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In August 1972, military leader and despot Idi Amin expelled Asian Ugandans from the country, professing to return control of the economy to “Ugandan citizens.” Within ninety days, 50,000 Ugandans of South Asian descent were forced to leave and seek asylum elsewhere; nearly 8,000 resettled in Canada. This major migration event marked the first time Canada accepted a large group of predominantly Muslim, non-European, non-white refugees. Shezan Muhammedi’s Gifts from Amin documents how these women, children, and men—including doctors, engineers, business leaders, and members of Muhammedi’s own family—responded to the threat in Uganda and rebuilt their lives in Canada. Building on extensive archival research and oral histories, Muhammedi provides a nuanced case study on the relationship between public policy, refugee resettlement, and assimilation tactics in the twentieth century. He demonstrates how displaced peoples adeptly maintain multiple regional, ethnic, and religious identities while negotiating new citizenship. Not passive recipients of international aid, Ugandan Asian refugees navigated various bureaucratic processes to secure safe passage to Canada, applied for family reunification, and made concerted efforts to integrate into—and give back to—Canadian society, all the while reshaping Canada’s refugee policies in ways still evident today. As the numbers of forcibly displaced people around the world continue to rise, Muhammedi’s analysis of policymaking and refugee experience is eminently relevant. The first major oral history project dedicated to the stories of Ugandan Asian refugees in Canada, Gifts from Amin explores the historical context of their expulsion from Uganda, the multiple motivations behind Canada’s decision to admit them, and their resilience over the past fifty years.
Ms. Patel's startling memoir of survival, and escape from Idi Amin's Uganda, is an amazing journey through cultures, beliefs, and life-and-death passions. her girlhood growing up in an Indian Hindu family living in the East African nation of Uganda in the 1960s and 1970s. Like all those of Asian lineage, they were expelled from the country when the brutal dictator, Idi Amin, seized power. Ms. Patel describes their life before Amin, as seen through the eyes of a young girl. When the violence began, she was just beginning her passage into womanhood. Amin started encouraging violence toward Uganda's Asian community as soon as he took over. This escalated, until the brutal dictator expelled all Asians, giving them 90 days to leave, or they would face death. Meanwhile his followers engaged in random murders, and more and more frequent massacres. Ms. Patel and her family witnessed much of this. At one point she even stood up to Amin's murderous soldiers, yet she lived to tell her tale.
Idi Amin ruled the East African country of Uganda from January 1971 to April 1979 when he was ousted from power by a combined force of the Tanzania Peoples' Defence Force and Ugandan exiles operating through Tanzania. He left a controversial and conflicted legacy, as depicted by Oscar-winning film star Forest Whitaker in the hit movie "The Last King of Scotland"; but have authors and filmmakers who have attempted to tell his story to date really told the whole truth? Have they delved deep enough to uncover everything there is to know about Idi Amin, everything there is to tell about him and what actually happened during his rule and after he was forced to live in exile, first in Libya and then in Saudi Arabia? "No" says his son Jaffar Amin and other people! Was Idi Amin "Framed" or "Guilty as Charged"? Was something "insidious" going on during his rule in Uganda as alleged by many? What role did racism, colonialism, neocolonialism, classism, religion, tribalism and greed play in "creating" Idi Amin? In this unprecedented series devoted to telling Idi Amin's story in its entirety and not just "selected" parts, Margaret Akulia engages his son Jaffar Amin and other people in candid "conversation" about his legacy. As the world continues to pronounce "A Guilty Verdict" on Idi Amin after "finding him guilty beyond reasonable doubt," many people are adamant in asserting that "others" and not Idi Amin committed the "mass murders" attributed to him in Uganda which begs the question: Was Idi Amin a Hero or a Villain? This is a series devoted to uncovering Idi Amin's story in its entirety, layer by layer, telling all the truth and shedding light on the untruths! Compiled and co-written by Jaffar Amin and Margaret Akulia.
