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The extraordinary story of Vivian Stanshall, lead singer of the Bonzo Dog Doo-Dah Band, true British eccentric.
Viv Stanshall was one of pop music's true eccentrics. During the 60s he was the frontman of Britain's funniest and most surreal musical outfit - The Bonzo Dog Doo Dah Band. After they broke up, Stanshall's solo career included projects such as Rawlinson End, Tubular Bells (on which he was guest narrator), and songwriting with Steve Winwood. Stanshall's was a life of extremes. The highs were his renowned pranks with The Who's Keith Moon, whilst the lows saw him prone to schizophrenic depression, drug addiction and alcoholism which led to his being accused of attempting to murder his wife and his final sad demise in a house fire.
Twenty three years ago Vivian Stanshall died in a fire, trapped in a north London flat. Drunk, he slept through his own death. Vivian was the ineffable, unflappable, elegant and irreverently funny frontman and songwriter for the Bonzo Dog Dada Band, a group of art students who'd created a band unlike any other band one could name - and still adored by thousands long after their short time in the sun was knocked on the head by Vivian himself. "We were art students. We were Dada. We were making fun of the worst excesses of rock 'n roll. One day I looked around to discover we'd become what we were parodying." Written by his wife of 18 years, an artist in her own right, this is a behind-the-scenes, beneath-the-sheets, under the bed tale of an actual genius - few who admired him would disagree. In many ways this is Vivian through his own private words gleaned from his personal journals. It's also full of up close and revealing portraits of legends: Keith Moon, John Lennon, Paul McCartney, Jimi Hendrix, George Harrison, Steve Winwood, Stephen Fry, Michael Palin, John Peel, Joe Cocker, and so many more. But even more than all that, it's an ART BOOK: crammed full of Vivian's paintings, sketches, unpublished family photos, letters and poems. Vivian Stanshall was the last of the true Bohemians. This is also a tale of Dada, a mad sad glad voyage through life on a grand scale made by one of England's greatest treasures: the genius who was Vivian Stanshall.
A musical comedy, or, as Vivian Stanshall would have it, an English Comic Opera in The Grand Tradition. Stanshall (1943-95) wrote it together with his wife, Ki Longfellow-Stanshall, for their Old Profanity Showboat in Bristol, where it was staged by the Crackpot Theatre Company in December 1985. This book documents these shows. It contains the script of the musical, the lyrics of the songs, photographs, artwork by Vivian Stanshall, and an introduction by Ki Longfellow-Stanshall. The comedy is set in a typically English end-of-the-pier theatre, where the once great music hall artiste Soliquisto and his company have descended for a week. Nine years earlier Soliquisto's greatest creation, a singing and dancing cat called Stinkfoot, disappeared mysteriously from the very same theatre. Soliquisto still mourns for the loss of this talented cat and is shrouded in memories of better days.
Many know her as the reclusive Chicago nanny who wandered the city for decades, constantly snapping photographs, which were unseen until they were discovered in a seemingly abandoned storage locker. When the news broke that Maier had recently died and had no surviving relatives, Maier shot to stardom almost overnight. Bannos contrasts Maier's life has been created, mostly by the men who have profited from her work. Maier was extremely conscientious about how her work was developed, printed, and cropped, even though she also made a clear choice never to display it.
Shawn Levy, author of ‘Rat Pack Confidential’ brings alive London in the swinging Sixties with a gripping, groovy story of those who created the scene that changed the world. This edition does not include illustrations.
Om trommeslageren John Bonham fra rockgruppen Led Zeppelin, med gennemgang af alle gruppens studieindspilninger.
William Shepherd ("Billy Shears") took over The Beatles and the McCartney estate on 16 September 1966, going from "Billy Pepper" of Billy Pepper and the Pepper Pots, to The Beatles' new "Sgt. Pepper" of Sgt. Pepper's Lonely Hearts Club Band. Taking creative control of the band from John made William "the new boss," saving the band, but tormenting all involved. The Memoirs is the source of the "Paul is Dead" material reprinted in Billy's Back! and of the insights in Beatles Enlightenment, but also includes the darker aspects: Paulism, Satanism, and Biblical humor--calling The Beatles the four-headed 666 Beast. The Memoirs is the first fully encoded full-length book. As part of that encoding, it contains the world's largest acrostic, and is the world's premier of word-stacking. By reading The Memoirs, you will learn the secret meanings of their songs, and will recognize Paul and William's distinct physical differences, personality differences, and vast differences in musical skills.
The complete guide to everyone’s favourite films... saucy!
The Sunnewspaper asked if Chris Morris's July 2001 Brass Eye Special on paedophilia was 'the sickest TV ever?' It was certainly the most controversial, though his uncompromising style of comedy meant he was rarely far from trouble. Morris first came to national prominence at the heart of a group of virtually unknown comedians brought together by Armando Iannucci. This book follows them from their 1991 news satire On the Hour, which transferred from radio to television where it was reinvented as the equally successful The Day Today. It became impossible to watch bulletins without thinking of Morris's Paxmanesque anchor character chastising a reporter -- 'Peter! You've lost the news!' -- or authoritatively delivering nonsense headlines: 'Sacked chimney worker pumps boss full of mayonnaise.' Meanwhile co-star Steve Coogan created a lasting anti-hero in Alan Partridge, imbued with a horrible life all of his own. But Morris himself was always the most compelling character of all. Drawing on exclusive new interviews and original research, this book creates a compelling portrait of Morris from his earliest radio days and of the comedians and writers who frequently took on the industry they worked in, polarising opinion to such a degree that government ministers threatened to ban them entirely. THIS IS THE NEEEWWWWS!