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"Set against the grindstone of social class, this story of Lusanna versus Giovanni, gleaned from the archives of Renaissance Florence, throws a floodlight on relations between the sexes. Gene Brucker's wonderful account has remarkable resonance."—Lauro Martines, author of April Blood “In the years since it first appeared, Gene Brucker's Giovanni and Lusanna has attracted a large and loyal readership. There is no better introduction to the complex realities of life (and love) in Florence during the Renaissance.”—William J. Connell, Professor of History and La Motta Chair in Italian Studies, Seton Hall University PRAISE FOR THE PREVIOUS EDITION: "At its core, this splendid study is about stubborn love and the forms of law, and the impossibility of each to accommodate the ultimate claims of the other."—New York Times Book Review
"Set against the grindstone of social class, this story of Lusanna versus Giovanni, gleaned from the archives of Renaissance Florence, throws a floodlight on relations between the sexes. Gene Brucker's wonderful account has remarkable resonance."—Lauro Martines, author of April Blood “In the years since it first appeared, Gene Brucker's Giovanni and Lusanna has attracted a large and loyal readership. There is no better introduction to the complex realities of life (and love) in Florence during the Renaissance.”—William J. Connell, Professor of History and La Motta Chair in Italian Studies, Seton Hall University PRAISE FOR THE PREVIOUS EDITION: "At its core, this splendid study is about stubborn love and the forms of law, and the impossibility of each to accommodate the ultimate claims of the other."—New York Times Book Review
This book examines the social history of Florence from the fourteenth through to sixteenth centuries.
One of the finest yet least well known works by the genius of Alexandre Dumas. This is the fictional yet incredibly detailed and true to life travel diary of a young French women travelling the world during the 1830s.
In Living on the Edge in Leonardo's Florence, an internationally renowned master of the historian's craft provides a splendid overview of Italian history from the Black Death to the rise of the Medici in 1434 and beyond into the early modern period. Gene Brucker explores those pivotal years in Florence and ranges over northern Italy, with forays into the histories of Genoa, Milan, and Venice. The ten essays, three of which have never before been published, exhibit Brucker's graceful intelligence, his command of the archival sources, and his ability to make history accessible to anyone interested in this place and period. Whether he is writing about a case in the criminal archives, about a citation from Machiavelli, or the concept of modernity, the result is the same: Brucker brings the pulse of the period alive. Five of these essays explore themes in the premodern period and delve into Italy's political, social, economic, religious, and cultural development. Among these pieces is a lucid, synoptic view of the Italian Renaissance. The last five essays focus more narrowly on Florentine topics, including a fascinating look at the dangers and anxieties that threatened Florence in the fifteenth century during Leonardo's time and a mini-biography of Alessandra Strozzi, whose letters to her exiled sons contain the evidence for her eventful life.
The New Grove Dictionary of Music and Musicians is the most up-to-date body of musical knowledge ever gathered together.
Giovanni Bellini was the leading artist of the early Renaissance in Venice and the master of what was probably the largest workshop of any painter in Italy. Many of the works that are today associated with Bellini are half-length images of the Virgin and Child, a type of painting that became the mainstay of his workshop's production, where they were created and replicated in great numbers to meet the needs of private devotion. The local market was large and its demands were varied in terms of both style and quality, and the Bellini workshop accommodated these demands through standardized methods of production. The essays included in this book examine the practice of workshop replication both to understand the specific working methods of Bellini's shop and to situate artistic practice within the broader context of the demand for particular kinds of images. Ronda Kasl is curator of painting and sculpture before 1800 at the Indianapolis Museum of Art. Other contributors include Keith Christiansen, Antonietta Gallone, Andrea Golden, Cinzia Maria Mancuso, and David Miller.
This lovely book provides an introduction to the activities of the leading artists active in Florence during one decade of the quattrocento. It illustrates their special contributions and highlights their differences, common sources and ambitions, and responses to each other. It also explain how their art was made within the framework established by the religious, political, and social needs of powerful Florentine families. This was an era when Lorenzo de'Medici and his allies were working to consolidate their dominance in Florence, and cultivation of the visual arts were an essential part of the way in which they asserted their influence. Competition and collaboration was encouraged between artists, as was innovation in subject and technique. The book concentrates on the art of Andrea Verrocchio, Antonio and Piero Pollaiuolo, Sandro Botticelli and Filippino Lippi. Their paintings are presented within the context of the other arts practiced in the same or in neighboring workshops, and a number of works in other media are included: sculpture and objects in marble, bronze, and clay; manuscript illumination; medals; engravings and drawings. Among the drawings discussed are some by the young Leonardo, who worked with Verrocchio and was responsive to the art of the Pollaiuolo brothers during this period.
This is an album of snapshots taken roughly the mid-1950s and mid- 1960s, depicting a group of cross-dressers united around a place called Casa Susanna. The inhabitants, guests and visitors used it as a weekend headquarters for a regular girls life'. Through these wonderfully intimate shots, Susanna and her friends styled era- specific fashion shows and parties. However, it is in the more private life at Casa Susanna, where the girls clean, cook and play Scrabble, that the insight to a very private club becomes brilliant in its very ordinariness.'