In Idi Amin’s Shadow is a rich social history examining Ugandan women’s complex and sometimes paradoxical relationship to Amin’s military state. Based on more than one hundred interviews with women who survived the regime, as well as a wide range of primary sources, this book reveals how the violence of Amin’s militarism resulted in both opportunities and challenges for women. Some assumed positions of political power or became successful entrepreneurs, while others endured sexual assault or experienced the trauma of watching their brothers, husbands, or sons “disappeared” by the state’s security forces. In Idi Amin’s Shadow considers the crucial ways that gender informed and was informed by the ideology and practice of militarism in this period. By exploring this relationship, Alicia C. Decker offers a nuanced interpretation of Amin’s Uganda and the lives of the women who experienced and survived its violence. Each chapter begins with the story of one woman whose experience illuminates some larger theme of the book. In this way, it becomes clear that the politics of military rule were highly relevant to women and gender relations, just as the politics of gender were central to militarism. By drawing upon critical security studies, feminist studies, and violence studies, Decker demonstrates that Amin’s dictatorship was far more complex and his rule much more strategic than most observers have ever imagined.
This spectacular volume reveals for the first time an exceptional private collection of the most beautiful royal Indian jewels from the Mughal Empire to the British Raj to today. Written by renowned jewelry experts and featuring magnificent original photography by Laziz Hamani, Beyond Extravagance explores the centuries-long tradition of fine jewelry and art objects in India, to contemporary interpretations that continue to evolve today.
Taking Gandhi's statements about civil disobedience to heart, in February 1922 residents from the villages around the north Indian market town of Chauri Chaura attacked the local police station, burned it to the ground and murdered twenty-three constables. Appalled that his teachings were turned to violent ends, Gandhi called off his Noncooperation Movement and fasted to bring the people back to nonviolence. In the meantime, the British government denied that the riot reflected Indian resistance to its rule and tried the rioters as common criminals. These events have taken on great symbolic importance among Indians, both in the immediate region and nationally. Amin examines the event itself, but also, more significantly, he explores the ways it has been remembered, interpreted, and used as a metaphor for the Indian struggle for independence. The author, who was born fifteen miles from Chauri Chaura, brings to his study an empathetic knowledge of the region and a keen ear for the nuances of the culture and language of its people. In an ingenious negotiation between written and oral evidence, he combines brilliant archival work in the judicial records of the period with field interviews with local informants. In telling this intricate story of local memory and the making of official histories, Amin probes the silences and ambivalences that contribute to a nation's narrative. He extends his boundaries well beyond Chauri Chaura itself to explore the complex relationship between peasant politics and nationalist discourse and the interplay between memory and history.
This section of the History of al-Ṭabarī covers the caliphate of Muḥammad al-Amīn, who succeeded his father, Hārūn al-Rashīd on March 24, 809, and was killed on September 25, 813. The focus of this section is a single event, the civil war between al-Amīn and his half-brother al-Maʾmūn. Before his death, al-Rashīd had arranged for the succession in a series of documents signed at Mecca and deposited for safekeeping in the Ka'bah. Al-Amīn was to become caliph; al-Maʾmūn was to govern Khurasan with virtual autonomy from Baghdad. Al-Amīn could neither remove his brother from office nor interfere with his revenues or military support. Furthermore, al-Maʾmūn was named as al-Amīn's successor, and al-Amīn was forbidden to alter the succession. If either brother violated these conditions, he was to forfeit his rights. It soon became apparent that the good will to carry out these arrangements did not exist. Disagreement broke out when al-Amīn insisted that many of the forces that had accompanied al-Rashīd and al-Maʾmūn to Khurasan return to Baghdad. When the majority of army commanders obeyed the new caliph's orders, al-Maʾmūn was enraged and countered with measures to secure his position. Angry letters were exchanged, with al-Amīn pressing his brother to make concessions that al-Maʾmūn regarded as contrary to the succession agreement. By March 811, military conflict was imminent. Al-Amin demanded that certain border districts be returned to the control of Baghdad. When al-Maʾmūn refused, al-Amīn despatched an expedition to seize the districts. Al-Amīn's resort to force ended in disaster. Al-Maʾmūn's forces, led by Ṭāhir ibn al-Ḥusayn and Harthamah ibn A'yan, quickly closed in on Baghdad. In a siege lasting over a year, Baghdad suffered extensive damage from the fighting and from bombardment by siege engines. Gangs of vagrants and paupers, organized by al-Amīn into irregular units, fought a kind of urban guerrilla war. But, with Tahir and Harthamah enforcing the siege and with most of al-Amīn's associates having switched their loyalties to the winning side, the caliph was forced to sue for terms. These were worked out among representatives of al-Amīn, Tahir, and Harthamah. However, when the caliph boarded the boat that was to take him into Harthamah's custody, troops loyal to Tahir assaulted and capsized the boat. Al-Amīn fell into the Tigris, was apprehended, and was executed that night on orders from Tahir. Thus ended this phase of the civil war. Al-Maʾmūn was now caliph. Al-Ṭabarī i's history of these years includes accounts by participants in the event, diplomatic letters betweenal-Amīn and al-Maʾmūn, Tahir's long letter toal-Maʾmūn on the circumstances of al-Amin's death, and a dramatic eyewitness account of al-Amīn's last hours. Also noteworthy is a 135-verse poem describing the devastation of Baghdad. The section ends with a series of literary anecdotes on the character of al-Amīn.
