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A chilling new tale of literary intrigue from the author of the international sensation The Oxford Murders When Guillermo Martínez 's novel The Oxford Murders was first published in the United States, The New York Times Book Review called it "a scholarly whodunit [for] anyone who loves a good mystery." Now Martínez returns with a worthy followup: the mesmerizing The Book of Murder. A young writer finds himself unexpectedly tangled up in the story of Luciana, his former assistant and Kloster, bestselling author and rival. What he discovers about the deaths surrounding Luciana will make him question everything he had always believed-and taken for granted-about chance and calculation, cause and effect.
For the fourth year, generous authors have graciously contributed their time, efforts and creativity to raise money for a very worthy effort-making children happy. This year, nineteen talented authors and one very talented editor have put their skills together and produced a very remarkable book. Wolfmont's 2008 anthology for Toys for Tots was an Independent Mystery Booksellers Association Top Ten Bestseller for 2008, and the only small press title in the list. Praise for past Toys for Tots anthologies: "You'll find yourself surrounded this Christmas by thieves, thugs, murderers, and adulterers - and loving every minute of it!" -- P.M. Terrell, acclaimed author of RICOCHET, KICKBACK, and THE CHINA CONSPIRACY "(A) delightful collection for all types of mystery fans." -- Mary Saums, author of the Thistle and Twigg mystery series "Each story is a tantalizing present waiting to be unwrapped." -- Peggy Ehrhart, author of SWEET MAN IS GONE
Relieved to hear of the death of best-selling author Cameron Harris, and with him the death of his poison pen, the members of the Tower Writer's Collective soon become suspects in his murder.
A former FBI agent gets entangled in a financial mogul’s murder in this “superior” whodunit series (Publishers Weekly). Once one of Wall Street’s most powerful forces, Donald McAdam’s life changed when he found himself in a tight spot with the SEC. Either give up everything, they told him, or inform on your friends. Never one for loyalty, McAdam chose the wire, and sent half the stockbrokers in New York to prison. Now he’s filthy rich, isolated, and so paranoid that he buys his cocaine laced with strychnine, in hopes of building up a tolerance for the poison. His caution doesn’t help him, however, when he tumbles off his high-rise balcony and falls headfirst back down to Wall Street. Soon afterward, one of the men McAdam put away invites ex–FBI investigator Gregor Demarkian on a very peculiar cruise—onboard a cramped precise replica of the Mayflower. But when the behavior of the passengers proves rather un-Puritan, Demarkian discovers something that would have shocked Columbus: a New World murder.
The instant #1 New York Times and USA Today best seller by Karen Kilgariff and Georgia Hardstark, the voices behind the hit podcast My Favorite Murder! Sharing never-before-heard stories ranging from their struggles with depression, eating disorders, and addiction, Karen and Georgia irreverently recount their biggest mistakes and deepest fears, reflecting on the formative life events that shaped them into two of the most followed voices in the nation. In Stay Sexy & Don’t Get Murdered, Karen and Georgia focus on the importance of self-advocating and valuing personal safety over being ‘nice’ or ‘helpful.’ They delve into their own pasts, true crime stories, and beyond to discuss meaningful cultural and societal issues with fierce empathy and unapologetic frankness. “In many respects, Stay Sexy & Don’t Get Murdered distills the My Favorite Murder podcast into its most essential elements: Georgia and Karen. They lay themselves bare on the page, in all of their neuroses, triumphs, failures, and struggles. From eating disorders to substance abuse and kleptomania to the wonders of therapy, Kilgariff and Hardstark recount their lives with honesty, humor, and compassion, offering their best unqualified life-advice along the way.” —Entertainment Weekly “Like the podcast, the book offers funny, feminist advice for survival—both in the sense of not getting killed and just, like, getting a job and working through your personal shit so you can pay your bills and have friends.” —Rolling Stone At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Once more we meet the inimitable Inspector Albert V. Tretheway and his colleague, Constable Jonathan (Jake) Small, in the Canadian city of Fort York in 1939. Pranks begin when Tretheway's beloved bowler hat disappears. Three weeks later Tretheway and Jake investigate a nervous neighbor's report about an anonymous phone tip that her long-dead husband is in her garage. They find instead a live horse wearing Tretheway's missing bowler. The pranks escalate, and only Tretheway connects them and surmises they are movie-inspired. The guessing game begins. Which movie is next? When the fourth prank involves a pre-dug grave, the Hindu Goddess Kali and the murder of a popular Bugle-Major, Tretheway spearheads a chase, cerebral and physical, through more movie murder adventures to a fiery spectacular finale.
