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"Two years after losing their infant son to a tragic accident, Peter Martell, a novelist with a peculiar knack for finding lost things, and his wife, Sylvia, are devastated to learn they may no longer be able to have children. In need of a fresh start, and compelled by strange dreams, the couple decide to rent a lake house in the idyllic town of Gilchrist, Massachusetts, a place where bad things might just happen for a reason. As bizarre events begin to unfold around them--a chance encounter with a gifted six-year-old boy, a series of violent deaths, and repeated sightings of a strange creature with a terrifying nature--Peter and Sylvia find themselves drawn into the chaos and soon discover that coming to Gilchrist may not have been their decision at all. Set against a small New England town in the summer of 1966, Gilchrist is a sinister tale about the haunting origins of violence, evil, and the undying power of memory."-- cover page 4.
Enhanced with 15 new essays, this collection is the benchmark of an acclaimed writer's spunk and sense of place. Originally published in 1987, "Falling Through Space" provides a funny and intimate diary of a writer's self-discovery. 42 photos.
Originally published in 1984, this collection of 14 short stories set in Arkansas and Mississippi went on to win that year’s National Book Award for fiction, confirming Ellen Gilchrist’s place as one of the preeminent literary talents of her generation. Victory Over Japan takes us into the lives of an unforgettable group of Southern women — beautiful, complicated, enchanting, and sometimes dangerous — in and out of bars, marriages, divorces, lovers' arms, and even earthquakes, in an attempt to find happiness, or at least some satisfaction. Throughout these stories, one hears echoes of Flannery O'Connor and Eudora Welty, but Ms. Gilchrist has her own unique literary voice, and it is outrageously funny, moving, tragic, and always appealing. PRAISE: “To say that Ellen Gilchrist can write is to say that Placido Domingo can sing. All you need to do is listen.” —Jonathan Yardley, The Washington Post “She is what they call a natural, writing with passion, authority and a noticeable lack of the self-consciousness that weighs down much of contemporary fiction.” —San Francisco Examiner-Chronicle “Ellen Gilchrist’s achievement is to create lives which refuse to be bound on the page by words and sentences . . . the writing is full of understanding that doesn’t advertise itself as perception or insight.” —London Daily Telegraph
Mudpie the cat explains why he thinks his mom is great.
A new edition of the bestselling classic – published with a special introduction to mark its 10th anniversary This pioneering account sets out to understand the structure of the human brain – the place where mind meets matter. Until recently, the left hemisphere of our brain has been seen as the ‘rational’ side, the superior partner to the right. But is this distinction true? Drawing on a vast body of experimental research, Iain McGilchrist argues while our left brain makes for a wonderful servant, it is a very poor master. As he shows, it is the right side which is the more reliable and insightful. Without it, our world would be mechanistic – stripped of depth, colour and value.
A fiction collection, including two new stories, from the award-winning author: “Rhoda is a fully realized creation. And not one to be dismissed lightly.”—Entertainment Weekly From Ellen Gilchrist, a National Book Award winner and “national treasure” (The Washington Post), this volume includes twenty-three stories starring Rhoda Manning—“the shining manifestation of Gilchrist’s wry, intelligent, and passionate writing” (Kirkus Review). Follow Rhoda from age eight to age sixty, as she grows from a hot-tempered, impetuous child to a complex, confident adult. Even at a young age, Rhoda loves to get her way, boasting a unique spark that only shines brighter in an adulthood full of sex and excitement. From diet pills to multiple marriages to far-reaching travels and a writing career, Rhoda’s relentless hunger for adventure will delight all who accompany her on her journeys. “A winner…Rhoda is as real as anyone who has ever ‘lived’ in a book.”—Library Journal “Rhoda loves to shop, swear and get her own way; she has always been a vivid and indelible character.”—Publishers Weekly “One of the most engaging and surprisingly lovable characters in modern fiction.”—Robert Olen Butler
After a brief courtship, Mary Bullitt finds herself married to General Henry Atkinson and on her way to the frontier outpost at St. Louis, where she finds harsh living conditions and a growing awareness that she knows nothing about the man she married.
Rosy Gilchrist and her hesitant sidekicks, Felix Smythe and Professor Cedric Dillworthy, are visiting Cambridge: Rosy to attend a Newnham reunion, and Felix and Cedric to attend preparations for the unveiling of a statue of the latter's old tutor. But plans for the statue are far from set in stone, and the meddling Gloria Biggs-Boothby is determined to see it created by another artist. It's inconvenient, then, when he turns up dead.As Rosy and her associates become increasingly embroiled in events, they face a number of teasing questions: is the deaf and frail Emeritus Prof. Aldous Phipps quite as benign as he seems? Is the Bursar a secret misogynist with a rooted aversion to large women (e.g. to Gloria)? And who is the unwitting husband that Dr John Smithers is so busy cuckolding?
Murder, manslaughter, suicide, mishap - the very public business of determining death in colonial Sydney. Murder in colonial Sydney was a surprisingly rare occurrence, so when it did happen it caused a great sensation. People flocked to the scene of the crime, to the coroner's court and to the criminal courts to catch a glimpse of the accused. Most of us today rarely see a dead body. In nineteenth century Sydney, when health was precarious and workplaces and the busy city streets were often dangerous, witnessing a death was rather common. And any death that was sudden or suspicious would be investigated by the coroner. Henry Shiell was the Sydney City Coroner from 1866 to 1889. In the course of his unusually long career he delved into the lives, loves, crimes, homes and workplaces of colonial Sydneysiders. He learnt of envies, infidelities, passions, and loyalties, and just how short, sad and violent some lives were. But his court was also, at times, instrumental in calling for new laws and regulations to make life safer. Catie Gilchrist explores the nineteenth century city as a precarious place of bustling streets and rowdy hotels, harbourside wharves and dangerous industries. With few safety regulations, the colourful city was also a place of frequent inquests, silent morgues and solemn graveyards. This is the story of life and death in colonial Sydney. PRAISE 'Catie Gilchrist draws back the veil on death in nineteenth-century Sydney to reveal life - ordinary, tragic and hopeful' David Hunt, author of Girt and True Girt