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George, also known as Billy Bockfuss and as Giles, was raised as a goat rather than as a boy by a brilliant atomic physicist whose guilt about the bomb has driven him to the country. George sets out to become the messianic Grand Tutor of a university and to conquer the terrible Wescac computer system that threatens to destroy his community in this brilliant 'fantasy of theology, sociology, and sex.'
A landmark of postmodern American fiction, Letters is (as the subtitle genially informs us) "an old time epistolary novel by seven fictitious drolls and dreamers each of which imagines himself factual". Seven characters (including the Author himself) exchange a novel's worth of letters during a 7-month period in 1969, a time of revolution that recalls the U.S.'s first revolution in the 18th century - the heyday of the epistolary novel. Recapitulating American history as well as the plots of his first six novels, Barth's seventh novel is a witty and profound exploration of the nature of revolution and renewal, rebellion and reenactment, at both the private and public levels. It is also an ingenious meditation on the genre of the novel itself, recycling an older form to explore new directions, new possibilities for the novel.
In CHIMERAJohn Barth injects his signature wit into the tales of Scheherezade of the Thousand and One Nights, Perseus, the slayer of Medusa, and Bellerophon, who tamed the winged horse Pegasus. In a book that the Washington Post called "stylishly maned, tragically songful, and serpentinely elegant,” Barth retells these tales from varying perspectives, examining the myths’ relationship to reality and their resonance with the contemporary world. A winner of the National Book Award, this feisty, witty, sometimes bawdy book provoked Playboy to comment, "There’s every chance in the world that John Barth is a genius.”
The Book of Ten Nights and a Night offers both a keen introduction to the genius of John Barth and a deeply human argument for the enduring value of literature. Gathering stories written throughout this postmodern master's long career, the collection spans his entire range of styles, from straightforward narrative to experimental metafiction. In the time immediately following September 11, 2001, the veteran writer Graybard spends eleven nights with a nubile muse named WYSIWYG (What You See Is What You Get). The two lovers debate the meaning and relevance of writing and storytelling in the wake of disaster, telling a new tale each night in the tradition of Scheherazade. The Book of Ten Nights and a Night exhibits the thrilling blend of playfulness and illuminating insight that have marked Barth as one of America's most distinguished writers.
When his U.S. senator girlfriend is kidnapped during an assassination attempt outside the Explorers Club in New York City, Doc Ford sets out on a rescue mission in the Florida Keys with his friend Tomlinson; an effort that is further complicated by the kidnapper's claims that the senator has been buried alive.
When John Barth’s Lost in the Funhouse appeared in 1968, American fiction was turned on its head. Barth’s writing was not a response to the realistic fiction that characterized American literature at the time; it beckoned back to the founders of the novel: Cervantes, Rabelais, and Sterne, echoing their playfulness and reflecting the freedom inherent in the writing of fiction. This collection of Barth’s short fiction is a landmark event, bringing all of his previous collections together in one volume for the first time. Its occasion helps readers assess a remarkable lifetime’s work and represents an important chapter in the history of American literature. Dalkey Archive will reissue a number of Barth’s novels over the next few years, preserving his work for generations to come.
In 1969, while David Morrell was writing First Blood, the novel in which Rambo was created, he also wrote his doctoral dissertation about acclaimed author, John Barth. In it, Morrell analyses Barth’s early fiction, using interviews with Barth, his agent, and his editors as well as several of Barth’s unpublished essays and letters to tell what Morrell calls “the story behind the stories, a biography of Barth’s fiction.” Over the years, scholars have found John Barth: An Introduction invaluable for its lengthy biographical sections, which Barth himself approved. Fans of Morrell’s fiction will find this book enlightening in terms of what Barth taught him about writing. CRITICAL REACTION “David Morrell’s not just a fine writer; he’s also a great and generous teacher.” —New York Times bestselling author Lawrence Block “Morrell has written an interesting and informative book which reads occasionally like a biography. His prose is eminently clear and straightforward. His book has something for everyone. There is no doubt that it will become a necessity for serious students of Barth, and that, coincidentally, it is a genuinely interesting book.” —Journal of Modern Literature “Morrell’s study tells the story of Barth’s storytelling, how he got his ideas, and then how the publishers and reviewers dealt with them. He includes detailed biographical information [and] writes with great economy and clarity.” —Modern Fiction Studies “Morrell gives the reader the benefit of his familiarity with Barth and his manuscripts to plot the career of each work, from plans and, in some cases, research through revision, publisher-agent reactions, sales, and post-publication revisions. The whole enterprise is carried off with appealing confidence and informality that add up to an eminently readable book.” —World Literature Today
A National Book Award winner offers his most inventive novel to date. Journalist Simon Behler finds himself in the house of Sinbad the Sailor after being washed ashore during a sea-going adventure. Over the course of six evenings, the two take turns recounting their voyages in a brilliantly entertaining weave of stories within stories. "Filled with white nights and golden days . . . lyrical, fresh and sprightly."--Washington Post.
Written when John Barth was 24 years old, The Floating Opera is his first novel, published in 1957. It is a first-person reminiscence of the day Todd Andrews decided to commit suicide. Having picked up some sense of the French Existentialist writers from the postwar Zeitgeist, this novel questions life's value through the eyes of a 37-year-old man.