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Three children learn to make colorful gingerbread houses for their grandmother. In the process, they experience the joy of creativity and learn to value individual differences. Includes recipe and directions.
There is a story in all of our hearts of believing - of loving - of caring and of treasuring something very special in our lives. This is one of them - A boy and “A Gingerbread Boy” A love that is treasured - A heart that is open - to believe - to love - and to share a treasure - together - forever! “A Gingerbread Heart” is a book of love and wonder and hope seen through the eyes of a “Gingerbread Boy”-- with a “Gingerbread Heart.”
GINGERBREAD ACADEMY is a new book from the author of Gingerbread Christmas Wonderland and Animal Cookies. Delve into the beautiful and historic gingerbread art of Hungary, and learn how to create beautiful cookie gifts for yourself and others from gingerbread artists Tunde Dugantsi and Aniko Vargane Orban. In their book, the authors include cookie and icing recipes, step-by-step instructions, practice sheets, templates and color photographs to help you achieve the same beautifully designed results they create at home in your own kitchen. This special book of gingerbread art is destined to become one of your favorites, and will provide you with decorating inspiration for years to come.
Zinnia and Dot, self-satisfied hens who bicker constantly about who lays better eggs, put aside their differences to protect a prime specimen from a marauding weasel.
Butch has always been an avid reader and loves writing. Butch loves Christmas and sharing his faith, especially during the holidays. Butch is also the author of “Inspiration for Tough Times.” Published by the X-Libris Publishing Company. Butch now resides in West Palm Beach, Florida.
Provides step-by-step directions for making a variety of gingerbread houses, men, and centerpieces and collects recipes for gingerbread cakes and cookies.
Is it too late to write the perfect recipe for a holiday happily ever after? Olivia, once the chef at a five-star Michelin restaurant, has finally found the place where she belongs: Sagebrush Dude Ranch. Time moves slower in Starlight, Texas, but not during the holidays and not when she’s preparing for a wedding. There is no time for distractions, especially from the likes of her high school flame. Alex only came to Starlight to work. His next novel was due to his editor at the end of the holidays and he didn’t even have one chapter complete. What better place to research his western setting than a dude ranch that promised hands-on experiences? Only, he didn’t expect to see the girl who broke his heart. Seeing one another again stirs up old feelings and unfinished business. As the wedding and the holidays converge, both have to make a difficult choice. Do they run from their past, or make room for the future? Grab your copy today to discover if their love ends up being the best Christmas gift of all.
His first choice … her second chance. Eight years ago, Anna Esch’s parents discouraged Neil Wengerd’s courtship. The family had just had a major blow, and Anna’s leaving would have led to grief and suffering. But obeying her mother’s wishes, Anna said not a word, only refused Neil in terms that wounded him past bearing. Hurt and angry, he left Whinburg Township … and took Anna’s heart with him. Now Neil is back for a wedding and staying with his sister and brother-in-law, who have rented the farm from Anna’s father. The whole district is buzzing. Not about Anna and Neil—everyone’s forgotten they ever courted. But about Neil and Malinda Kanagy, who is everything Anna isn’t. Can Anna stand by and watch his family make the perfect match for the man she’s never been able to forget? Or will she realize in time that Christmas is the season for God’s gifts and second chances? The Heart's Return is a standalone bonus novella in the Whinburg Township Amish series. No strong language, just a loving kiss and a guaranteed happily ever after. If you like books by Rachel J. Good, Mary Alford, or Dana R. Lynn, you’re in the right place. Enjoy! Second edition. First published in 2020 in the USA Today bestselling collection, Amish Christmas Miracles.
“A magical tale, brimming with heart." —Anne Ursu, National Book Award–long-listed author of The Troubled Girls of Dragomir Academy Maud has grown up in a house made of gingerbread, wanting nothing more than to be a witch like Mother Agatha. But just like all of Agatha's gingerbread creations—from the magical house to the chocolate mousse squirrel—Maud will turn back into crumbs if anything ever happens to Agatha. This seems unthinkable…until Hansel and Gretel, a pair of witch hunters, push Agatha into the cottage's oven. To save herself and the other creations, Maud will have to go into the dangerous forest of the Shadelands to find the First Witch's spellbook. But with witch hunters on her trail and others interested in the book for their own means, can Maud bring back the only mother she's ever known…or will witch hunters capture her before she can save her gingerbread family?
For at least a century, scholarship on realist narrative, and occasional polemics against realist narrative, have assumed that realism promotes the values of sameness against those of otherness, and that it does so by use of a narrative mode that excludes certain epistemologies, ideologies, and ways of thinking. However, the truth is more complex than that, as the essays in this volume all demonstrate. Realism’s Others examines the various strategies by which realist narratives create the idea of difference, whether that difference is registered in terms of class, ethnicity, epistemology, nationality, or gender. The authors in this collection examine in detail not just the fact of otherness in some canonical realist and canonical magical-realist and postmodern novels, but the actual means by which that otherness is established by the text. These essays suggest that neither realist narrative nor narratives positioned as anti-realist take otherness for granted; rather, the texts discussed here actively create difference, and this creation of difference often occasions severe difficulties for the novels’ representational schema. How does one represent different types of knowledge, other aesthetic modes or other spaces, for example, in texts whose epistemology has long been seen as secular and empirical, whose aesthetic mode has always been approached as pure descriptive mimesis, and whose settings are largely domestic? These essays all begin with a certain collision—of nationalities, of classes, of representational matrices, of religions—and go on to chart the challenges that this collision presents to our ideas or stereotypes of realism, or to the possibilities of writing against and beyond realism. This question motivates examination of key realist or social-realist texts, in some of these essays, by Honoré de Balzac, George Eliot, Franz Grillparzer, Theodor Storm, Gottfried Keller, Theodor Fontane, Wilhelm Raabe, María Amparo Ruiz de Burton, Henry James, William Dean Howells, Charles Chesnutt, Theodore Dreiser, H. T. Tsiang, Alan Sillitoe, and Richard Yates. However, it is no less central a question in certain non-realist texts which engage realist aims to a surprising degree, often to debate them openly; some of these essays discuss, in this light, fantastic, magical realist, and postmodern works by Abram Tertz, Paul Auster, Alejo Carpentier, Toni Morrison, Gabriel García Márquez, Salman Rushdie, and A. S. Byatt. Realism becomes more than an aesthetic aim or narrative mode. It becomes, rather, a value evoked and discussed by all of the works analyzed here, in order to reveal its impact on fiction’s treatment of ethnicity, nationality, ideology, space, gender, and social class.