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For almost 30 years I was married to the man the rest of the world knew as Gilligan. Almost five decades of reruns have made his television character iconic, but the Bob Denver I knew and loved was legendary to me for his courage, his commitment to his severely autistic son and his love for the wife of his dreams, maybe the reason he called me Dreams. Devoting the last 21 years of his life to our son Colin speaks volumes about Bob Denver, the man. Our love story is one for the ages. Anyone who knew us in our years together will tell you that. Our devotion to each other and to Colin was complete, and the courage of this man during the last six months of his life exemplifies the definition of the word. This is the story of a man and woman who made vows to each other and kept them. This is the story of parents facing the challenge of autism together, never wavering in their love for each other or their son. This is the story of Bob and me, two imperfect people who fit perfectly together. Losing Bob was the hardest thing I've ever faced, but his love left me stronger, more focused and in the end, able to survive even when I thought I couldn't. Being loved by this man was the greatest gift of my life. For every challenge we faced and every minute we spent together, I love you, Bob Denver.
"For almost 30 years I was married to the man the rest of the world knew as Gilligan. Almost five decades of reruns have made his television character iconic, but the Bob Denver I knew and loved was legendary to me for his courage, his commitment to his severely autistic son and his love for the wife of his dreams, maybe the reason he called me Dreams. Devoting the last 21 years of his life to our son Colin speaks volumes about Bob Denver, the man. Our love story is one for the ages"--
Denver recalls the two TV shows he starred in and the other projects of his acting career.
Join the creator of Gilligan's Island for a three-hour tour! Just sit right back and you'll hear a tale, A tale of a fateful show, That started as just one man's dream, A long, long time ago. That man was a mightily wily guy, With smarts enough for eight. If the brass upstairs let him be, The program would be great. The program would be great. The meddlesome executives Blew up a mighty storm, If not for the courage of the fearless man, The program would be lost. The program would be lost. The show's preserved in the leaves of this Terrific kooky book. With anecdotes, synopses too, Rare photographs and drawings. The whole story And lots, lots more Are here Inside Gilligan's Island! Find out: Where the Howells got all those clothes! Learn: Did Gilligan and the Skipper ever get hurt when the coconuts hit them on the head? Discover: What was "Lovey's" real name? Imagine: What kind of a pet the studio almost gave Gilligan! Sing: The original lyrics to the theme song!
A kaleidoscopic novel about our last American century A skipper plies the waters of the South Pacific, running ammunition and passing the time with navy buddies McHale and Jack Kennedy, remembering the sweet caress of Screw-Me Susie. A New York millionaire reunites with his prep school classmate Alger Hiss, and journeys to an unusual downtown cafe to meet a bearded friend. A young woman and her confidante Daisy Buchanan sink into the languor of the Hamptons and Provincetown. A buxom redhead from Alabam-don't-give-a-damn travels to Hollywood, in search of fame and fortune. A charismatic professor assists Robert Oppenheimer with his desert calculations and is henceforth the author of every American political conspiracy. And Mary-Ann Kilroy leaves Russell, Kansas, for Paris and love, only to discover that you can never go home (nor leave the island). But beneath these stories is the story of their author, an institutionalized shadow man who has twisted the histories of six characters into a pastiche of American history.
Despite her family's long feud with the Crutchfields, seventeen-year-old Kaitlin falls in love with Bram Crutchfield and weaves a tangled web of deception to conceal her identity from him.
What, if anything, do dreams tell us about ourselves? What is the relationship between types of sleep and types of dreams? Does dreaming serve any purpose? Or are dreams simply meaningless mental noise--"unmusical fingers wandering over the piano keys"? With expertise in philosophy, psychology, and neuroscience, Owen Flanagan is uniquely qualified to answer these questions. And in Dreaming Souls he provides both an accessible survey of the latest research on sleep and dreams and a compelling new theory about the nature and function of dreaming. Flanagan argues that while sleep has a clear biological function and adaptive value, dreams are merely side effects, "free riders," irrelevant from an evolutionary point of view. But dreams are hardly unimportant. Indeed, Flanagan argues that dreams are self-expressive, the result of our need to find or to create meaning, even when we're sleeping. Rejecting Freud's theory of manifest and latent content--of repressed wishes appearing in disguised form--Flanagan shows how brainstem activity during sleep generates a jumbled profusion of memories, images, thoughts, emotions, and desires, which the cerebral cortex then attempts to shape into a more or less coherent story. Such dream-narratives range from the relatively mundane worries of non REM sleep to the fantastic confabulations of deep REM that resemble psychotic episodes in their strangeness. But however bizarre these narratives may be, they can shed light on our mental life, our well being, and our sense of self. Written with clarity, lively wit, and remarkable insight, Dreaming Souls offers a fascinating new way of apprehending one of the oldest mysteries of mental life.
Dreams in Television Narratives is the first comprehensive analysis of one of American television's most frequently utilized tropes, the dream. From its beginning, television has been a storytelling medium. Whether delivered to a live audience or played out on a sound stage, narratives and those who write them have always been the crux of the television program. While film can claim a long history of scholarly inquiry into the connection between film and dreams, no comprehensive research exists on the subject of television dreams. Locating its primary function as narrative, the author uses examples from American sitcoms and dramatic programs, analyzing the narrative functions of dreams using, as its frame, Carl Jung's narrative stages of the dream: exposition, development, culmination, and conclusion. While television dreams are analyzed throughout, case studies of the television programs The Sopranos and Buffy the Vampire Slayer are included to show in detail how dreams function throughout a television series. Includes a compendium of over 1000 television episodes that include dreams, a valuable tool for any television scholar or enthusiast.
An analysis of the under-studied sitcom Gilligan’s Island that addresses key questions about American social life in the 1960s. Gilligan’s Island, created by Sherwood Schwartz, aired for three seasons between 1964 and 1967 on the CBS network. While the series was typically dismissed for its episodic inanity, author Walter Metz argues that this characteristic is precisely the source of the show’s innovation as it produces a vibrant critique of dominant American values. In this analysis of Gilligan’s Island, Metz reveals the inner workings of American television and society through an intensive look at the popular sitcom. In twenty-one short sections, Metz investigates many aspects of Gilligan’s Island: the narrative, the characters, the plot, and the performativity. Through multiple episode analyses and character examinations, Metz shows how the castaways’ actions on the island held deeper meaning and illustrated American social customs. The book also looks at several different themes presented in the show and connects them to many literary traditions, including Shakespeare (The Tempest and Hamlet), existential theatre (Waiting for Godot), and classic American literature (Moby-Dick). Through this discussion, Metz examines the literacy of Gilligan’s Island and the way it knowingly returns to certain tropes from high literature, masking their expression in a distinctly populist American idiom. Metz also addresses the legacy of Gilligan’s Island and its profound effect on American television, as evidenced by popular contemporary shows like Survivor and Lost. At one point in time, Gilligan’s Island was the most syndicated show around the world, but few scholarly articles exist about it. Fans of the show and those interested in television history and popular culture will enjoy this playful and informative study that fills a gap in television history.