This work is a translation and study of a ninth- through fifteenth-century manuscript, Kitāb al-Hadāyā wa al-Tuḥaf. The manuscript furnishes a wealth of varied information offering insights into the period immediately preceding Islam and extending through the first four centuries of Islamic rule.
Hollywood’s Africa after 1994 investigates Hollywood’s colonial film legacy in the postapartheid era, and contemplates what has changed in the West’s representations of Africa. How do we read twenty-first-century projections of human rights issues—child soldiers, genocide, the exploitation of the poor by multinational corporations, dictatorial rule, truth and reconciliation—within the contexts of celebrity humanitarianism, “new” military humanitarianism, and Western support for regime change in Africa and beyond? A number of films after 1994, such as Black Hawk Down, Hotel Rwanda, Blood Diamond, The Last King of Scotland, The Constant Gardener, Shake Hands with the Devil, Tears of the Sun, and District 9, construct explicit and implicit arguments about the effects of Western intervention in Africa. Do the emphases on human rights in the films offer a poignant expression of our shared humanity? Do they echo the colonial tropes of former “civilizing missions?” Or do human rights violations operate as yet another mine of sensational images for Hollywood’s spectacular storytelling? The volume provides analyses by academics and activists in the fields of African studies, English, film and media studies, international relations, and sociology across continents. This thoughtful and highly engaging book is a valuable resource for those who seek new and varied approaches to films about Africa. Contributors Harry Garuba and Natasha Himmelman Margaret R. Higonnet, with Ethel R. Higgonet Joyce B. Ashuntantang Kenneth W. Harrow Christopher Odhiambo Ricardo Guthrie Clifford T. Manlove Earl Conteh-Morgan Bennetta Jules-Rosette, J. R. Osborn, and Lea Marie Ruiz-Ade Christopher Garland Kimberly Nichele Brown Jane Bryce Iyunolu Osagie Dayna Oscherwitz
Despite being one of the largest immigrant groups contributing to the development of modern Canada, the story of the English has been all but untold. In Invisible Immigrants, Barber and Watson document the experiences of English-born immigrants who chose to come to Canada during England’s last major wave of emigration between the 1940s and the 1970s. Engaging life story oral histories reveal the aspirations, adventures, occasional naïveté, and challenges of these hidden immigrants. Postwar English immigrants believed they were moving to a familiar British country. Instead, like other immigrants, they found they had to deal with separation from home and family while adapting to a new country, a new landscape, and a new culture. Although English immigrants did not appear visibly different from their new neighbours, as soon as they spoke, they were immediately identified as “foreign.” Barber and Watson reveal the personal nature of the migration experience and how socio-economic structures, gender expectations, and marital status shaped possibilities and responses. In postwar North America dramatic changes in both technology and the formation of national identities influenced their new lives and helped shape their memories. Their stories contribute to our understanding of postwar immigration and fill a significant gap in the history of English migration to Canada.