A spoiled party girl’s sweet sixteen gets hijacked by a magical visitor who takes her on a journey through the past and the choices that made her the person she is in this poignant novel from New York Times bestselling author Kate Brian perfect for fans of Afterlife of the Party and Do Revenge. Elite guest list. Vera Wang gown with matching Jimmy Choos. Charming tuxedo-clad boyfriend. Velvet rope. Teagan Phillips’s sweet sixteen is the event of the season. Other parties have been chill, sure, but no one at Rosewood Prep throws a bash as extravagant, exclusive, or over-the-top expensive as Teagan. No one is as obnoxious, either. But that doesn’t stop everyone from wanting to see and be seen at her birthday. Luckily, Teagan’s in for a rude (and rather ungraceful) awakening. On the big night she falls stilettos-over-tiara into the country club wine cellar and blacks out. When she comes to, there is a strange woman standing at the foot of the stairs. Teagan initially mistakes this mystery woman as one of the help, but the stranger’s true purpose is to take Teagan on a ride, bringing her back through time to show her some very unpretty realities. At the end of it all, if she’s lucky, Teagan and her visitor just might put the sweet back in sixteen…
Discover the science of forensics through Agatha Christie's novels in the ultimate true crime investigation Agatha Christie is the bestselling novelist of all time, and nearly every story she ever wrote involves one—or, more commonly, several—dead bodies. And the cause of death, the motives behind violent crimes, the clues that inevitably are left behind, and the people who put the pieces together to solve the mystery invite the reader to analyze the evidence and race to find the answer before the detective does. Nearly every step of the way, Christie outlines the nuts and bolts of early 20th-century crime detection, relying on physical evidence to tell the real story behind the facades humans erect to escape detection. Christie wouldn't have talked of "forensics" as it is understood today—most of her work predates the modern developments of forensics science—but in each tale she harnesses the power of human observation, ingenuity, and scientific developments of the era. A fascinating, science-based deep dive, The Science of Murder examines the use of fingerprints, firearms, handwriting, blood spatter analysis, toxicology, and more in Christie's beloved works. What readers are saying: "Highly entertaining with many fascinating snippets of insider information about real life criminal cases. This is a must for Christie fans." "Thoroughly researched and a delight to read!" "A wealth of information and knowledge to help give an insight to the golden age of crime fiction." "Absolutely brilliant book that looks at how Agatha Christie made use of developments in forensic science in her novels and upgraded her understanding over time." "Agatha Christie is one of my favorite authors, unparalleled in her clever plots and twisting tales. She was also a forensic expert, weaving into her novels human observation, ingenuity and genuine science of the era. This book illuminates all of Agatha's incredible knowledge, showing how she stayed at the cutting edge of forensic knowledge, as seen through her much loved characters."
THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES—COMING SOON TO NETFLIX! • This is the story about an investigation turned obsession, full of twists and turns and with an ending you'll never expect. Everyone in Fairview knows the story. Pretty and popular high school senior Andie Bell was murdered by her boyfriend, Sal Singh, who then killed himself. It was all anyone could talk about. And five years later, Pip sees how the tragedy still haunts her town. But she can't shake the feeling that there was more to what happened that day. She knew Sal when she was a child, and he was always so kind to her. How could he possibly have been a killer? Now a senior herself, Pip decides to reexamine the closed case for her final project, at first just to cast doubt on the original investigation. But soon she discovers a trail of dark secrets that might actually prove Sal innocent . . . and the line between past and present begins to blur. Someone in Fairview doesn't want Pip digging around for answers, and now her own life might be in danger. And don't miss the sequel, Good Girl, Bad Blood! "The perfect nail-biting mystery." —Natasha Preston, #1 New York Times bestselling author
This book is the first full-length study to focus on the various film adaptations of Patricia Highsmith’s novels, which have been a popular source for adaptation since Alfred Hitchcock’s Strangers on a Train (1952). The collection of essays examines films such as The Talented Mr. Ripley, The Two Faces of January, and Carol, includes interviews with Highsmith adaptors and provides a comprehensive filmography of all existing Highsmith adaptations. Particular attention is paid to queer subtexts, mythological underpinnings, philosophical questioning, contrasting media environments and formal conventions in diverse generic contexts. Produced over the space of seventy years, these adaptations reflect broad cultural and material shifts in film production and critical approaches to film studies. The book is thus not only of interest to Highsmith admirers but to anyone interested in adaptation and transatlantic film history.