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In his fourth novel Joseph G. Peterson tells the story of Gideon Anderson, a young man alienated from his father and two brothers who have gone into the family business. Unlike them, he receives checks from his rich uncle every month. In exchange for the checks, the uncle asks Gideon to come up with a plan for his life, essentially a blueprint about how he intends to enter the job market. Gideon, who went to a prestigious university, puts his uncle off and spends the money on alcohol, the horses, and a miscellany of useless purchases partly because he doesn't know what to do, partly because he doesn't want to do anything. Gideon then meets a lovely, ambitious woman, Claire, who encourages him to do better with his life and talent. She asks him to come to New York with her where her father can set him up in his firm or bankroll a business venture. Despite his good fortune in love and access to the steady cash-flow provided by his uncle, Gideon, like Melville's character Bartleby the Scrivener "prefers not to" commit either to a career or to Claire. For ten years he just drifts. And then suddenly his uncle dies and Gideon has to make a decision. The novels of Joseph G. Peterson have run a literary gauntlet from searing prose to lyrical poetry; from noir style to full character-driven plots, and his work has drawn comparisons to Gertrude Stein and Ernest Hemingway. An incredible eye for detail and taut, lean prose are what readers have come to expect from a Peterson effort, and in this new book they will not be disappointed. Peterson delivers an emotionally engaging parable that will appeal not only to twenty-somethings unwilling or unable to commit and fit in, but also to adult readers who appreciate modern literary fiction and carefully crafted characters.
How could a church culture that lifted high the name of Jesus make covenant with the Confederacy? How did the Southern Baptist Convention lead the way? How do divided hearts and unholy covenants still hinder awakening in the conservative US church culture? What dramatic changes will a spirit of grace and supplication bring? We Confess! The Civil War, the South, and the Church uncovers the answers, historically and biblically. God is revealing what we haven't wanted to see, so we can become who we truly are. He promises to cleanse us from bloodguilt not yet cleansed, as we say what we haven't dared say. As we confess, healing, life, oneness, witness and true worship flow. As we confess, our Lord is honored and his kingdom furthered. So why don't we, who most tend to gravitate to the word "celebrate" when talking of the Civil War, instead throw all caution to the wind--and confess? Honest, compelling, courageous, redemptive, this remarkable look at the conservative church culture rooted in the Deep South explores such topics as king cotton and mighty oaks; the fast God has chosen; spiritual bulimia; spiritual schizophrenia; blood covenant; cleansing from bloodgui“/li> an undivided heart.
The sequel to The Palace of Breadcrumbs delves deeper into the treacherous world of the protagonists, exposing dark secrets and unveiling perilous threats that loom menacingly on the horizon. As they navigate through a labyrinth of deceit and betrayal, the stakes soar ever higher, the risks more daunting, and the repercussions more devastating than ever before. Gideon Calister, a driven young lawyer consumed by grief, returns to his homeland to carry on his deceased cousin's noble crusade and reclaim the heart of his beloved Samantha. However, as he immerses himself in the cutthroat realm of politics, Samantha, a defiant rebel assassin, finds herself torn between her love for Gideon and her steadfast allegiance to the cause she fights for. With the looming threat of the New Freedom Society issuing orders for his assassination, Gideon's life hangs in the balance as he courageously pushes forward controversial bills that send shockwaves through society. Unbeknownst to the president, these bills are part of a cunning master plan that will ultimately bring the entire country to its knees.
Guiding Gideon chronicles the encounters between Gideon, a young man in his thirties in the midst of crisis, and his spiritual guide, Julian. With Julian accompanying him to attend prayerfully to the life directly before him, Gideon traverses the troubled landscape of his interior life, where he encounters grace, his deepest wounds become "sacred," and he is invited into fuller participation in the kingdom of God. Julian reflects prayerfully on each session, conscious that he is a privileged witness to the restorative movements of the Spirit within Gideon's life and that the same Spirit is forming him in the way of Jesus. Guiding Gideon is for all who desire to become more attentive to their formation in the likeness of Christ. It is also for spiritual guides who want their mentoring, counseling, pastoral care, or spiritual directing to reflect and embody the way of Jesus. Written as a narrative, Guiding Gideon offers prayerful reflection within the context of guiding a fictional pilgrim and also invites readers to witness the formation of a fictional guide. Reflective of the contemplative vision of New Monasticism, Guiding Gideon models a prayer-action praxis inspired by Jesus' Sermon on the Mount.
