imitative style. They stand at a halfway point between being dependent upon vocal forms and being a product of pure instrumental fantasy. Of the sixteen pieces with "fantasia" in the title, eleven are of Terzi's own invention. Five fantasias are attributed to other composers (nos. 13-17) as indicated in their titles, and adopted for solo lute by Terzi. When arranged for guitar, something special about the character of these fantasias emerges through the instrument. In addition, they are all wonderful works that offer many musical and technical lessons for guitarists.
This publication presents a lightly modernized, fully corrected, reliable edition of Francisco Tárrega’s more idiomatic transcriptions and arrangements for the classic guitar. Tárrega, who was also an able pianist, chose works by diverse composers such as Ludwig van Beethoven, Frédéric Chopin, and Robert Schumann to arrange for his own guitar performances, greatly expanding the concert guitar repertoire of his time.This publication provides today’s players with a dependable edition of these works that can be seamlessly incorporated into any modern concert program. Written in standard notation only for the intermediate to advanced guitarist, this collection features pieces that were less commonly heard on the guitar and sound remarkably fresh to this day.
For years, classical guitarists have enjoyed playing the lute music of the English composer, John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. the book is intended for the guitarist with intermediate to advanced fingerstyle technique, and can be played on both nylon and steel string instruments. In order to help capture the unique character of Dowland's music, renaissance lute tuning (capo on the third fret with the G string tuned to F sharp) is used throughout. the pieces progress more or less in order of increasing difficulty, and special care has been taken to be sure any group of consecutive pieces can be played with satisfying results. Standard notation only. Includes FREE downloadable companion audio files.
This book of 53 intermediate-level guitar pieces is derived from Le Secret des Muses, a two-volume collection of lute tablature by Nicolas Vallet (c. 1583 – c. 1642). Born in France, by 1614 Vallet had relocated to Amsterdam where he established a dance school and was active as a composer, lute teacher and leader of a consort that played at weddings and festivals. Le Secret des Muses is among the last published collections of French lute tablature intended for the 10-course Renaissance lute, which was ultimately supplanted by the larger 13-course Baroque model. Most of these pieces consist of traditional European dance forms, but also contains a few settings of popular lute themes and longer works suitable for concert performance are included. Written in standard notation only with occasional drop-D tuning, these pieces make excellent sight-reading and warmup material as well as historically significant concert selections.
Selected music from the historic "March Lute Book" scored for classic guitar solo. This edition is complete with copious historic and performance notes. A scholarly book containing wonderful solo settings for classic guitar.
Presented in this informative text is a concise, clear picture of the fingernail, its anatomy, what affects its health, how to combat weak nail problems, how to obtain strong, healthy nails and what products to buy. Included is an analysis of all currently available artificial nail systems (acrylics, wraps, gels and glue on tips) with a discussion of the potential health risks involved. the Guitarist's Guide to Fingernails also introduces a revolutionary new artificial nail system that is nontoxic, removable yet effective, with no risks to the health of your natural fingernail. an absolute must for guitarist's of all kinds!
Forty relatively short and easy Renaissance pieces by 40 different Renaissance composers for classical guitar in standard notation and tablature. Includes: Felice Anerio, AL SUON; Jean-Baptiste Besard, BALLET; John Bull, THE QUADRAN PAVAN (from The Fitzwilliam Virginal Book); William Byrd, A GIGG (from The Fitzwilliam Virginal Book); Antonio de Cabezon, DIFERENCIAS CAVALLERO; Fabritio Caroso, VILLANELLA (from Il Ballarino); Girolamo Cavazzoni, ET IN TERRA PAX (from Missa Apostolorum); Joan Ambosio Dalza, PAVANA ALLA FERRARESE (from Intabulatura de Lauto, Libro 4); John Dowland, IF MY COMPLAINTS (from First Book of Songs); Guillaume Dufay, AD COENAM AGNI PROVIDI (from Sämtliche Hymnen); Juan Encina, CONGOXA MAS; Giles Farnaby, PUT UP THY DAGGER, JEMY (from The Fitzwilliam Virginal Book); Vincenzo Galilei, CALLIOPE (from Libro d'intavolatura di liuto); Carlo Gesualdo, GAGLIARDA DEL PRINCIPE DI VENOSA; Orlando Gibbons, PRELUDE (from Complete Keyboard Works, Vol. 4: Fancies); Anthony Holborne, GALLIARD; Edmund Hooper, ALMAN (from The Fitzwilliam Virginal Book); Robert Johnson, ALMAN (from The Fitzwilliam Virginal Book); Josquin des Prez, MILLE REGRETZ; Orlando di Lasso, BENEDICTUS (from Missa ad imitationem moduli Jäger, LV 622);; Luis de Milan, PAVANA VI (from Libro de música de vihuela de mano intitulado El Maestro); Simone Molinaro, GAGLIARDA (from Intavolatura di liuto di Simone Molinaro Genovese); Claudio Monteverdi, IL MIO MARTIR (from Canzonette a tre voci, SV 6); Thomas Morley, PAVANA (from The Fitzwilliam Virginal Book); John Munday, MUNDAY'S JOY (from The Fitzwilliam Virginal Book); Cesare Negri, BIANCO FIORE (from Le Gratie D'Amore); Hans Neusidler, DER HUPFF AUFF (from Ein Newgeordent Kunstlich Lautenbuch); Giovanni Pierluigi da Palestrina, JESU! REX ADMIRABILIS; Conrad Paumann, MIT GANCZEM WILLEN (from Fundamentum organisandi); Peter Phillips, PAVANA PAGGET (from The Fitzwilliam Virginal Book); Martin Pierson, PIPERS PAVEN (from The Fitzwilliam Virginal Book); Diego Pisador, O DULCE VITA MEA (from Libro de Musica de Vihuela); Michael Praetorius, LO, HOW A ROSE (from Musae Sioniae, Theil 6); Tielman Susato, RONDE II ("MON AMY") (from Danserye); Thomas Tallis, FELIX NAMQUE 1 (from The Fitzwilliam Virginal Book); Giovanni Antonio Terzi, GAGLIARDA (from Intavolatura di liuto); Enríquez de Valderrábano, THEME AND VARIATION (from Diferencias sobre Guardame las vacas); Johann Walter, AUS TIEFER NOT SCHREI ICH ZU DIR (from Geystliche gesangk-Buchleyn); Thomas Warrock, PAVANA (from The Fitzwilliam Virginal Book); Thomas Weelkes, LORD, WHEN I THINK (from Airs or Fantastic Spirits).