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Subtitle on cover: The story of a divine encounter.
Red bird came all winter / firing up the landscape / as nothing else could. So begins Mary Oliver's twelfth book of poetry, and the image of that fiery bird stays with the reader, appearing in unexpected forms and guises until, in a postscript, he explains himself: "For truly the body needs / a song, a spirit, a soul. And no less, to make this work, / the soul has need of a body, / and I am both of the earth and I am of the inexplicable / beauty of heaven / where I fly so easily, so welcome, yes, / and this is why I have been sent, to teach this to your heart." This collection of sixty-one new poems, the most ever in a single volume of Oliver's work, includes an entirely new direction in the poet's work: a cycle of eleven linked love poems-a dazzling achievement. As in all of Mary Oliver's work, the pages overflow with her keen observation of the natural world and her gratitude for its gifts, for the many people she has loved in her seventy years, as well as for her disobedient dog, Percy. But here, too, the poet's attention turns with ferocity to the degradation of the Earth and the denigration of the peoples of the world by those who love power. Red Bird is unquestionably Mary Oliver's most wide-ranging volume to date.
Katie, also known as Red Bird, joins her family and other Indians at the annual powwow in southern Delaware, where they celebrate their Nanticoke heritage with music, dancing, and special foods.
"I remember the day I lost my spirit." So begins the story of Gertrude Simmons, also known as Zitkala-Ša, which means Red Bird. Born in 1876 on the Yankton Sioux reservation in South Dakota, Zitkala-Ša willingly left her home at age eight to go to a boarding school in Indiana. But she soon found herself caught between two worlds—white and Native American. At school she missed her mother and her traditional life, but Zitkala-Ša found joy in music classes. "My wounded spirit soared like a bird as I practiced the piano and violin," she wrote. Her talent grew, and when she graduated, she became a music teacher, composer, and performer. Zitkala-Ša found she could also "sing" to help her people by writing stories and giving speeches. As an adult, she worked as an activist for Native American rights, seeking to build a bridge between cultures. The coauthors tell Zitkala-Ša’s life by weaving together pieces from her own stories. The artist's acrylic illustrations and collages of photos and primary source documents round out the vivid portrait of Zitkala-Ša, a frightened child whose spirit "would rise again, stronger and wiser for the wounds it had suffered."
This is an account of studies of the function and evolution of colorful plumage in the House Finch. It is also an engaging study on the evolution of sexual selection in birds and a lively portrait of the challenges and constraints of experimental design facing any field investigator working with animal behavior. Part I sets the stage for modern studies of the function of plumage coloration with a review of the nineteenth and beginning of the twentieth centuries. Part II focuses on the proximate control and present function of plumage coloration. Part III takes a more explicitly evolutionary approach to the study of plumage coloration using biogeography and phylogeny to test hypotheses for why specific forms of plumage color display have evolved. It concludes with an account of comparative studies that have been conducted in the House Finch and other cardueline finches and the insight these studies have provided on the evolution of carotenoid-based ornamental coloration.
This “splendidly satirical novel” by the award-winning Pakistani author “beautifully captures the absurdity and folly of war and its ineluctable impact” (Booklist, starred review). An American pilot crash lands in the desert and finds himself on the outskirts of the very camp he was supposed to bomb. After days spent wandering and hallucinating from dehydration, Major Ellie is rescued by one of the camp’s residents, a teenager named Momo, whose money-making schemes are failing while his family falls apart. His older brother left for his first day of work at an American base and never returned; his parents are at each other’s throats; his dog is having a very bad day; and a well-meaning aid worker has shown up wanting to research him for her book on the Teenage Muslim Mind. To escape the madness, Momo sets out to search for his brother, and hopes his new Western acquaintances might be able to help find him. But as the truth of Ali’s whereabouts begin to unfold, the effects of American “aid” on this war-torn country are revealed to be increasingly pernicious. In Red Birds, acclaimed author Mohammed Hanif reveals critical truths about the state of the world with his trademark wit and keen eye for absurdity.
Anna and Matthew, two poor siblings who have known only hunger, cold, and hard labor since their mother died, follow a bright red bird to a land of happiness.
Welcome to the charming town of Lost River – and an enchanting and unforgettable Christmas... When Oswald moves to the sleepy little town of Lost River he’s not expecting to make friends - but one by one the eccentric inhabitants win his heart. There’s his landlady Betty who’s a force to be reckoned with, Roy who runs the local store and secretly nurses a broken heart, Patsy the little abandoned girl he takes under his wing and, most importantly, Jack the redbird who brings the sort of miracle that can only happen at Christmas... 'A wonderful book ...oozing with goodness and charm... Absurdly satisfying' Guardian 'A born storyteller' New York Times
By placing their fingers inside Red's beak, children and adults can read the story together, and have fun with the interactive prompts, as Red saves the day
In Native American culture, the Red Bird is a 'seer' or messenger from another realm. In Christianity, when a cardinal appears, angels are near. In BA Crisp's remarkable first novel, a Red Bird means redemption; for your sins, for anyone you've loved and lost, or from a secret you hope to keep. It's 1984 and Samantha Ryan Blake--human trafficking victim, unruly foster child--sees things: murder, crime...and sometimes...otherworldly 'beings'. She doesn't have a family. Not since her mother was institutionalized and her father went missing ten years ago in Vietnam. What she does have is a secret. Now she's been made an offer--to receive 'special tutoring' by a British couple-- on the grounds of a heavily guarded American nuclear reactor testing facility. Two facts seem certain: She faces prison if she refuses the offer--and she needs help. Sam's court file paints her as a promiscuous teenage thief with a high IQ--until Bennie, a very strange boy also living behind the gates, tells her she's not the "person" she thinks she is. To save herself and Earth, she's forced to embark on a personal and perilous journey that uncovers long-buried secrets about the world she thought she knew--secrets that stretch across generations and the universe, all the way to Ninmah's Portal, home of the Astral Weavers. Confronting her losses, Sam will be forced to relearn everything she thought she knew about herself, her family and this world. From rural Midwest Ohio to the upper echelons of government controlled "unacknowledged special access projects" and beyond, Red Bird explores--with sharp insight and fierce humor--the resilience of the human spirit, even during times of political chaos.