Created in 1951 to ensure an embattled IsraelÕ s future, the Mossad has been responsible for the most audacious and thrilling feats of espionage, counterterrorism and assassination ever ventured. GideonÕ s Spies has been created from closed-door interviews with Mossad agents, informants and spymasters, and drawing from classified documents and top-secret sources, revealing previously untold truths about the Israeli intelligence agency. Bang-up-to-date, this new paperback edition of this best-selling book includes startling new information on subjects ranging from Weapons of Mass Destruction, international terrorism, North KoreaÕ s bird-flu war games and Ô ethnic bombsÕ . The riveting text is supported by glossaries, appendices and shows a Mossad as it has historically been: brilliant, ruthless, flawed but ultimately fascinating.
Saudade reportedly has no direct English translation; it’s a Portuguese word describing the nostalgic longing for something that may never return, or may not exist. This feeling can be strangely comforting; author Manuel de Mello calls it “A pleasure you suffer, an ailment you enjoy.” It permeates the music of Brazil, another nation steeped in slavery and sadness and the hope for a better life. Yet this heartsick yearning’s actually very familiar to those of us born and raised in North America; we often call it “the blues.” This saudade-themed anthology explores this fascinating emotional territory in exciting poems and stories from a range of new and up-and-coming authors—pieces that linger after the last page is turned.
Gideon. An identity shrouded in mystery - the anonymous source who holds the key to an explosive secret. In a clandestine meeting, writer Carl Granville is hired to take the pages of an old diary, articles, letters, documents in which all proper names and locations have been blacked out - and turn them into compelling fiction. He will be paid a quarter of a million dollars. But he can never tell a soul. As he is fed information and his work progresses, Granville begins to realize that Gideon's book is more than just a potential bestseller. It is a revelation of chilling evil and a decades-long cover-up by someone with far-reaching power. He starts to have second thoughts. How will his book be used? Whose lives will be shattered? What is the truth behind the story - and who is the true storyteller? Then someone close to Granville is bludgeoned to death. Another is savagely murdered. His apartment is ransacked, his computer destroyed, all his records stolen. Suspicion falls on Granville. He tries to explain the shadowy assignment. No one believes him. He has no proof, no alibis...
It is 1938-39. Nazis invade Czechoslovakia. Martians invade New Jersey. Soviet agents infiltrate the Manhattan media. The Mutual Broadcasting System is struggling to save a failing mystery show, Adventures of Gideon Cairn. A dashing, obscure Canadian actor is hired to play Gideon Cairn, and a troubling element of the occult is introduced in the scripts. Then, at the end of one Sunday-night broadcast, the actor makes an unscripted announcement: on the next weekly broadcast Gideon Cairn will provide information that will lead to the solution of a recent real-life assassination in Rockefeller Plaza. This story of the week between the two broadcasts is told from three points of view -that of Michael, a young scriptwriter whose mind is infected by the fantasies of pulp fiction - that of Milton, a middle-aged radio producer with ties to the American Communist Party - and that of Marion, the senior writer on the show, whose experience has led her to distrust dashing actors, political ideologies, and the attractions of the kind of mystery fiction that she has been writing. Enter the NYPD, FBI, Communists, Fellow Travelers, Nazis, The Lone Ranger, Charlie McCarthy and Orson Welles. Read on...
In spite of the rich repertoire of artistic traditions in Southern Africa, particularly in the areas of drama, theatre and performance, there seems to be a lack of a corresponding robust academic engagement with these subjects. While it can be said that some of the racial groups in the region have received substantial attention in terms of scholarly discussions of their drama and theatre performances, the same cannot be said of the black African racial group. As such, this collection of thirteen chapters represents a compendium of critical and intellectual discourses on black African drama, theatre and performance in Botswana, Lesotho, South Africa, and Swaziland. The topics covered in the book include, amongst others, ritual practices, interventionist approaches to drama, textual analyses, and the funeral rites (viewed as performance) of the South African liberation icon Nelson Mandela. The discussions are rooted mainly using African paradigms that are relevant to the context of African cultural production. The contributions here add to the aggregate knowledge economy of Southern Africa, promote research and publication, and provide reading materials for university students specialising in the performing arts. As such, the book will appeal to academics, theatre scholars, cultural workers and arts administrators, arts practitioners and entrepreneurs, the tourism industry, arts educators, and development communication experts.