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Gilbert Gabby Dino Has Yellow Hearts is about a young dinosaur who is not allowed to play with the other dinosaurs at school because he is different. A kind bee he found at his magical secret place helps him with great advice and lets Gilbert Gabby figure it out on his own. He knows how happy he feels when he eats the tasty yellow flowers and how the yellow hearts fill him with joy. He decides that sharing this happiness will make the other dinosaurs as happy as he, and they will allow him to play with them. Toward the end of the story, Gilbert Gabby learns a valuable lesson.
Don't miss the JOE PICKETT series—now streaming on Paramount+ The first novel in the thrilling series featuring Wyoming game warden Joe Pickett from #1 New York Times bestselling author C. J. Box. Joe Pickett is the new game warden in Twelve Sleep, Wyoming, a town where nearly everyone hunts and the game warden—especially one like Joe who won't take bribes or look the other way—is far from popular. When he finds a local hunting outfitter dead, splayed out on the woodpile behind his state-owned home, he takes it personally. There had to be a reason that the outfitter, with whom he's had run-ins before, chose his backyard, his woodpile to die in. Even after the "outfitter murders," as they have been dubbed by the local press after the discovery of the two more bodies, are solved, Joe continues to investigate, uneasy with the easy explanation offered by the local police. As Joe digs deeper into the murders, he soon discovers that the outfitter brought more than death to his backdoor: he brought Joe an endangered species, thought to be extinct, which is now living in his woodpile. But if word of the existence of this endangered species gets out, it will destroy any chance of InterWest, a multi-national natural gas company, building an oil pipeline that would bring the company billions of dollars across Wyoming, through the mountains and forests of Twelve Sleep. The closer Joe comes to the truth behind the outfitter murders, the endangered species and InterWest, the closer he comes to losing everything he holds dear.
A cloth bag containing ten copies of the title.
1001 Children's Books You Must Read Before You Grow Up is the perfect introduction to the very best books of childhood: those books that have a special place in the heart of every reader. It introduces a wonderfully rich world of literature to parents and their children, offering both new titles and much-loved classics that many generations have read and enjoyed. From wordless picture books and books introducing the first words and sounds of the alphabet through to hard-hitting and edgy teenage fiction, the titles featured in this book reflect the wealth of reading opportunities for children.Browsing the titles in 1001 Children's Books You Must Read Before You Grow Up will take you on a journey of discovery into fantasy, adventure, history, contermporary life, and much more. These books will enable you to travel to some of the most famous imaginary worlds such as Narnia, Middle Earth, and Hogwart's School. And the route taken may be pretty strange, too. You may fall down a rabbit hole, as Alice does on her way to Wonderland, or go through the back of a wardrobe to reach the snowy wastes of Narnia.
Orphaned fourteen-year-old Carl and his eleven-year-old sister, Mary, travel to Argus, North Dakota, to live with their mother's sister, in this tale of abandonment, sexual obsession, jealousy and unstinting love.
After the events of Hotel Bruce, our favorite curmudgeonly bear shares his home with not only his four geese, but three rowdy mice besides! Fed up with their shenanigans, Bruce sets off to find a rodent-free household. But as usual, nothing goes quite according to plan. . . A hilarious sequel for fans of the previous Bruce books, as well as a standalone discovery for new readers, Bruce's next reluctant adventure is sure to keep kids giggling.
In The Hundreds Lauren Berlant and Kathleen Stewart speculate on writing, affect, politics, and attention to processes of world-making. The experiment of the one hundred word constraint—each piece is one hundred or multiples of one hundred words long—amplifies the resonance of things that are happening in atmospheres, rhythms of encounter, and scenes that shift the social and conceptual ground. What's an encounter with anything once it's seen as an incitement to composition? What's a concept or a theory if they're no longer seen as a truth effect, but a training in absorption, attention, and framing? The Hundreds includes four indexes in which Andrew Causey, Susan Lepselter, Fred Moten, and Stephen Muecke each respond with their own compositional, conceptual, and formal staging of the worlds of the book.
Christian Montgomery has made the family business his entire world, working himself to complete burnout just to live up to his judgemental father’s expectations. His only escape comes from gazing at the beach, watching surfers ride the waves without a care in the world and wishing he could be like them, even if just for a moment. When Sophie Bennington discovers that everything she thought she knew about her life is a lie, she backs her bags and sets off for greener pastures, ready to put her small Kansas town and everything it holds behind her. California is the fresh start she needs and she quickly learns to embrace her new life, even if it’s not exactly as she thought it would be. The one thing she didn’t see coming: the stranger she meets on the beach who gives her the courage to go after her dreams. They were never supposed to see each other again, but when Sophie comes to Christian’s rescue, an unexpected friendship is born. But Christian wants more than friendship where Sophie is concerned. But first he’ll have to show that he’s someone she can trust. All books in the Montgomery Brothers series can be read as standalones. **Previously published in 2019**
Essays in which happiness becomes a magic carpet, lifting readers above momentary fret and making the ordinary appears wondrous.
What Does Dead Mean? is a beautifully illustrated book that guides children gently through 17 of the 'big' questions they often ask about death and dying. Questions such as 'Is being dead like sleeping?', 'Why do people have to die?' and 'Where do dead people go?' are answered simply, truthfully and clearly to help adults explain to children what happens when someone dies. Prompts encourage children to explore the concepts by talking about, drawing or painting what they think or feel about the questions and answers. Suitable for children aged 4+, this is an ideal book for parents and carers to read with their children, as well as teachers, therapists and counsellors working with young children.